Essay代写："Blank" in "Se una notte d’inverno un viaggiatore"－r51due

下面为大家整理一篇优秀的essay代写范文- "Blank" in "Se una notte d’inverno un viaggiatore"，供大家参考学习，这篇论文讨论了《寒冬夜行人》中的“空白”。19世纪以来，文本中不断增加的空白成为西方文学的一个重要发展趋势，也是现代和当代文学作品中的显著特征。《寒冬夜行人》中艺术形象层的空白表现在两个方面：人物形象的空白和环境描写的空白。在人物形象的设置方面，从男读者的读书活动切入正题，对他的年龄、外貌、职业等身份和特质都采取了模糊处理；对于女读者，也只是从行为方式和家居摆设上对她的脾气秉性略窥一二。

Since 19th century, the increasing gap in the text has become an important development trend of Western literature, and also a prominent feature of modern and contemporary literature. The reader's position is becoming more and more important in modern literature research. Iser, the representative of German reception aesthetics, points out the relationship between "blank" and the meaning of the works, and the reader fills in the imagination to fill the "vacancy" that the author intends to set. His literary theory has raised the reader's position, and read the activity as a vital link in literature. Italian writer Calvino's "Se una notte d’inverno un viaggiatore" is famous for its multiple interwoven literary themes and skillful postmodern techniques. This paper will interpret Calvino's novel "Se una notte d’inverno un viaggiatore" by Iser's "blank" theory, point out the gap between the language symbol layer, the artistic image layer and the inner implication layer, and analyze the text meaning that the writer produces in the process of setting up blank and filling blank.

Terry Eagleton wrote in the Western literary theory of the 20th century: "The Development of modern literature theory is divided into three stages: focus on the author, focus on the text and turn to the reader." Among them, the reader's status has always been the lowest, but in fact, without the reader there is no literary works ―― they are only in the reading practice can be realized meaning process. For acceptance theory, reading is always a dynamic process, and only readers can release literary works from general existence. Reading is not a linear motion before a straight line, but a dynamic motion that repeats and revises before and after.

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In the west, the first to put forward the word "blank" in the theory of literary reception is one of the founders of German reception aesthetics, Wolfgang Isser, he explicitly used the word "blank" in the article "Summoning structure of the text", pointing out that it is the structure mechanism of the text calling readers to read, and deeply studies the relationship between the blank and the meaning of the works. In reading activities, he elaborated on the theory of acceptance of blank. In his opinion, literary research should give full attention to the relationship between text and readers: The literary text provides a "graphic" framework for readers, which has a lot of blanks on all levels and needs to be filled and enriched by readers in the process of reading. It is these blanks that take the reader "into the event to provide the meaning of the unspoken part." The so-called "blank" refers to the part of the text that has not been written or explicitly written, which is something that has been written in the text to the reader to imply or hint, and needs to be filled by the reader according to his imagination. In Iser's view, the whole meaning of reading is that it enables readers to have a deeper sense of self, and to make readers more critically observe their various ideas. Reading as if a magnifying glass, people read books, in fact they see themselves.

In Calvino's "Se una notte d’inverno un viaggiatore", the application of blank theory is divided into three main aspects: the blank of linguistic sign layer, the blank of art image layer and the blank of inner implication layer.

The blank in the novel is first embodied in the language symbol layer, showing as a form of artistic expression skills and techniques. In the setting of the storyline, Calvino took the form of Yuan novel, in the novel, in the novel, in the male protagonist reading 10 parts of the process, the reader also synchronized reading 10 stories and read the Hero's life experience, this two-line interwoven writing method makes the novel full of pluralism and variability, The rhythm of the novel slows down sometimes. The author interrupts the male reader's consistent reading for various reasons, through his pursuit of the following, skillfully to 10 of all kinds of unrelated novels clusters together, with the basic text of the blank to break the real reader's expectations, lead to a series of thrilling storyline, reducing the relatively insipid part of the novel, making the whole work downs, Very compact. Writers often stop pens at an interesting time, arousing readers ' interest in reading and curiosity. Thus, the reader and the text of the exchange and interaction, the reader is no longer a continuous acceptance of the text by the author of the passive role of information and ideas; they are the same as the male readers in the text, because this "Se una notte d’inverno un viaggiatore" involved in the whole long and varied reading activities.

Secondly, in the transformation of the person and the angle of view, the novel is the second person ―― male reader "You" to the beginning, continuing to the seventh chapter when turning into a female reader "you", after two people have sex and then turned to "you", and finally returned to the male reader "you" Chapter eighth the whole chapter is narrated by the writer Sila Frannairi diary in the form of first person, and several main characters are interwoven together. The advantage of the inner focus writing method is that it can show the inner activities of the characters to the maximum extent and increase the sense of authenticity and intimacy. Readers with this internal focus of the narrative way myfield, layers of progressive, and constantly found gaps and fill gaps in the process, the novel about the whole writing, translation, printing, publishing, reading process and thinking in the author's pen spread.

The blank of the art image layer in Se una notte d’inverno un viaggiatore is in two aspects: the blank of character image and the blank of environment description. In the aspect of the character's image setting, he has taken a dim approach to his age, appearance, occupation and so on from the reading activity of the male reader, and has only a glimpse of her temperament in the way of behavior and furnishings of the female reader one or two. The author clearly wrote in the text: "Female readers, what exactly are you like?" The book has been very careful to allow readers of the book to enter the role and to be equated with the reader in the novel, so he has never been given a name. Because that would automatically equate him with the third person and turn him into a character. And this book also let the male reader in the novel in the abstract state, just a pronoun, can give him to attach various attributive, make him complete each action. "The blank of the male reader's image facilitates the readers ' imagination and creation, and the interactivity between the reader and the text is strengthened."

The same is true in 10 of broken texts. They tell the story in the first person, "I", without exception. Readers can only from the narrative of the protagonist's career, identity, character of a trace of information, the story emphasized is the text of the characteristics of ―― as previously Lyudmila said ―― such as let people read clear novels, can feel the upcoming events of fiction, Just narrative novels, disturbing novels and seemingly covered novels. Impression and thought become the focus of the novel, the protagonist relegated to the second, just as a function of the role of the plot coherence is broken. The white space here allows the reader's attention to shift from typical characters to dramatic conflicts and textual significance.

In terms of environmental description, the social environment in which the male and female readers live has not been clearly accounted for, and it seems to be by default equivalent to contemporary readers, not to mention the natural environment; In the story broken, the background of each article is very vague, the time is unknown. For example, the first "Se una notte d’inverno un viaggiatore" in the narrative ―― "story happened in a railway station", but there is no specific description of the railway station, "I am the protagonist of the novel ..." In other words, the protagonist of the novel is called ' I ', and you don't know anything about this person, but you know it's called the station, and you know nothing else. "Everything is in a blur, like a cloud shrouded in a fog, until the end of the clouds to the mist scattered, knowing the protagonist has a special identity, but still do not know the whole story, this provoked the reader to continue to read the interest, as in reading a detective novel, The Pleasure." In "The body from the Shibi", the main location is the small beach, mineral-like prison towers and the installation of countless observatories, the whole story is permeated with the atmosphere of repression, the tide of decay. This kind of environmental description as a secondary role of the spy identity has been foreshadowing, indicating that the following episodes of the downturn.

The inner implication is the key to the meaning of the whole literary works, the blank of the linguistic sign layer and the blank of the artistic image in the work form the vast space of the inner meaning, and realize the meaning of the work under the participation of the readers. Wang in "iser" "Blank Theory" in the use of the novel art, the concept of the successful works of art, its inherent meaning is always multidimensional, uncertain, can give the reader a huge imagination and thinking space. "Se una notte d’inverno un viaggiatore" does not have a single clear theme, the novel male readers read "Se una notte d’inverno un viaggiatore" was interrupted by publishers, trying to find a novel, in search of the process and female readers encounter, and finally experienced a series of pursuit and adventure, and female readers knot. The author is not alone in the search or courtship, but through the mouth of various characters to express the reading, writing, a book of different views and thinking. For example, in the "Se una notte d’inverno un viaggiatore" reveals the writer's writing psychology; chapter fifth explores the relationship between authors and works; chapter seventh discusses the reliability of implied authors, implied readers, and narrative sounds; chapter eighth talks about zero writing, non personalized, potential works and ideal readers The 11th chapter shows seven different ways of reading with the autobiographic of seven readers. In a novel with only Graid pages, in a big story, set up 10 small stories, discusses the reader's view, author's view, reading view, translation view, the state's control of literature, the creation of books and the falsification of many topics, Calvino in the novel reflected in the postmodern writing techniques have always been the readers and scholars relish. The emptiness of the inner meaning makes the whole interpretation of the works pluralistic, and this book becomes the masterpiece of Calvino.

In many small stories, the author also uses the blank theory to point out the fictional nature of the novel. For example, in the "Se una notte d’inverno un viaggiatore", there are frequent jumps in the sentence: "The sound of the piston of the steam engine to cover up the sound of your book, a white steam partially covered the novel's first chapter,"; "The text of this novel is vague ... The mist covered the pages ";" The text in the book describes a space-time without a clear concept, and tells of an event that has no specific character and no characteristic. Be careful! This is the way to attract you, step by step to lure you to the bait you do not know, this is a trap. "In the" not afraid of the cold wind, regardless of vertigo, the situation is the same, "Perhaps this story is a bridge in the air." The story is unfolding in the process of constantly describing a variety of messages, feelings and moods, for various events to create a background and in this context to develop a path of life. The beginning of a line of interconnected lines is this: "The first feeling this book should give me is the feeling I hear when the phone rings." "This kind of sentence which points out its fictitious in the novel is abound in the whole work, the author from the simple narration step into the ontology of the novel creation, strengthen the novel's intrinsic meaning and richness."

Not only that, Calvino also in the text clearly put forward the importance of blank. "I think what is written in the book should not be everything, should not be real, should be a bit unpredictable, there should be something in between the lines, and I don't know what it is ...", "said the novel is more rich than the words and clear things, only let the words of the refraction of things, can imagine those unspoken things. These all coincide with the blank theory of Iser. At the end of the novel, the writer borrows a reader's mouth and says that the ultimate meaning of all novels includes continued life and inevitable death, but not every novel must have a beginning and an end. In the content, each novel has similar meaning, but in the external form of performance can be described as colorful. In the development of the novel can be inserted into all kinds of meaning and information, including a variety of views and thinking, do not have to be detained in the form, there is no fixed standard, calvino that such a novel is rich in flavor, worth repeating.

Calvino's "Se una notte d’inverno un viaggiatore", as a classic of postmodern novels, contains multiple literary themes and exquisite artistic techniques, which have been interpreted by researchers and readers in different perspectives. Many gaps in the novel, in the maximum capacity to show the post-modern survival context of the bizarre, but also to mobilize the reader's participation and reading interest, for the text left a broad imagination space, increased the volume of the work, rich in overtones, the successful realization of the reader and this article of interaction and Exchange. This paper interprets it with Iser's "blank" theory, in the language symbol layer, the artistic image layer and the intrinsic implication layer to excavate the deep meaning underneath the surface, the music of writing and the pleasure of reading have been vividly displayed, and the connotation of "article" has been expanded and developed continuously.

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