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本篇paper代写- The phenomenon of dimorphism in Russian literature讨论了俄罗斯文学中的分身现象。20世纪，俄罗斯文学的黄金时期已经走到了尾声，但分身给予了俄罗斯作家们另一种出口。分身的出现，无论是身体一部分的鼻子还是作为与本体完全一样的，另一个自我，都能够将人们内心所潜藏的欲望，不敢发泄出来的情绪，更加淋漓尽致的表达出来。在展现人内心的同时，作者们也都通过这样的方式，展现出了社会的病态与荒谬。本篇论文代写范文由51due代写平台整理，供大家参考阅读。

The polymorphic phenomenon is a theory that emerged after the psychoanalytic school became popular in the early 20th century. This theory, because the phenomenon it describes has a very strong artistic attribute, has a lot of applications in various kinds of art. Therefore, after the 20th century, the phenomenon of metonymy has gradually entered the field of literary criticism and literary creation. Its core connotation lies in the narration of metonymy through fantasy. That is to say, under the separation of one body and two identities, there is hidden an internal logic that holds both two sides. The works on the subject of two bodies in Russia all repeat this logic to different degrees, and under the support of polarized national culture and psychology, the interpretation is more colorful. The doppelgons in literature, based on the subtle relationship between the doppelgons and the parent body, reveal the main connotation such as separation, confrontation and inspection, and constitute a very special literary phenomenon. In this paper, the author will talk about the phenomenon of dividedness in Russian literature based on his own reading experience.

In the process of literature development, the second rebirth has always been an enduring type of story structure, while under the second rebirth, the motif of literature, the phenomenon of dimorphism has gradually become popular from the field of psychoanalysis. The term rebirth comes from the German language, which implies the ghostly, repressed changes of the matrix of the dark hole. After the word "parti-body" was paid attention to by psychoanalysis school, more and more literary creators began to use this structure to show the separation between characters and themselves in their works. In the 20th century, Russian literature began, and the pine trees flourished. Gogoritostoevsky, yesenin and others had all created works that represented the phenomenon of diversions. Therefore, the overall context of Russian literature in this respect is worth noting.

Under the motif of the second rebirth, whether the inner differentiation or other ways make the two selves get along face to face, the relation of the subject and object images reflects the second self of the protagonist. This second self is the external projection of the character's will. In this sense, the concept of partiality covers the protagonist's spiritual separation from himself. In his discussion of the concept of the mask of personality, the psychologist Carl jung once said that the mask of personality is the individual's adaptation to the values of the world or other ways of dealing with the world. One might slightly exaggerate and say that the mask of personality is the person who is not what he really is, but who he and others think is what he is. Based on this analysis, we can see that there are many such expressions in Russian literature. Like gogol's novel the nose.

In this story, the author explores the image of another self repressed in the depths of one's own heart by describing the absurd story of the protagonist pursuing his own nose. The hero kovarauf love vanity, all day thinking of promotion and wealth, and to curry favor with celebrities for their biggest wish. When kovalov's nose left, he lost the capital to enter the circle of high society, but at the same time the nose became something higher than himself. In this story, the nose can be said to be his personality mask, but this personality mask does not belong to the hero, has become the kind of future the hero envisioned. But here we can see that the nose is not so different from kovalov's behavior, just that the nose, by a series of circumstances, is able to fulfill kovalov's preconceived vision of life. From here, we can see that gogol's description is still relatively soft, and there is no too big fierce contradiction between the split body and the main body.

In contrast to the image created by gogol, the doppelganger created by tostoyevsky in the jekyll and Hyde produces a more intense conflict between the doppelganger and the doppelganger. In tostoyevsky's story, the hero, goliadkin, is an eccentric and awkward person who does not associate with people, but in his heart of hearts he particularly admires those who are able to be agreeable and climb the ladder of power and wealth. And then, after an accident, his little doppelganger, little goliadkin, comes along and he's acting in a way that's the opposite of what he's acting in himself, Mr. Goliadkin. From then on, gryldkin gained the favor of everyone around him through his doppelganger. In terms of the opposite of this behavior, Mr. Ben riederking has obtained all the things he wanted in the past. However, what the author wants to express is that this person has not been changed in essence, but the external behavior has changed, which causes the surrounding environment to change, which is a great irony.

In the 20th century, the golden age of Russian literature came to an end, and at this time, Russian literature began to show the heavy and serious appearance that we are familiar with today. This is not to say that the collective aesthetic tastes of all writers have changed, but that the social environment facing writers has become as harsh as winter.

Here we are familiar with gogol's creation of a series of tearful laughing little people, all writers satirize the social reality, can only use such funny scene to point to the theme. But doppelgangers give writers another outlet. The appearance of the split body, whether it is the nose of a part of the body or the other self, which is exactly the same with the body, can more incisively and vividly express people's hidden desires and emotions that dare not vent. While showing the human heart, the authors also show the social pathology and absurdity in this way.

In addition to using doppelgons to show other characters in society, Russian writers are also good at using doppelgons to see themselves. Ning's long poem in leaves of "shadow man", the author created another himself, when he dissects her as if he had pulled out of the ontology, and to judge the character of the inner world of an object through this at arm's length relationship with the main body, erection of gradually from the author analyzed more deeply, more cold, it is also a kind of very unique in Russian literature of literary form is also very important.

To sum up, through the discussion of the full text, we can feel the unique aesthetic orientation of Russian literature. In a certain period of collective creation, the doppelganger provided a new creative thinking for the Russian writers, which enabled them to express their emotions and views in another way, which also provided more interesting materials for our literary research today.

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