Emotional Art of Chinese Painting-留学Essay代写－r51due

英国essay论文精选范文：“Emotional Art of Chinese Painting”，这篇论文讨论了中国画的情感艺术。大凡艺术都是创作者情感的体现，可以称为“情感艺术”。中国画也不例外。中国画讲究意象造型，“妙在似与不似之间”。这种不似之似正是画家不满足于对客观物象的描摹，将自己的主观情感因素融入作品的结果。中国画的情感是画家个性气质、学识修养、道德观念、审美意识等在作品中的综合体现，它集中反映在画家的审美情趣上，体现在对客观事物的心灵感悟中。

Almost all art is the creative embodiment of emotion, can be called "emotional art". Chinese painting is no exception.

About image style of Chinese painting, "wonderful between like and don't like." This seems like it was a painter not satisfied the objective images depicting works of his subjective emotional factors into results. Emotion is the artist's personality, learning Chinese painting culture, moral, aesthetic and other combination in the works, which reflect the artist's aesthetic, reflected in the objective thing in my mood.

Such emotional experiences of the artists must use specific words to become known of the external physical forms-the works. This work can be called art, and must also accept Viewer tested. Viewers with their emotions and minds to watch works and drawings contained in the author's emotional resonance, the aesthetic value of this piece was able to achieve, can truly be called a "emotional art". Emotional expression of Chinese painting has its own specific way, namely to inheriting thousands of years of Chinese culture under the background of. This cultural background is Chinese ink painting unique lines and images of traditional forms of recognition. Any innovation and reform must be performed on the basis of inheritance, the kind blind draw, blindly copying foreign radical means to manufacture the "Pidgin", even if your creative passions reached a frenzied level, and viewers don't know the artist, there was no emotional resonance, it cannot be called Chinese painting.

Art of Chinese painting is emotional, but the emotion in the picture is different from the life of feelings, it is deep in the artist's inner life experiences, different from the daily joys and sorrows. The so-called "Joy wrote blue rage bamboo" is still not a happy thing in my life to painting orchids, with angry Prime leaves, it's just an analogy, is not far-fetched.

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Artist creating a painting, always motivated by certain impulses. This emotion I think when there is a perception of emotional and rational emotions. Sensual, whim, and free to express themselves freely, what cannot be drawn, only get pages full of "smoke". Is it art? No! What later became art? Because a painter in addition to emotional feelings there are rational emotions. This kind of emotional impulse, such as vent enough, the composer came out to pick up the pieces, with minor modification, where minor retouching, painting birds, where Tim boat, became the interpretation of images. Rational, emotional state, the so-called "paper 3rd", "lines for three years". General thesis topic creation, painting or live show is this column. For most artists, the former is haphazard, mostly in paint which is under the control of the composer.

To create a traditional Chinese painting works, you must first determine the subject, select the content, and then select form followed by composition writing business location, do follow. Then moisten the ink brush, when conducted in a rational emotion dictate the process of painting as a whole. But it cannot be denied that in the creative process when you still need and must have flashed sparks of emotional feelings, and only by so doing, to make work interesting one after another and do not break laws, so the works of superior.

Anyway, two species emotional in creation process in the interactive role, no pure perceptual of creation thinking process, also no pure rational of creation thinking mode, two species emotional factors always while coexist, common dominated painter hands of pen, "bold write, carefully Pack", reached crazy and not wild, and astringent and not delay, and dry and not dry, and run and not wet of ink effect. Throughout the painting process is always controlled and not binding, and falls under the sky and in the statutes of the State. Always in a "ready" and "main bamboo chest", "move in imagination, see wonderful CD" State. Chinese painting is characteristic of art is different from other art.

Emotional factors throughout the creative process has always been, sometimes work, but the emotional outpourings, and poems with a view to relieving the problem sentence. Then, painters and how will this realization of subjective emotional experience to write objective image of? I think there are three transfer modes: theme emotional feelings, pen and ink, artistic emotion.

In General, the creation of a painting must first establish the theme and the subject must be attractive to authors, evokes the artist's emotional resonance to make painters produce creative desires and impulses, which is a prerequisite for work.

Painters have impulses on the theme, followed by pen and ink images express the emotions. Painters painting process, namely subjective feelings into words, carried on a pen in the ink must have emotional outbursts and vent, imaginative artists excited to improve their creative passion. Painter's brushstroke techniques more sublime, more copious its emotional expression. In turn, the painter's brushstroke techniques for their materialization in the paper more comfortable, his emotions more. Painter is in this emotional and ink interaction to complete the creation.

What is conception? Artistic conception of traditional Chinese paintings, is expressed by the painters pen and ink techniques and objective image of the spiritual world. Conception is the soul of Chinese painting, imagery, which is the artist's emotional transfer and chemical, that is the overall image of the final scenes feature the works. This mood at a conceptual stage, which is largely set, and adjust and play in the creative process, works completed to the final distillation. It can be said that artistic conception of memory, mood is the externalization of emotion. No artistic work is not art!

Since it is a emotional art of Chinese painting, it must be based on emotion, the Viewer is faced with a painting works, first of all, perception is not its content, not its text, but images embodied in artistic, or overall emotional experience. The so-called "well take its potential and take the pledge. "That is the truth. "Potential" is the conception, the overall image of the author is full of passion, this is the most moving. Observer has always been its momentum or general mood attracted, infection, resonate with emotion in the works before they can further enjoy the charm of its pen and ink interest, understanding the topic. It can be said that process is experiencing emotional process of art appreciation. While this emotional experience is largely obscure, and the author has a certain emotional distance. This is not clear, from the artistic sensibilities, made with different life experiences, different ideas, different qualities, different character traits of people can appreciate, according to different criteria, from different perspectives, each with their different feelings and empathy. "1000 readers have 1000 hamlet." Appreciate fully his or her own life experience to feel the emotion in the art works, see, learn, this is the charm of traditional Chinese painting.

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