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下面为大家整理一篇优秀的essay代写范文- Mechanical Aesthetics of Corbusier,供大家参考学习,这篇论文讨论了柯布西耶的机械美学。从建筑领域发展来看,一部现代主义的建筑史,就是机器美学的发展史。在机器美学被实际应用到机器本身之前,以柯布西耶为代表的设计师们,首先让其在建筑和一些实用艺术品上予以充分的体现。柯布西耶认为轮船、汽车和飞机是表现新时代精神的产品,认为这些产品的外形设计不受任何传统式样的约束完全是按照新的功能要求而设计成的它们只受到经济因素的约束,因而更加具有合理性。

Corbusier,柯布西耶,英国代写,essay代写,代写

Mechanical aesthetics began in the industrial age, in such a passion for the machinery of the main trend, with which to match the design followed, designers began to find ways to express the steam age design trends, this new aesthetic trend began to be gradually pursued and spread. It represents precision, speed, strength, structure, an aesthetic that is completely out of hand design.

"Mechanical Aesthetics" is a theoretical theory that studies the aesthetic law of product design in the age of machine production, and we can learn about the earliest origins of an Italian printmaking artist Giovanni Piranesi. And the real machine age began to change the world's chapter of the Industrial Revolution, the role of history-the steam engine has changed the development of an era. As a result of technological innovation led to the production of new products and neglected its quality and quality, mass production of the imitation of the inevitable lack of good design must be the perfect manual skills, a large number of mechanical procedures produced by the design products to make people suspicious, so in the modern design development process from the art, The development course of decoration oriented Modernism design is the process of anew balancing the value on the unbalanced economic base.

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The Industrial Revolution, as a starting point, led to the beginning of modernism. From the perspective of architectural development, a modern architectural history is the history of machine aesthetics. Before the machine aesthetics is applied to the machine itself, the designers who are represented by Corbusier, first let them fully embody in the architecture and some practical artworks. Corbusier and Amedee Ozenfant. Both of them put forward the pure machine aesthetics based on Neoplatonism philosophy. Its research object to the plastic arts, especially product design and architecture. Corbusier that architecture is an equal of light, hue, block, appearance and planning. The masterpiece of machine aesthetics is "Towards new architecture" published by Corbusier in 1923. He believes that ships, automobiles and airplanes are products that represent the spirit of the new age, and that the shape design of these products is not bound by any traditional style and is designed in accordance with new functional requirements. They are only subject to economic constraints, and therefore more reasonable.

Since the beginning of the 20th century, machinery has become more and more powerful for architectural form and space, even urban living space and people's way of life. Its influence on the building in three aspects: mechanical become modern building production technology means, make the building has the mechanical material appearance and form, make the building has the mechanical rational consciousness, the construction way and the activity ability. In terms of impact, the first two are technical prerequisites and symbolic. The latter is the essence and the important influence. In conjunction with the age of the large machine, the beginning of a precise measure began to transform the building he started.

Because Corbusier has a way of knowing the world independently of other people, his personal existence makes sense. If you look at a house as a "device to watch the world, a mechanical system to see," then it can be understood as a camera. The Savoy Villa embodies a collection of his architectural ideas before World War Ii.

In the design of the Savoy Villa, a total of three floors are decorated with the owner of the space required to use, and provide a full range of activities, increase the reasonable division of functions, indoor use ramp, increased the upper and lower space connectivity and fun, but also provide the convenience of the owner. The second floor of each space through the corridor in tandem, but also presents a different scene, through the light and shade, line of sight, color pure and the contrast, Corbusier will be the space rich effect of painting full of tension. Second, Corbusier the construction of the new building five points and the use of functional in this building practice. The Villa adopts new material and structure, which provides more freedom for interior space division and exterior modeling. The material is made of concrete, steel and glass, so that the wall becomes a separator. Villa can arbitrarily use the wall space, and even the use of curved wall rich space changes, the first floor for the slender pillars of support, the second floor for the long window without any decoration, façade is no longer like any previous traditional style. It opposes the adornment, conforms to the function, opposes the historical plagiarism, opposes does not satisfy the function the esthetic sense. In the design, it hides the aesthetic feeling behind the function, uses the geometrical form to illustrate a kind of pure and single image, which makes the internal and external image large in size. It satisfies the simple and simple form, and satisfies the complex function. This mutual contradiction has formed the unique charm of the Savoy.

Corbusier in his life, many works and works can be seen in the embodiment of the dialectical characteristics of the rationality and Sensibility. Form and function, brightness and haze, quietness and movement, order and freedom. It is the contradiction between these two opposites that shows Corbusier amazing creativity. Corbusier through his works in the dialogue with the Times, architecture, to find a representative of their own heart and the new spirit of synchronization with this era, such ideas and ideas has become the successor architects have been to learn and transcend the banner.

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