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本篇paper代写- The stage art of Chinese drama and western drama讨论了中国戏剧与西方戏剧的舞台美术。中国戏剧舞台的表现手法具有鲜明的虚拟特征。不管是通过舞蹈动作还是实物的虚拟，都是通过艺术的程式动作引起观众的思考，并引领观众进入演员的故事情节中。西方戏剧在舞台背景上不仅选用各种综合性材料来塑造背景，还善于运用灯光使舞台场景富于变化，加上对投影装置的使用展现出综合性的舞台效果。灯光作为展现戏剧舞台设计综合性的一种媒介，西方戏剧舞台设计中越来越注重对灯光的运用。本篇paper代写由51due代写平台整理，供大家参考阅读。

For Chinese drama art, the virtuality is its most basic characteristic. In the stage design of Chinese drama, a small number of typical props are usually used to make full use of the music effect, coupled with the elaborate performances of actors, to simply and economically reflect the time and environment of the story to the audience, so as to promote the development of the whole drama plot. Western dramas tend to use a variety of natural and synthetic materials, such as foam rubber, mirrors and fibers, especially various types of architecture and sculpture. The changing world of drama is demonstrated through the use of materials such as cloth, metal and wood. The appearance of materials can create the special atmosphere required by the drama, and the use of these materials endows the theatrical scenery with authenticity. In terms of purpose, there is no difference between Chinese drama and western drama, but the methods and means are different:

As far as Chinese drama art is concerned, its environment, space and even the treatment of characters all clearly reflect the characteristics of "virtual", and the techniques and forms adopted are also very flexible, not sticking to the natural forms of life. A lot of time on dramatic stage are decorated simply only one desk two chairs, can decorate already for the sitting room, also can decorate interior room, still can decorate sometimes even lobby. For example, the actor who played cao cao in the drama white horse slope mounted the table on the stage, symbolizing cao cao mounted the hill and watched the whole battle. If the tables are removed and "clouds" are arranged, the background of the stage can be transformed into the scenes of "uproar in heaven", and the drama plot can be transformed into a fight between sun wukong and the gods.

Western drama stage mostly pursues "realistic style". A large number of material materials and various stage technologies are used in the stage setting. Meanwhile, color rhythm and music rhythm are also paid attention to, so as to fully reflect the symbolic meaning of drama and thus show the unique style of the western world. Any art is symbolic, and set art is no exception. In other words, artistic works restore the reality of the spiritual world through its material form.

As a visual stage art, no matter how flexible the stage is to deal with time and space, or how fast the dramatic scene changes, the concept of time and space displayed must be clear. However, in Chinese dramas, it is often illustrated by the lyrics, the narration, the stage directions of the script and the stage Settings of the performance.

For Chinese drama, the audience and actors have the same perspective, and the audience will understand time and space according to the performance of the actors. Although this kind of time and space is not real, with a strong virtual nature, and the technique of expression is very casual, it is still very clear from the perspective of the audience. For example, in the third scene of the drama "fork in the road", when he came on the stage through the second messenger, he said: "er ye, it's getting late, we should hit the shop. 

In western drama, the biggest characteristic of realistic scenery is to create unique time and space, which requires to reproduce the historical background, local characteristics and living atmosphere of the story. Titles, text and other elements are sometimes combined in western dramas, while projections are placed in the front of the stage to introduce events. Brecht believes that the mission of the theatre is to tell the story to all the audience. To accomplish this task, we must adopt corresponding methods. Although a play cannot be performed without actors, it does not mean that a play must rely on actors. Whether the beginning or the end of the story, or the exposition of the middle plot, all need to rely on the actors, makeup artists, costume designers and dancers to achieve one by one. In this process, everyone dedicates his talent to accomplish a great cause together, but still can fully reflect his own unique value. Through the use of stage scenery, he can not only convey information to the audience, but also give corresponding hints.

"Virtual" is the most basic characteristic of Chinese drama, so the performance of Chinese drama stage also has distinct virtual characteristics. Whether it is through dance movements or virtual objects, it is through artistic program movements that the audience can think and lead the audience into the story plots of the actors. Therefore, the stage of Chinese drama sometimes does not place any objects, only through the actors' reading, singing, fighting, figure, footwork and other artistic techniques to show the drama time and environment, but also can show the vast wasteland or the valley, etc.

On the stage background, western dramas not only choose a variety of comprehensive materials to shape the background, but also are good at using lighting to make the stage scene rich in changes, and the use of projection devices to show the comprehensive stage effect. As a comprehensive medium for stage design of drama, lighting is increasingly used in stage design of western drama. The main reason is that lighting can not only make the set architecture more three-dimensional, but also make the actors' facial expressions more prominent, which not only helps to highlight the scene to create the instantaneous space of dramatic actions, but also serves as a catalyst to enhance emotions, rendering the atmosphere, and causing subtle changes in the audience's psychology.

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