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本篇paper代写- Space rhythm and sound and picture rhythm in animation films讨论了动画电影中的空间节奏和声画节奏。空间节奏和声画视听节奏在动画影视作品中不是孤立存在的，它们之间存在着同步与对位的关系，是统一体。动画影视作品能抓住观众的不光是画面中精彩的情节、镜头的运用和场景色彩的变化，很关键的一环在于空间与声画的配合。从视听感受的角度而言，影视是视听艺术的统一体，影片通过画面和声音直接诉诸于观众的视听感官，给人以艺术享受。本篇paper代写由51due代写平台整理，供大家参考阅读。

From the perspective of audio-visual experience, film and television are the unity of audio-visual art. The film directly appeals to the audio-visual senses of the audience through pictures and sounds, giving people artistic enjoyment. Spatial rhythm and audio-visual rhythm of sound painting are not isolated in the animation film and television works, and there is a relationship between synchronization and rump, which is a unity. The spatial rhythm of the picture must be closely coordinated with the rhythm of sound and painting, so as to maximize the subjective intention of the film and increase its artistic appeal.

The purpose of the film is to create harmonious and perfect audio-visual effects and increase the artistic appeal. Animation film and television works can catch the audience is not only the wonderful plot in the picture, created suspense, the use of the lens, scene color changes, a key link lies in the space and sound painting cooperation. This paper takes the combination of spatial rhythm of animation film and television and the rhythm of sound and painting as an example. Based on the characteristics of animation film, this paper analyzes the combination of spatial rhythm of animation film and the expression form of rhythm of sound and painting according to the characteristics of animation film.

Rhythm, as an organic movement, is one of the most basic and active elements in various arts. Rhythm of the grasp of art works to ensure the vitality of life, the creation of perfect art forms, stimulate the appreciation of aesthetic enthusiasm, ensure that the transfer of art information is appropriate for sensory and psychological acceptance, the realization of art works creators and appreciation of the smooth exchange of ideas and feelings.

In a good film, the sense of rhythm is very important. If the sense of rhythm of a film is not strong, the audience will feel that there is not much tension and the atmosphere will be very dull. In animated films, rhythm is more important. As an artistic form of expression, the tension of animation determines the style of the film. Therefore, the rhythm theory in animation films has become the basis for the grasp of space rhythm and sound and picture rhythm, and the development of animation films will be to find new breakthroughs on the basis of the application of these two rhythms.

The height of the animation film assumption, so it can on the concept of space, beyond the reality of animation, film and television art space in the rhythm of the physical space and general film in the limitations of space, the space arrangement, configuration, and use as well as to the art processing such as the change of the footage has great freedom, for the structure of the animation style and artistic performance has provided a broad heaven and earth. This determines that the precondition is to control the spatial rhythm of the film, which requires the film to have a clear understanding of the overall characteristics and requirements of narration, and have a deep understanding of the physiological and psychological mechanism of the audience, so as to truly understand the role of spatial rhythm in the film.

For example, in the Chinese ink and wash animation film "landscape", there is no dialogue, in the black and white blend of space flow, let you feel that melodious piano sounds seem to be contained in the painting. It is as if we can hear or feel the wind, water and heavy mountains in nature. The natural sound of nature and the sound of the piano echo each other, giving you an ethereal feeling. All these leave you infinite imagination space, in the wordless expression of everything, implicit and free and easy, really achieve the feeling, scene, sound integration of the implication of the space, the profound meaning of the space consciousness to show incisively and vividly.

In the period of silent films, sound plays the role of rhythm in the projection and completion of films in the form of music. When a film evolves from silent film to sound film and becomes a complete audio-visual art, sound plays an important role, and it also plays an important role in speed and rhythm. Music and sound play an important role in rhythm, coordinating and regulating. The magnificent, beautiful, sad and various ethnic features of music are the best lubricant for the film to enter people's hearts. The ease and tension are undoubtedly revealed in the speed and rhythm of music.

With the progress of film and television equipment and the improvement of the modernization of editing technology, music is more convenient to cooperate with pictures. Whether the traditional music is used to match the picture or music is used to paste the picture, the purpose is to complete the perfect cooperation between the picture and the sound, so as to achieve the audio-visual effect that the sound and the picture complement each other. In animation, due to the fact that it is not filmed in real time, there is no artificial error in the sense of rhythm of actors during performance, thus avoiding the waste of multiple filming.

The highest principle of all art is to express beauty, so the purpose of creating rhythm should also be to express beauty. Only on the basis of truly understanding beauty, can we better use rhythm to create high-grade film and television works. In the film, not only the images within the picture are in motion, but also the movement between the pictures is constantly changing to generate rhythm. Together with other narrative elements of the film, the audience can achieve the understanding of the theme of the film and gain artistic enjoyment in this understanding. Film is an art combining time and space. The breakthrough of time and space has become a powerful weapon for narrative expression in animated films.

For example, human beings are always full of expectations for flying in the sky. The pressure of work and life is overwhelming human beings. Each of us fantasizes about being able to breathe freely and feel what it is like for our bodies to glide lightly across lakes, meadows and houses and clouds to float lightly across our cheeks. Both of the flights in miyazaki's animated film city in the sky are from a bird 's-eye view, highlighting the strong visual effects of a fall. From the perspective of rhythm, the falling speed and overall atmosphere of the flying stone are alleviated when the flying stone exerts its magic power. The darkness of the night sky and the darkness of falling into the mine enhance the contrast with the light of the flying stone, which makes the audience feel the magic power of the flying stone. Miyazaki jun animation with a strong Oriental implicit beauty, meaning profound, intriguing. The movie "city in the sky" is an effective use of space rhythm and form expression, in the space to create different feelings, also shape different characters character, different rhythm changes, different psychological feelings. Bring the audience spiritual satisfaction.

The arrangement, configuration and application of changing and moving space, picture and music are the special skills and means of film thinking. Space rhythm and sound and picture rhythm are a kind of formal factors in film art. The attention and grasp of them must be aimed at serving the theme of the film, and the significance of serving the theme of the film is that they play an irreplaceable role in narration.

In a word, the created spatial rhythm and sound and picture rhythm must be subject to the internal content of the plot. This requires the director to delve into the nature of the play to be presented. Only with a deep understanding of the original meaning of the play can it be expressed in an appropriate rhythm. Only in this way can a successful film be made.

As one of the spiritual civilization construction of the film and television animation, a long way to go, we should base on the reality of the animation industry, adhere to the pursuit of high quality, adhere to the market and the way of education balanced, serious research including spatial rhythm and sound rhythm and other modern forms of combination and its film and TV technology in animation film analysis, widely into the Chinese market and international market, the animation is a row over the landscape of extraordinary splendour.

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