Paper代写：Chinese and Japanese cherry blossom culture－r51due

下面为大家整理一篇优秀的paper代写范文- Chinese and Japanese cherry blossom culture，供大家参考学习，这篇论文讨论了中日樱花文化。樱花，在中日文化中存在着不同的内涵，不同的意象。在美学意义上，中日的樱花文化中，都体现着一种纯洁、壮烈和高洁的美感，但是中日樱花的意象在文化上的传达还是有着一定区别的。

For the contemporary Japanese, if say "flower", that is refers to the cherry blossoms, can be seen in the eyes of the Japanese cherry is how unique. The Japanese nation's blood is constantly surging in the cherry blossom complex, and as a national symbol, has been deeply rooted into the Japanese culture, forming a variety of unique images.

In China, cherry blossoms have a long history of planting, in the ancient books, we can find the cherry blossom point of trace. "Cherry" A word, the earliest seen in the Tang Dynasty of Li Shangyin's verse: "Where the sad Zheng with the emergency tube, Cherry Wing Lane hung Yang Shore", since also a poet repeatedly mentioned. However, it is a kind of cherry blossom, but there are different connotations and different images in Chinese and Japanese culture.

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Cherry blossom is the national flower of Japan, but also one of the representative aesthetic signs in Japanese culture. The Japanese sense of beauty is closely linked to cherry blossoms.

"Ancient and modern" is Japan's first and song collection, included in the "Wanyae set" after the outstanding and song about 1100, the song focus on the exact number of Sakura and song has been controversial, but can be summed up the cherry blossom intention of roughly four species, respectively, is a chant alone, with the spirit of Japanese bushido linked together, The collective consciousness of the Japanese nation and the sigh of life impermanence of the four categories.

Early in the Japanese Nara period, the peace period, many people began to use cherry blossom as a wide range of subject matter and was recorded in a large number of songs, but the early cherry blossom in Japan is far less popular than the plum Blossom, "Wanyae set" in the poems included cherry blossom theme is far less than plum. To the shogunate period, the Japanese Bushido spirit began to prevail, Sakura became the symbol of the spirit of Japanese Bushido, died and died became a unique image of the cherry blossom in Japanese culture. In the Edo period, because of the widely acclaimed Japanese sinology, cherry Blossoms began to take root in the soil of Japanese culture and national spirit, for example, Japan's special attack aircraft also named Cherry Blossom, and many Japanese songs also reflects the theme of cherry blossoms, such as "the ability of the infantry", "Ah, red blood in the Burning", "the same period of Cherry" and other songs , are the full reflection of the cherry blossom theme.

"Ancient times and songs," The Cherry song, the image of the cherry blossom in the "impermanence of Loneliness" on the level of more, most of the performance is four layers of content, the first is the impermanence of love, the second is the perishable of good things, the third is not appreciated, four is lonely. In the song focus, for the cherry blossom Close-up does not do a specific description, most of the cherry blossoms are depicted as a whole, and almost no independent image.

Until Sakuma Xiangshan wrote "Cherry Fu" appeared, the mountain Cherry has an independent image, and this image from the aria into a self-conscious, which is mentioned above "not be appreciated, unable to exert political ambition", but from the overall description of the cherry blossoms, can also be seen in the collective consciousness of the Japanese, of course, in Japanese culture, the image of cherry blossoms, There is also the nature of the chant of grief. In the "Flat Home", the rise and fall of the flat clan description, cherry blossom, cherry blossom fall, are representing a kind of feelings of grief. Edo era of the National Sinology home Xuanchang on the chant: "People ask the island Yamato Heart, Asahi Brilliant Mountain Cherry", is the cherry blossom as a "thing mourning" as the keynote of the Japanese spirit of the specific example.

Cherry can also borrow refers to the beautiful woman, in the original West Crane's "green vegetables shop owner's story" Inside, the protagonist Abi compared to the cherry blossom, although it is premature withered, but is the United States to the extreme, began a new era of cherry culture. Du Watanabe's "cherry Tree" borrowed cherry blossom to describe the feminine, and the use of sex demon beauty, demon charm to carry on the finger, so from a number of Japanese novels, cherry Blossom can also refer to love, beautiful woman.

According to the Japanese authoritative monograph "Sakura da Jian" records, cherry blossoms, originated in China, native to the Chinese Himalaya. Therefore, Chinese culture is not without a description of cherry blossoms, although it may not be many, but the cultural imagery it represents is relatively distinct.

The Western Han Dynasty fu everybody Yang "Shu is endowed" has "be to cherry, plum, tree to Mulan" record, here cherry and does not mean. But Plum blossom, Mulan in ancient China has been a noble, elegant representatives, so will cherry and plum, Mulan with the column, you can also see the ancient bestowed on the cherry blossom Quality, is noble and elegant. In the Southern Dynasties of song, Wang Yunda Poetry: "When the first cherry Move Yan, good algae Fai Fang, Zuxiang leaves do not open bud, Safflower has been glowing," this poem has no sentimental meaning, and the expression is a beautiful spring under the joy of mood.

There are more cherry blossoms in the Tang Dynasty, for example, Li Shangyin and Bai Juyi are more fond of describing cherry blossoms, which can be seen in the courtyard of the Tang Dynasty. Bai Juyi has a poem "Small garden new species of red cherry tree, busy around the flowers easy to swim, the meaning of the small garden in the home of a new species of red cherry trees, leisure to go around the garden in the park to walk on the outing when the outing, describing a leisurely complacent garden feelings, expressed is also a kind of appreciation of the natural leisurely attitude. However, in his "Untitled Four", Li Shangyin Cherry blossom has become another image, representing a decline of the scene, the whole poem is sad, Cang, sad, will cherry blossom and wind and rain, such as the sad Zheng, but also represents the cherry blossom although very beautiful, but the beautiful but not much of such a pity.

Li Yu "Shei Wen" mentioned the cherry blossom, it is obvious that acacia, loneliness and other maudlin. In the Southern Song Dynasty Choshi's "picks Mulberry Son" to the cherry blossom carries on the description, is the whole piece to carry on the description, with color and "hundred" to describe the appearance of cherry blossoms, the use of the overall image, to express the beauty of the cherry blossom, but after a hopeful, suddenly changed a turn, began to hurt the mood of spring. Su's "Gift of the singer" in the selection of cherry blossom as a singer singing a vivid expression of a backing, here, the image of the cherry blossoms is soft and loving, a kind of thing that is softer than the song, and the poet's praise of the beauty of the Cherry blossoms is also expressed here.

Although in the aesthetic sense, China and Japan's cherry blossom culture, embodies a kind of pure, heroic and noble beauty, but the image of the Chinese and Japanese cherry blossoms in the cultural communication still has a certain difference. Chinese and Japanese Cherry blossom cultural image of the same point: the pity of the cherry blossom itself presents the feeling of regret. In the "Yin" praise, Tanizaki Matsuura once showed his attitude to Sakura, "even if a solitary cherry, is also very beautiful." As long as the flowers bloom "," as long as the heart, why train, tram fatigue, can be described as the end of the sea where there is no grass. This also fully shows the author of the Cherry Blossom attitude, he thought that no need for empty ritual, as long as can feel the beauty can, this is a typical oriental aesthetics, and different from Western aesthetics to obtain beauty. This is also expressed in Chinese poetry about cherry blossoms, in fact, is a feeling of sentiment, such as the former mentioned Bai Juyi has a poem "Small garden new species of red cherry tree, busy around the squid easy to swim", such as Shirion's poem so described, "February grass Fifi, mountain cherry blossom is not sparse." The Golden Pond Wind Day is good, where does not depend on each other, these are the Oriental esthetic sense to form a kind of sentiment beauty image.

In Japanese literature and art, the theme of eternal chant is to enjoy flowers, and cherry blossoms are also the most perfect imagery expression in this theme. The beautiful and perishable life image of cherry blossoms has brought great influence to the development of Japanese literature and art, and in the current Japan, there are still many people who have pinned their life feelings on Japanese culture. From the sadness to the whole process of mourning people, Japanese literature and art, often sing the praises of flowers to protect flowers cherish the voice. The ancient Japanese song once had a song cloud: "Cherry blossom so the crown, meaning that the beauty of the cherry blossom is the United States in her can not be long, but also the" take off your shoes to bed today, do not know whether the Ming dynasty can wake up "of the ancient song, which contains a unique Japanese people, the tragedy and compassion for things. This kind of sadness and compassion can be interpreted as compassion, pity, touching, feeling, compassion, and magnificence.

Kawabata gave this sad sympathy to the heroine of his work, especially the lower-class women. He put their sadness, description of pure and transparent, not mixed with a hint of distracting thoughts, molded a moving image of artistic beauty. And in China, the southern Tang Yu once wrote, Good night promotion, incense dust green, soul to fan, tan eyebrow half convergence worry low. No, the heart first swallow, want to language feeling difficult to say. Out of the grass, road things. Swing sleeve Li, Spring breeze, cherry blossom willow rain. The Japanese will see Sakura as the embodiment of the great, is the symbol of spring, but also reflects the Japanese people a lot of cultural connotations, such as Sakura, cherry, such as the rain, such as the Japanese national language is a relatively unique phenomenon, but also embodies the Japanese to cherry blossom aesthetic feelings. Cherry Blossom in Japan is the embodiment of beauty, is a flower like the existence of God, so the Japanese once called "flower" refers to cherry blossoms.

Japan's Bushido spirit and the sudden fall of the cherry blossom link, there are many Japanese young men and women feel it at the best time wither, very beautiful. And in China, because the life values with Japan are very different, in China, pine and cypress and other plants to symbolize life, so in different values, Chinese culture of the cherry blossom enthusiasm from the indifferent quality of enthusiasm, such as cherry blossoms are often falling in a moment, no worries. And the cherry blossoms are usually small flowers, lovable, also more demure elegant. The Japanese love the beauty of cherry blossoms, love the purity of cherry blossoms, love the short of cherry blossoms, and experience the sadness of life's short and sad, sigh decidedly heroic and poignant exit. such as Kawabata's "ancient capital", with a faint sadness of the Giangio, depicts the joy of the sisters and tears scene.

The Japanese often associate cherry blossoms with warriors, the Japanese believe that there are several characteristics of cherry blossom and samurai characteristics are very similar, such as the collective spirit, the Japanese pay great attention to the collective spirit, and earlier some cherry Blossom song collection, poetry, the image of the cherry is a piece, a piece of description makes the cherry blossom appears to be a collective, in this Common. The Japanese people think that the cherry blossom is very splendid, alive and dead should be like the cherry blossom-like brilliant, and cherry blossom in the most beautiful time falling, is a high praise of life, and the Japanese Bushido Spirit also believes that the group withered is a kind of no yet glorious, is embodied the cherry blossom to Japanese culture, the bushido of the collective unity, The influence of the thought of glorious suicide. In "Ancient and modern times and songs" in the Yong Ying and song began to see the withered cherry blossom as a kind of beauty, and by the fall of the cherry blossom of the beauty to express the impermanence of life and death of the feeling, from this can be spied on this beauty consciousness of the embryonic.

Although the Chinese also love the beauty and net of cherry blossoms, but more love her holding group Qi put the Spirit of solidarity, love her scattered into the mud of dedication, from her experience of the millennium honed a kind of tenacity, from her wish to put down all in the Sheng feel that indifferent transcendent realm.

Through the text of the writers such as ancient and modern, Watanabe, Li Shangyin and so on, the author analyses the Cherry Blossoms and their implied cultural imagery, compares the differences between the cultural images of Chinese and Japanese cherry blossoms, and concludes that the aesthetic images formed in Oriental aesthetics, The pity image of the cherry blossom and the appreciation of the spring of the cherry blossom is consistent between China and Japan. The main differences between the cultural imagery of Chinese and Japanese cherry blossoms are: Japan embodies the spirit of Bushido, the mentality of grief, collectivism and the unique concept of life and death of Japanese in the image of cherry blossoms, while China embodies a pure aesthetic in the image of cherry blossoms, which is more present: unity, noble, gentle and indifferent beauty of tranquility.

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