Essay代写：The audio-visual language of Miyazaki Hayao's animation films－r51due

下面为大家整理一篇优秀的essay代写范文- The audio-visual language of Miyazaki Hayao's animation films，供大家参考学习，这篇论文讨论了宫崎骏动漫电影的视听语言。色彩是电影视听语言中不可缺少的一部分，不同的颜色往往表达着不同的寓意，即使是同一种颜色在不同的情景中也可以表达不同的感情和意义。在宫崎骏的动漫电影中，受日本文化的影响，其色彩运用严格遵照着阶级性的原则，同时还表现出明显的宗教性。宫崎骏还很注重本民族对于颜色运用的传统，影片中随处可见日本传统民族文化的色彩使用。

Born in Tokyo in 1941, miyazaki moved his family to the city of deernuma because of the war. In 1963, after graduating from university, Miyazaki Hayao did not engage in the work of his major, but chose to work in animation, thus opening up an era of animation films belonging to Miyazaki Hayao. Studio ghibli opened in 1985 and has since seen such classics as city in the sky, my neighbor totoro, kiki's delivery service and spirited away.

Miyazaki Hayao animation film leading role for women, whether the na uzziah card in the valley of the wind, "sky city" of the tower, "spirited away" national wild qianhe or princess goldfish in the cliff goldfish princess ", etc., these girls or pure, or the ordinary kind, is ready to release the characteristics of the common life of passion and potential.

Common theme of Miyazaki Hayao film is about the concept of environmental protection advocates, but beyond that, Miyazaki Hayao animation film also reflects the diversity of the topic type, such as "sky city" shows the harmony of man and nature, "spirited away" in the growth of qianhe through diligence and wisdom, "my neighbor totoro" shows for flying is yearning, and so on.

Miyazaki Hayao film music style is contracted and not simple, longer each film are made by stone as a master of the music, and stone will make the use of a series of characteristic in music instruments, and bring out the best in each other, the movie can even play a role to promote the development of the plot, so that the further deepen the subject.

On the other hand, in miyazaki's animation films, he often USES vistas to depict the historical background, natural scenery and other grand scenes of his works, so as to make the audience feel as if they are in them. When using the big panorama, it is mostly to show the environment of the characters, highlighting the unique and profound meaning of the war scenes. He is particularly good at using close-ups to show the psychological changes, expression details and expression movements of the characters. For example, in my neighbor totoro, he shows the psychological activities of my neighbor totoro in addition to its lovely characteristics through close-ups, which promotes the development of the film plot.

In terms of symbols, the most frequently seen visual symbols in Miyazaki Hayao's animation films are water, and images such as sea and lake frequently appear. In addition to enhancing the aesthetic feeling of the picture, they also play a role in expressing emotions, symbolizing images such as nature, regeneration and purity. In addition, the wind, which implies the yearning for the harmony between man and nature, not only represents the civilization, but also represents the fire of war and destruction. The tree that represents the vitality, the origin of civilization and the barrier of human beings, and the elf that indicates the world's hope, are also frequent images and symbols in Miyazaki Hayao's films.

Color is an indispensable part of the audio-visual language of movies. Different colors often express different meanings. Even the same color can express different feelings and meanings in different situations.

In Miyazaki Hayao's animation films, influenced by Japanese culture, the use of colors strictly follows the principle of class. For example, in howl's moving castle, gorgeous colors are used to highlight the sanctity of the imperial palace and castle. At the same time, religious characters in the film are depicted in white, red, yellow and other colors. Miyazaki Hayao also pays great attention to the traditional use of color in his own nation. The use of color in traditional Japanese national culture can be seen everywhere in the film, such as the clothes and accessories of many characters in the film.

The use of color language in Miyazaki Hayao's animation films is to create a relatively real environmental atmosphere, and use relatively soft color collocation to show the beauty of nature, so as to infect the audience and show the environmental protection theme Shared by most films. In addition, color is often used to depict characters' personalities and hearts. For example, when Sophie, the heroine of howl's moving castle, is being molded, Miyazaki Hayao does not use bright colors, but matches gray clothes with dark brown eyes and eyebrows, so as to reflect his strong, simple character.

When it comes to the aural language in Miyazaki Hayao's animation films, we can't help but mention the famous musician hisaishi, who, as Miyazaki Hayao's regular musician, has been cooperating with miyazaki for more than 20 years in the production of animation film soundtrack, creating immortal masterpieces such as summer.

Miyazaki Hayao cartoon movie soundtrack contracted but not simple: "my neighbor totoro" is used in the electronic synthesizer, "sky city" used in the children's chorus, horn and other elements, "spirited away" the piano chords, its music theme and the plot complement each other, it is played throughout the story, even role to promote the development of the plot, the second is through music and picture with apply colours to a drawing the atmosphere of the film, enhances the quality of the film, three is to use music to express the through language and images to direct expression of emotion.

In Miyazaki Hayao's films, the lens, color and auditory language do not appear independently, but complement each other and constitute the style and theme of the film together, thus making the narrative structure complete.

As an outstanding film master, Miyazaki Hayao's films are full of symbols and allegorical meaning, and express a certain degree of expressionism color in the magic animation world. His films not only bring the audience a world full of traditional Japanese national culture, but also can feel the cultural atmosphere of various countries in it, so as to give consideration to both the nation and the world. He expanded and updated the audio-visual language and expressed human's inner world and emotions with poetic pictures and music, thus gaining the reputation of "cartoon poet" and making outstanding contributions to the progress of the audio-visual language of animation films.

China's animation industry originated in the 1920s and 1930s. In the development process of nearly a century, although many progress has been made, there are still many shortcomings compared with the advanced animation industry countries like Europe, America and Japan. In the process of reference and learning, we should not forget the excellent cultural deposits of our own nation. We should take its essence and use it for our own use to produce domestic animation with Chinese national characteristics and culture, so as to make China's animation industry bloom with splendor.

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