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本篇paper代写- Stop-motion animation讨论了定格动画。定格动画指的是在一定的空间里，通过操纵一些人偶或物件而产生动态，以及对每一个动态的影像来进行逐帧的拍摄，然后连续播放所拍摄的照片形成动态效果。定格动画展现的是影像连续播放出来的，基于视觉暂留现象的运动幻象，视觉暂留现象是指人类眼睛看到的影像会投射到大脑去，而大脑会短暂地保存眼睛所看到的影像。本篇paper代写由51due代写平台整理，供大家参考阅读。

Stop-motion animation refers to the dynamic effect produced by manipulating some people or objects in a certain space, and shooting each dynamic image frame by frame, and then playing the photos continuously to form a dynamic effect. Stop-motion animation is a motion illusion based on the phenomenon of visual persistence. Visual persistence refers to that the image seen by the human eye will be projected to the brain, which will temporarily preserve the image seen by the eye.

At the end of the 19th century, static frame effect was widely used. In 1899, British Arthur Melbourne couberley created and shot what is considered to be the first ever animation film "the man with the match collection" for Brian may match company with frame effects. In the film, the first still animation character appeared, which is the earliest stop-motion animation.

Stop-motion animation can be divided into clay animation, puppet animation, composite material animation, etc., according to different materials, and can also be classified according to different forms of expression, such as puppet animation, sand painting animation, stop-motion collage animation, among which puppet animation is the most attractive form of expression. The simple sense of different materials is not the same, the expression of emotion is unique.

Clay and play-dough are ideal materials for stop-motion animation. Compared with pure skeleton dolls, they are not only cheap, but also prone to exaggerated deformation. The special properties of clay and plasticine allow for small changes in movement. In the case of larger movements, the character must be re-sculpted. Clay animation is a form of animation that emphasizes the expression of handicraft. The characteristics of clay and plasticine make the characters look stocky and bulky, with big and clumsy hands and feet, but this is also the originality of clay animation. The combination of the clay and the skeleton allows the doll to perform more delicate movements and maintain its sense of volume. In the film balance, which won the best short film award at the 62nd Academy Awards in 1989, the doll was shot with a clay doll with a skeleton. Although the features are very simple, the size, weight and reality of the clay figure endow the character with a heavy and unique charm.

In addition to the dummy model, stop-motion animation has two main forms of expression, sand painting and collage. Some creative animators have unique forms of creation. For example, Caroline liv used a combination of sand and a light box in the film "the owl who married a goose" and "sandbox". Vera neubauer animates directly from sand and trash on the beach in wheel of life. These forms are full of dramatic and unpredictable creativity.

Collage is another special form of animation. Each part of the character is made separately, so the dynamic can be formed without repeatedly making the model of the character. Collage animation will be layered control of the animation characters, so that there is a real sense of space between the materials, in the visual effect will also produce more layers and texture effect.

Clay animation refers to the dynamic effect produced by manipulating some clay characters in a certain space. The dynamic images of each clay character are shot frame by frame, and then the photos are played continuously to form a dynamic effect. Clay animation is a kind of stop-motion. Understanding and deeply understanding the definition of clay animation is conducive to our research on British clay animation.

In the early 20th century, most British animations were still images flashing on the screen, called lighting sketch. However, it was actually the product of backward technology in the early development of experimental animation. This period of global animation are in the early experimental stage.

Animation became a major propaganda tool during the first world war, when many artists produced works mocking and inspiring the German rulers. And the British animators will be animated as in all walks of life are not only practical means of propaganda, more as it is a reflection of a kind of art, they groped in the innovation and practice in, contributed to the combination of commercial and artistic quality, and high art and popular culture to increase the experimental animation to a new level of art. After the end of the first world war, there have been some animation production technology and experienced animators in Britain, whose development represents the rise of British animation art.

In the 1930s, foreign animators went from country to country in Europe to learn from each other, while the shortage of British artists made Britain a place for many foreign animators to stay. The bold innovations of animators in this period were reflected in the exploration of graphics, colors, materials, lighting and three-dimensional space.

The favorable factors for the development of British animation are mainly reflected in the government's advocacy and support, scientific educational concept, broad market prospect and wide media dissemination. First of all, the preferential policies offered by the British government greatly promoted the development and progress of the animation industry. Second, the education of art colleges focuses on the practice of students and advocates the educational concept and mode of all-round development and openness, which stimulates students' interest and enthusiasm in learning. Thirdly, the popularity of animation advertising by advertisers opens up a wider market for animation. Fourthly, the financial and market support provided by the TV station makes the development prospect of the British animation industry bright.

First of all, during the first world war, it was the experimental stage of British animation, which was used as a means of political propaganda. Animated war propaganda films led to the rapid development of the British film industry, and animators began to shoot works in the education industry, advertising industry, politics and other aspects, as well as film festivals and television stations. This not only makes the British animation development has the new development, moreover in the animation content and the use to be able to enrich.

The second stage is the technology update stage. After the first world war, the preferential policies and development opportunities of the British government encouraged animation artists from all over the world to come to Britain. They brought new technologies to the development of animation in Britain and were also an important factor in starting the diversification stage.

The third stage, the diversification stage. With the addition of new talents and new technologies, the development of British animation is more colorful. In addition, Britain is an industrial country, so it pays attention to the practicality and diversification of functions in the shooting and production of films and cartoons.

With a long history of development, British animation has played a leading role in the development of global animation art, and its clay animation is known as a treasure. As a pioneer of experimental animation, British animation has been in the forefront of contemporary animation art for a long time, from which we can learn a lot of valuable practical experience and development ideas.

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