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本篇paper代写- A Discussion Of Comedy And Race讨论了喜剧和种族。从某种意义上说，以幽默的方式集中反映社会现实的喜剧也是社会意识的积极推动力，它对美国主流文化和文化霸权的有效机制有一定的影响。因此，它将促进美国社会的历史性变革。这一带有身份和生存主题的喜剧也揭示了有色人种的冲突和主流意识形态的刻板印象，使人们发笑，并对种族歧视产生影响。本篇paper代写由51due代写平台整理，供大家参考阅读。

Race issues are historical issues in the United States. In The Colored Museum by G.C. Wolfe in 1988, there are 11 separated scenes without intermission which reflect the stereotypes of African Americans in the U.S. Thus, in this article, it attempts to sort out the critical discriminatory factors by carefully referring to the racial issues in American society reflected in The Colored Museum by G.C. Wolfe.

The Colored Museum by G.C. Wolfe shows that the identity and survival problem of the black people is particularly prominent, which makes it funny among the black. In the design of stage of the comedy, it was set against the museum of the colored people. But ironically, the color of museum in which “the myths and madness of black/Negro/colored Americans are stored” was white, lacking the color to symbolize the colored people. Also, in “the Photo Session”, a black couple denied their past and history of being black and choose to live in a superficial world with fake smiles. In “Soldier with a Secret”, an African American soldier will kill his peer to avoid the sad future for the blacks. “The Hairpiece” “Symbiosis”, and “Lala's Opening” all show the identity crisis, and conflicts between the present and the past of the black people with different stories. And the sharing of those assumption is what enables others to find something funny (Ronald de Sousa, 240). It is true of The Colored Museum. In the comedy, although there are separated scenes with different and ridiculous figures and plots, those scenes and stories have a common core---the identity and survival problem of the black people. 

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The Colored Museum by G.C. Wolfe also expressed a conflict within the black people. Instead of getting rid of stereotypes imposed by the whites and sticking to their own standards, they are in fact living in a way prescribed by the white people, which constitutes other funny parts of the comedy. The real world is not a simple world with just bad people and heroes(Chekhov, 11). This conflict is the excellent design of The Colored Museum. Despite that one of the deep reason is that they still lived in the world that racial discrimination is still existing in all areas of American society, especially in the cultural sphere, this shows that the black people themselves create further the soil for the formation and development of racial discrimination in American society, which is shown in a ironical and satirical way in the comedy. These ideologies and the attitude of African Americans in dealing with other colored races are increasing the complexity and attraction of the play. 

Through the analysis of these factors and forms of the cultural hegemony in the comedy, it is to better help the minority to challenge the cultural foundation of the hegemony in the United States. The whole play is intended to attack against racial discrimination and the implicit of the American apartheid system in a ridiculous, and "humorous” manner. Moreover, comedy with a strong focus on reflecting social reality in a funny manner is also a positive impetus to social consciousness. The white people may laugh at the ridiculous side shown in this comedy. But it will cause a great unease and embarrassing among them. It is because that the white people who laugh are supposed to have no rights to laugh at all(Ronald de Sousa, 243). From this aspect, it can have a certain impact on the effective mechanism of American mainstream culture and cultural hegemony. With this, it is to promote the historic changes in American society.

This comedy with identity and survival theme reveals the conflicts of the colored people and stereotypes in the mainstream ideology, which makes people laugh and exerts the impact on racial discrimination.

Questions

1 what are common themes of this comedy?

2. Why this comedy on the one hand satires the powerful white influence on the colored people and on the other hand criticizes the submissiveness and oppressed position of the black who fail to recognize their own identity？

3. How The Colored Museum can be compared to Chekhov’s play?

Bibliography

Chekhov, Anton. (2005). "Chekhov: The Four Major Plays: Seagull, Uncle Vanya, Three Sisters, Cherry Orchard," translated by Curt Columbus.

Ronald de Sousa. “ when is it wrong to laugh?”.

Wolfe, G.C.  The Colored Museum.

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