Paper代写：Feelings and Emotions in Paintings－r51due

下面为大家整理一篇优秀的paper代写范文- Feelings and Emotions in Paintings，供大家参考学习，这篇论文讨论了绘画中的情感。画家倾向于在绘画中表达他们的情感。这样，绘画才能与现实相联系，被视为一种艺术。此外，情感是无价的，它们是人们心理感受的记录，所以绘画中的情感表达是非常重要的。在梵高的作品《农民肖像》中，整幅画揭示了一种绝望的气息，这就是画家的内心世界。

Painters tend to show their feelings and emotions in the paintings. In this way should painting connect to the reality and be regarded as an art. Moreover, emotions and feelings make them more than priceless, they are a record of how people feel at that time. Portrait of a Peasant of Vincent Van Gogh’s and Still Life with a Poem of Juan Gris may manifest this point.

In Van Gogh’s work of the Portrait of a Peasant, the depression of Van Gogh is seen through the dimmed color of the background, which is a connection the painter has built to reach the reality. Vincent Van Gogh, an impressionist who was famous for the daring and delightful color with a high saturation and the unique brushstrokes in his paintings, had already fell into a deep metal disorder by the time he depicted the peasants in a small town. Firstly, unlike other portraits of his, this very painting is only consisted of the upper part of the old peasant, who didn't looked directly into the painter’s eyes. The background behind the old man are no more scenes, but only a dimmed sky without shinning stars. The simple composition of the painting left the al the attentions focused onto the old man. By composing a traditional portrait without background, Van Gogh might be conveying the idea that he was no more capable to capture the beautiful scene due to the pain brought by mental disorder, so that he simplified the spatial quality of the painting. Secondly, another elements that have exposed the depression of the painter is the color of the painting. Not only was the background painted with dark Yves blue, the peasant was also dressed in a light blue jacket. The cold colors, especially blue, which would indicate a feeling of melancholy, were used in a large area in this painting. As Van Gogh was also famous for his broken colors that made strong contradiction, he also applied bright yellow into the central of the painting—the hat. However, compared with the tawny yellow which was used to depict a worn and weathered face underneath the hat, it became so pale and frivolous. What’s more, the brushstrokes in the picture is still as adequate as it could be. The brushstrokes in the background can be clearly recognized, as they are all limpid and vivid, with a little curve which showed the technique of the painter was so soft. Along with the combined color of white, there seems to be a sight fog behind all of this. But the people in the front was depicted in some hard and tough brushstrokes in order to show the lights shed on his cloth and the winkles on the face. The whole painting revealed the smell of depression and desperate, which is the inner world of the painter.

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Juan Gris painted the Still Life With a Poem, which is a typical of the Cubism, he combined his thoughts and the concrete scenes into the paint. To illustrate that, I may speak from the prospect of the composition and the details of the texture and brushstrokes of the painting. The former element of it is quite obvious to see, as the center of the picture is layers of abstract and overlapping and undecipherable objects, which is a classic technique of the cubism in that the painter tends to fold the spacial qualities of a three-dimensional space into some single ones that depicts the objects from different angels. The table inside it shows that as it has two angels. But underneath all those abstract objects is a piece of paper with letters written on it. Considering the name of the painting, the paper must be the poem that have mentioned. Thus the main part of the picture, which is in the centre of it, could be regard as the content of the poem—as the painter transformed it into the objects and expressed them in the form of abstract. Though combining some real things in life, it has been made into an imaginary still life in the way the painter comprehended the poem. The details of the still life can also explain that. The description of table and its texture are fairy peculiar, we can see the tenderness and chariness in the wood grain, but the tobacco pipe only left its external lines on the table, with itself dissolving into the wooden surface and the wine bottle also half blue half black. Among all those elements I could not recognize other than the cards and papers, which else could only be the intentions of the poem. The painter has constructed his own feeling of space as well as the existence of objects, besides are the maroon red background that emphasized the independence of the poem on the paper. In this way, I think Juan just connected the painting with his thought by drawing the combination of objects in the reality and the imaginary scene.

As a conclusion, painters tend to bring their own thoughts or feelings to their paintings both intensively and unconsciously. Van Gogh expressed his depression in the portrait in many ways without knowing if he was aware of that; Juan also introduced his own comprehension about the poem into his picture. They were trying to connect the paintings to the outside world using emotions, which is also an intermediary between people in daily life. Frankly speaking, I do consider painting as an adequate way to express one’s emotion that cannot be understood in the real life, just as the two great painters have done to this two paintings.

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