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下面为大家整理一篇优秀的assignment代写范文- The theme of love in Renaissance poetry，供大家参考学习，这篇论文讨论了文艺复兴时期诗歌中关于的爱情主题。文艺复兴运动，将人们的情感从中世纪的宗教桎梏中解放出来，而爱情作为感情的强烈表现，也在文艺复兴时期的文艺作品中得到了尽情的展现。在众多的爱情诗中，爱情的主题也各有侧重，或谈情，或言性。在诗人的笔下，爱情呈现着不同的姿态。每一个诗人，每一首诗，都言及一面，共同描绘出了一个绚烂无比的爱情的宏大主题。

The Renaissance liberated people's feelings from the shackles of religion in the century. Love, as a strong expression of feelings, was also fully displayed in the Renaissance works. In many love poems, the theme of love also has different focuses, or talk about love, or speech. This paper chooses three different love poems of different poets in this period. By comparing the similarities and differences of the images in the poems, it reveals the diversified love views and different ways of expressing love in this period.

As a movement, the Renaissance, after a century, swept across Europe, swept away the clouds and shackles of the medieval "dark age", and let the light of human nature shine again in all aspects of human life. The ancient and unchanging love also sheds a new light in the human nature. In this period, each kind of art is extolling love in its own way. The sweetness, sanctity, variety and diversity of love are especially favored by poets. In their writing, love takes on a different posture, or fragrance, or tenderness, or passion of temptation, or sanctity. Every poet, every poem, all speak one side, and together they depict a grand theme of gorgeous love. The author selected three love poems of the three poets in this period, hoping to get a glimpse of the unique expression of love theme in Renaissance poetry.

When it comes to love, whether exquisite or sublime, we often think of the passionate feelings between lovers or the lovey-dovey couple world. However in edmond spencer's "one day, I wrote her name in the sand," a poem, people realize in the romantic poetry is bold and unrestrained feelings, or already familiar with the heroic action in the ancient Greek drama has disappeared. The heroine and the "I" is more like two metaphysician rather than lovers, is talking about the xuan talk rather than on love affairs, call each other also let a person feel no enthusiasm, in the poem of appellation is not about sight that specific vivid image, the lovers and often about such as "immortal", such as "good" and "virtue" abstract concepts. Though your name is full of "light" in the poet's heart, it is only "written in heaven". The heroine's exclamation to the hero is just a "conceited person", which does not sound half passionate, but is just an objective and calm criticism. There is not a word of love in the poem that relates to these two, but to "my poem" and to eternity: "my poem perpetuates your rare virtue." The "I" in the poem is more like a knight in the middle ages, only the sword in the hand turns into a sonnet to win the "good name" and "brilliance" for the heroine whose appearance is hidden in the poem. And the knight for all her action is no longer a battle sword, but the reduction of a monotonous move: "write her name in the sand", this behavior is not in contact with her, and leave no trace, because "the waves to the" will "wash away the name", this kind of behavior is more like a meditator, rather than the love between lovers will happen, but now that the names have been wiped out the waves and that will not assume any responsibility, then this behavior will not cause any results. Accordingly, a whole "she" image has been reduced to a mere name. Even if this "good name" could be made immortal, there would be nothing left but an empty symbol. Though this is a love poem, it loses its sweetness. It seems that once love is distilled, all emotions vanish into clouds.

Christopher Marlowe's "shepherd's song", the opening with a warm imperative sentence invites readers to share in love the enthusiasm of the shepherd: "come on, and I live together, be my love." The abstract pursuit in Spenser's poem becomes the earnest call, the fame and glory become the secular life. Most of the actions in the poem are directly related to the two lovers who are in love with each other. Otherwise, they also express the shepherd's strong determination to pursue and his sincere praise for the lover being pursued. In stanzas or stanzas, the plural subject "we" triggers a series of actions. On the one hand, the modal verb "will" promises his lover a beautiful and bright future, on the other hand, it shows his strong desire to achieve such a future. From the beginning of verse 3, a series of actions led by "I will" reveal the shepherd's will and determination. Whether the "I" in the poem is "a bed made of thousands of bouquets of flowers" or "a belt made of ivy and aromatic grass", it is to "move" and "your heart". Readers will be surprised by the many concrete images in the poem, such as "valley countryside", "lamb", "bird", "rose", "gown", and so on, compared with the abstract concept of "good name" or "virtue" in spencer's poem, all of which are not in the concrete and vivid life. All these concrete images together paint a vivid picture of personal life. At this point, we should notice that the images of nature in the two poems are different. In Spenser's poem, the image of nature exists only as a pure background. As soon as the subject is lit, it will be invisible again in the dark. In marlow's poem, nature is light itself. "Come and live with me" is to live in the "beautiful valley of the lambs". Besides the eagerness, initiative and directness of the shepherd, the image of the heroine in the poem is also embodied to some extent. From verse 3 to verse 6, the image of a girl who is dressed up to be loved, entertained with all her heart, and loved, appears vividly in the eager discourse of the shepherd. However, this beloved girl is still invisible in many images, only in this rich rhetoric of existence.

Spencer girl didn't play in the poem, Marlowe girl in poem in a figurative sense only to the presence of John donne "bait", seems to describe a complete woman. From verse 2, the poem celebrates not only her glowing "eyes," but also her actions: "swimming in that flowing bath." The image of a woman is no longer an abstract name, not a fancy dress, but a flesh-and-blood woman who can act. In poetry, women's behavior is condensed into a tantalizing bait in the phrase "you are your own bait." This echoes an image at the end of the first stanza: the hook. "Silver hook" brings the reader a sense of cold, sharp, ruthless and cunning, as well as a desire to conquer and initiative. The image along with other image at the beginning of the poem, such as "cold water", "slippery line", the sense that gives a person is far from comfortable, but annoying and disturbing, this poetry and poetry parodying Marlowe open sentence "come on, and I live together, be my love, / us fresh happiness is endless" give a person look forward to in different ways. It wasn't long before this uneasy feeling became a whole cruel picture of love. Others who try to win love must "freeze in the reed," "cut their legs," or use "broken nets," or use "flies" as bait, while the woman in the poem "needs no such trick" to win love easily because she is "her own bait." Though still the object of the chase, she was distinguished for her beauty, and could seduce men without the need for them to seduce her with eternal or perfect life. It is also almost impossible to find a suitor as clearly as it is in spencer's or marlow's poem, in which only the image of a group of pleasure-seekers emerges in the form of a shoal of fish. Trapped by the bait, the fish from every river "happily went to catch" her. The love in the poem is more like a game, full of temptation, trick and catch - release process. "Bait" this image is not only exists in the metaphor, but everywhere retained actually layer surface texture, such as "hooks" and "amorous" and "catch" word, contains a strong meaning of sex. Compared with the abstract concepts of spencer's poetry or marlow's pastoral life, the bait is more detailed, direct and specific, but once hooked, the cruelty, coldness and ruthlessness of love are as specific as physical pain and bloodshed.

Although the three poems are love poems, they are different from each other. Spencer's abstract ideal of love may be longer than marlow's idyllic life, but there is no sense of truth to it. Similarly true and concrete, donne's sexual love, which is full of seduction, is stronger, but it is also colored with pain by its intensity, losing the purity of spencer's poem and the sincerity of marlow's. But it is difficult to discern clear linear development in the three poems. If dorn and marlow's poems are more concrete than spencer's, this abstraction may be just spencer's personal style. The same theme is much more vivid in Shakespeare's 18 sonnets. The insignificance of nature in Spenser became the key in marlow's poetry, and this love of nature failed to continue; In donne's poems, the once-sweet images of nature became rough "reed marshes," "shells and weeds." The female image seems to be strengthened and gradually clarified in the three poems. But passionately in love shepherd also did not describe the image of the lover eagerly, the specific decorations, utensils covered the specific female image. Marlow's shepherds and spencer's meditators are not that different. They are in control of their love and not paying attention to their lovers. Only the women portrayed by donne caught the "thread and hook" and took the lead. However, the women in donne's poems were only endowed with sexual attraction rather than the power of love, so donne failed to establish the image of a woman in love.

Although simplicity is dangerous and harmful, it does not hurt to say that love is expressed in its pluralism and pluralism. The three poems above prove this truth. Love glows eternal in spencer's poems, a warm pulse beats in marlow's poems, and in donne's works, sensuous enjoyment and temptation becomes another melody of love. It is this variety that keeps love alive, and it is love that is loved by poets. The diversified expression and the diversified presentation jointly depict the beautiful image of love, which is unique in the long middle ages. Meanwhile, it also opens up space for poets in later generations to express love with stronger feelings and bolder words.

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