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本篇paper代写- New thinking in British fashion design讨论了英国服装设计新思维。如今，当代科学技术突飞猛进，服装面料的生产工艺也日益革新，加之面料纹样设计的不断创新，这就带给服装设计师们更加广阔的施展设计灵感的舞台。英国设计师已经不再囿于传统服饰面料带给服装设计风格和廓形的桎梏。他们从选料出发，在兼顾服装结构及形制的同时，还将环保，生态，社会，政治及设计师个人的人生观和世界观融入到成衣制作中去，通过面料风格的变化来体现人文关怀。本篇paper代写由51due代写平台整理，供大家参考阅读。

British fashion designers have long celebrated the world's fashion scene for their whimsical ideas, daring iconoclasm and quirky styles. Fabric is a vital part of fashion design. In the past 20 years, fashion designers have cooperated with fabric designers to use traditional clothing fabrics, mature and precise tailoring techniques, and avant-garde and bold design inspirations, leaving a wonderful and eternal moment for the world fashion history.

With the rapid development of modern science and technology, the production technology of clothing fabric is also increasingly innovative, coupled with the continuous innovation of fabric pattern design, which brings fashion designers a broader display of design inspiration stage. British designers are no longer confined by the shackles of traditional fabrics that have brought style and silhouette to their designs. Starting from the material selection, they not only take into account the structure and shape of clothing, but also integrate the philosophy and world view of environmental protection, ecology, society, politics and the designer into the garment production. Through the change of fabric style to reflect the humanistic care.

In recent years, people pay more and more attention to living environment, ecological environmental protection and sustainable development, and the demand for fabric to embody humanistic care and environmental protection concept is also rising. In terms of fabric style, the elements of combination, old texture, traditional culture and handicrafts have been interpreted in more detail under the echo of "humanity" theme. In addition, due to the increase in the price of raw materials, clothing brands' ability to bear the price of purchased fabrics decreases, and the fabric itself needs to meet the market demand through style innovation. Style innovation is reflected in the "imitation of nature", "national" style trend strong. Light, modified chemical fibers replace wool and silk, and environmentally friendly blends of synthetic fibers and wool are favored. In order to fully reflect the aesthetic characteristics of the fabric, the designer adopts a clean cutting style and sophisticated finishing technology in the clothing design. British fashion designers' devotion to clothing fabrics can be seen from the fashion design exhibition held in the UK in recent years. Their creative inspiration on new fabrics really brings people a sense of freshness. How to make a bold breakthrough in traditional clothing fabrics and how to perfectly combine avant-garde design with new fabrics has become the most valuable and thought-provoking topic in the exhibition.

The development and application of new materials and technologies have brought about innovations in the appearance of modern women's wear. British fashion designers are well aware that the future of fashion creation will depend more on the research and development of fabrics. Advanced textile technology not only brings wonderful visual enjoyment to the wearer, but also brings excellent tactility and excellent fabric performance. Such as waterproof, anti-bacterial, anti-uv, temperature regulation and other functional technology will be applied to the clothing after the finishing stage. The fabric with hard yarn or paper feel such as perforation, leno and other hollow structure, combined with the burnt-out processing of pattern change and mesh fabric bring infinite new ideas to plain fabric. Laser cutting, nano-textile technology, memory alloys and high-tech fabrics will all move from the laboratory to the factory floor.

The use of new materials gives fashion a new fashion face. These new materials may have been used only in industrial design before, but now they are being used in fashion design, affecting the trend of fabric, plastic material is one of them. These colorful PVC plastic material fashion, in the light of the irradiation of the highlights, forming a strange visual effect. Stylist USES the technique of stereo clipping to make the fabrics with plastic and glass material sculpture feeling extremely strong fashionable dress, reflect a cold, tough style. The plastic material itself is airtight, and the designer changed its properties by using laser drilling to make it more comfortable to wear. While using new materials, designers also strive to explore how to integrate traditional clothing fabrics: tweed twill with plastic material, three-dimensional jacquard fabric is embedded in plastic material, and even the traditional knitted fabric adds PVC material in the design. The collocation of this kind of high-tech fabrics and traditional fabrics, complementary with relaxed design and romantic color let icy steel hard sense dissolve one by one.

British fashion designers have teamed up with fabric designers to make innovative fabrics, sophisticated tailoring techniques and exquisite details stand out in the fashion industry. In the design, the avant-garde fashion design wizard hou Sian charayan invited fabric designers b.arley, Eley Klshlmote and SophIe Roet to participate in the design. The novel and unique fabric created by him is the material medium through which charayan's conceptual and experimental clothing can be implemented.

Now the highly regarded Eley Kishimoto has launched her own fashion and accessories line. Under its influence, Tracymulligan also works closely with fabric designers to develop fancy yarns that emphasize the strong painting style of oil paintings through changes in color and form. The combination of color blocks, the application of wave patterns, the hazy tie-dye and gradual change effect, the dazzling spray and oil treatment, the application of the bionic effect such as fur patterns make the clothing national significance prominent, and at the same time, the street elements of hippie and rock are also added.

Driven by the simple design style, designers put the design focus on the manual processing of the details of clothing. As Tracy said, the future of fashion development lies in its surface decoration. Gareth Pugh, known as the rising star of British design, is a fantastic benchmark for London fashion shows. The samurai suit he made with a zipper stood out: a loose robe made with a zipper, a fishbone skirt made with a zipper, and an expanded shoulder pad made with a zipper. The traditional zipper is used to make the garment with the unique undulating visual sense. Savithri Bartlett and Boudicca have been working together since they met at the royal college of art. With a clear division of labor, Boudicca is interested in the development of novel, unique and highly textured fabrics, while Savithri Bartlet perfectly interprets the performance of the new fabric with cast-type structure, three-dimensional seamless technology or laser engraving techniques. Designer Shelley Fox is passionate about the exploration of architectural sculpting. The most representative style is the experimental laser burning pattern on the wool fabric.

Many British designers are trying to figure out how to combine traditional craftsmanship with modern technology to create more comfortable and futuristic clothing styles. The uniforms by fabric designer Lesley SeaIey and fashion designer Roger Lee are an example of this exploration. British design prodigy Alexander McQueen also loves the traditional exquisite handicraft technology, and the exquisite drape is widely used. Stylist presses the cloth makings of level off a close drape, this kind of method changed the physics property of fabrics not only, will soft change have model, model plane modelling stereo, and design and printing also can reveal rich visual effect because of the dynamic change of a zhang yiqi. Lace, the traditional decorative material, is no exception. It shows a different style in the hands of designers: the matching sewing of metal chains and lace, the development of highly breathable lace, the application of hand-painted pattern lace and the blending of lycra and lace. Diversity, compromise, fusion and mixture of these elements are applied to the recombination of fabric by traditional manual techniques, making it playful and vivid.

Designer Jessica Ogden directly selected the desired fabric from the traditional fabric and directly applied it to her ready-to-wear show. British fashion designer has been under the influence of the Japanese culture, while the Japanese fashion designer from Japanese nation Hikaru Noguchi after exposed to the streets of British popular culture, from Britain's classic and traditional cotton fabric, the appropriate to join the welsh wool sticky mat, fair isle knit fabric and shetland local aboriginal patterns, brought a refreshing feeling.

The collaboration of fashion designers and fabric designers is pushing the boundaries of experimental and pioneering fashion design. The continuous exploration of the fabric process by British fashion designers has brought about the innovative shaping of fashion design concepts and styles. Tradition and innovation, classics and fashion, eternal and ever-changing, London is open to all arts with "tolerance", which is why London has been standing among the world's fashion industry for the past 40 years.

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