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下面为大家整理一篇优秀的paper代写范文- The tragic art of Hemingway's novels，供大家参考学习，这篇论文讨论了海明威小说的悲剧艺术。海明威小说中的悲剧意识是由死亡意识和失败意识来体现的。在小说中，海明威为我们塑造了一系列悲剧形象，以个人悲剧来展现人生的虚幻和战争的残酷，表现作者了迷惘、逃避的心态。

Hemingway is an outstanding writer, since 1961, the study of Hemingway has not been interrupted, published his posthumous, reprinted his work, and even put him on the screen. Hemingway's novel depicts a tragic protagonist in the background of his legendary experience. From the perspective of "tragedy", this paper expounds its "tragic" world view and its aesthetic value of its tragic works.

The creation of any writer is always inseparable from the influence of his time, and his works are branded by The Times. Before the First World War, the Victorian era of the United States, located in the protection of two adjacent oceans, people's ideological and moral concepts are closed, the urbane moral norms dominate. Later, with the development of industry, westward movement to expand the United States, and the rapid enrichment of the "American Dream" of the impact of the original calm, less competitive land injected some fresh blood. World War I, like catalysts, accelerated the disintegration of Victorian social structures.

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Hemingway, like most patriotic youths, took part in the First World War. The cruelty of the war caused Hemingway's body and mind to suffer great harm, later he recalls: "For writers, the experience of war is commendable." But this experience is too much, but it is dangerous. "After the war, he was dazed, trying to forget the pain with love and pleasure, and he was puzzled that he didn't want to do anything." However, he finally put all this sadness, loss, melancholy and pain to the pen, full of passion to talk about the war-torn generation of people's inner wounds, began the novel creation.

Different backgrounds determine what a writer will observe, what will interest him, and Hemingway's experience of violence, strife, failure and death.

The tragic consciousness in Hemingway's novels is embodied by the consciousness of death and the consciousness of failure. Death is the end of one's life and the most tragic manifestation. Just imagine modern people with different masks, busy shuttling in the big stage of life, is not to be able to live comfortably in the lifetime? They are most afraid of the arrival of that tragic moment, then, the prosperity of the world into an empty, even their own last only a wisp of smoke and a few schungite.

The tragic ending of Hemingway's protagonist is not only death, but also a strong sense of failure, that is, his hero ate defeat. "As the sun Rises," Jack and Brett can only be across the sea forever, like the gray Sea floating on the two pieces of berth plank, under the impact of the waves occasionally collided, but at the same time, this short collision means again separate, each drifting, they have not been eliminated, but not defeated what is it? Henry was not dead, but he lost everything he deserved to live: his wife and children, his lifelong career. He has nothing, end up a boundless heaven and earth between come and go. Santiago also did not die, even dreamed of the lion, but his big fish is left with a useless bone, and his actions are not understood by the people around him, he is defeated. Hemingway's works are always inseparable from the theme of loneliness, pessimism, disappointment and failure.

As the sun rises, he describes a group of young British and American youths who have been living in Paris after the war, who are very ordinary people, have a good side, and have their own perverse, selfish side. Their tragedy is the tragedy of ordinary people, perhaps because of this tragic universal, it is more tragic color. They are not "heroes", just mortals, such as Cohen's abnormal love mentality, the Brett of love, the frustration of Jack's loss of sexual function, and the abnormal relationship between Mike and his wife, show the complex inner world of a lot of emotional people.

Because of his sexual dysfunction, Jack cannot be combined with his beloved, and she can only maintain "Platonic love" with her, from the emotional point of view, his emptiness, confusion, self-indulgence is reasonable, but not a person's full value lies in this, and should not be more noble standards to ask themselves, in order to higher level, Do you have a remarkable performance in terms of spirit and career? From this point of view, he is vulgar. Cohen's desperate pursuit of Brett to get rid of his lover's entanglement was perverse, but he valued his personality very much. Brett is concerned with material enjoyment and physical satisfaction, but she also values spiritual comfort, despise the power of money.

Hemingway created a series of tragic images for us, if the former two kinds of literature image more personal tragedy to show the illusion of life and the cruelty of war, the expression of the author's confusion, Escape mentality, then this latter kind of literary image is the author's ideological realm of a leap from the individual to the society, from the confusion to the awakening, from escape to pursuit , from the time to abstract the human spirit of quality: The tragedy is inevitable, but to maintain the people under pressure of grace. This is the highest point of Hemingway's realm of thought. In essence, the pursuit of Santiago is still the realization of personal value, but at the symbolic level is far beyond this and become a great representative of the human spirit, the indomitable spirit of the fight is the human dignity to defend their own, to seek a new way out of the true portrayal. "Tragedy is the most laborious road, so it is a symbol of the vitality of a nation." A nation must be deep in order to realize the tragic side of life and must be strong to endure. "Santiago is a tough guy," Hemingway borrowed his actions to the human proof: life tragedy is eternal, but the indomitable spirit of human struggle is also eternal.

Hemingway is not only a traditional realist novelist, but also a pioneering tragedy creative unique style of ancestor, his research is not enough, in the 21st century world literature surging time, we these commentators should work hard to learn the achievements of predecessors, the literary criticism and research this baton passed on.

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