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下面为大家整理一篇优秀的essay代写范文- Performing arts in public Spaces,供大家参考学习,这篇论文讨论了公共空间表演艺术。如今,公共空间表演艺术的发展极大的促进了城市空间的建设,使其更贴合公众的需求。然而,城市艺术节的发展趋势却给公共空间表演艺术的发展带来了一定障碍。公共空间表演艺术借助于城市空间创造艺术作品增添城市的美、娱乐城市大众,同时通过沉浸式体验让部分观众产生共鸣。而这与城市艺术节的最终目的并不矛盾。因此在避免大众文化过度商业化的情境下,我们应当通过不同的形式使城市空间得到更好的发展,使当代公共空间表演艺术成为能够更好的服务于大众的公共资源。

Performing arts in public space play an important role in the development of urban space. It plays an important role in beautifying urban space and entertaining urban residents. Public space performance art emphasizes the interaction with people, and makes its psychological space collide with the physical space of the city by attracting the participation of the audience, thus creating a sense of resonance. Moreover, the audience also participates in public space performing arts as judges. But the theme of public space performing arts should also avoid being too broad to make it more expressive. While embracing the city, the performing arts in public Spaces currently face many challenges.

After nearly a dozen years of development, urban public art has gradually diversified in form, showing strong inclusiveness towards other art forms and integrating into various forms such as performing arts. Public space performing arts have attracted the attention of many scholars in the process of practice. Works such as environmental drama, art, space, city -- public art and urban vision all reflect the development of studies on public space performing arts in foreign countries. There is a big gap in domestic research, and the practice of domestic performing arts in urban public art is not common.

Contemporary public space performing arts can be explained from two aspects: broad sense and narrow sense. Broadly speaking, contemporary public space performing arts include drama, misleading, musical, acrobatics and other art activities in high-tech performance. In a narrow sense, it refers to the artistic activities created by specific artists or art groups for the public space of a specific public. The content includes a series of social problems, and the performance forms are mostly music, dance and movement.

Contemporary public space performing art is a special form of performing art, and its special attribute comes from the multilayer meaning of "public". Public includes the public and the public space accessible to the public. Compared with traditional art performances that focus on plot content, language and action choreography and overall scene scheduling, performance art in public space pays more attention to the public's participation in performance and the fit between performance art and environmental space.

Urban public art originated in the United States in the early 1930s. During the depression, artists supported by Roosevelt's New Deal maintained their professional life by creating huge paintings in public space, which also contributed to the development of American culture and art. After that, public art activities created for urban public space and citizens were fully carried out. In early 1965, the national endowment for the arts implemented the public art program, which promoted the culture of community leisure and public space.

With the development of urban public art, its open and inclusive characteristics are gradually revealed. Landscape architecture, image art and other art forms filled the expression needs of public art at that time, which only included city frescoes and sculptures. Artists are also experimenting with the public art of outdoor drama.

Contemporary public space performing arts have been influenced in part by the environmental drama of Richard schechner. Environment plays on public events, women's rights, war and so on the expression of theme for the contemporary public space provides the update development train of thought for the performing arts, performing arts drama environment of contemporary public space of the technique of expression, break through the thinking of the limitations of the playwright and art festival, to real life situations as the background, created with the public relations can move more closely, more public performance content. The performing arts of contemporary public space do not clearly divide the audience area and the performance area. The environmental space integrates the action space, aesthetic space, perceptual space and communication space, and becomes part of the drama, which has the function of explaining the plot.

In the 1960s, with the diversified development of media types, many public artists tried to express their ideas through different media, and the development of public art reached a turning point. The new public art includes ambition, performance, concept art and multimedia art. The representative figures of this period are Susan lacey and MAC Max. Susan Tracy's work, "the three weeks of January," starring personnel including some damage from rape of women in real life, by saying this extremely emotional expression method of command the attention of the public, the public space for the performing arts became a audience experience channels, make it has a more immediate impact with the public. Before this, the public art for the environment decoration and beautification, did not reflect too much of its publicity. However, when the new public art is involved, the public can participate more in artistic performance and even become the leading role of public art creation.

The modern urban arts festival began after the end of World War II. With the increasing scope of cities and the increasing number of urban residents, the public pays more attention to the planning of urban environment. Urban art festival is a form of challenge to the original urban public space, which provides a new channel for the public to express their dissatisfaction with the urban environment. At the same time, the urban art festival has become a kind of "public service" for the city, enabling the wider public to better understand and experience the public space of the city. At the same time, the scenes that are ignored can successfully attract public attention after artistic processing, bringing enough freshness to the public.

The origin and development of contemporary public space performing arts show its strong inclusiveness. It is not only more diverse in form, but also able to express more targeted works to different public in different times. Its creation process and performance process both show a close relationship with the public, so that the public can truly feel the cultural and artistic experience brought by contemporary public space performing art. Contemporary public space performing arts serve the public and public space, and close connection with the public and public space is the necessary feature of its existence. In turn, the performing arts in public Spaces must accept public feedback, either cheering or criticizing.

Too much attention is paid to the "publicity" of the works, so it is difficult to avoid the embarrassing situation of duplicating the works on a large scale. Therefore, artists need to pay more attention to the boundary of the theme, the specific public features of the activity and the characteristics of the region, so as to determine the form and content of the work. This reflects the localism of contemporary public space performing arts. Only works that deeply reflect the spiritual culture of a social location can be innovative and attract enough attention. At present, many organizers and artists pay more attention to the scale of performing arts activities compared with the locality, and produce a large number of urban art festivals that can be copied but lack innovation. As a result, the development of contemporary public space performing arts is hindered.

The development of contemporary public space performing arts has greatly promoted the construction of urban space, making it more in line with the needs of the public. However, the development trend of urban art festival has formed a certain obstacle for the development of contemporary public space performing arts. Contemporary public space performing arts create works of art to add to the beauty of the city and entertain the public with the help of urban space, and at the same time resonate with some audiences through immersive experience. This is not inconsistent with the ultimate purpose of the urban art festival. Therefore, in the context of avoiding excessive commercialization of mass culture, we should develop urban space better through different forms and make contemporary public space performing arts become public resources that can better serve the public.

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