下面为大家整理一篇优秀的paper代写范文- American thriller,供大家参考学习,这篇论文讨论了美国惊悚电影。惊悚电影是美国经久不衰的类型片之一,其诞生和兴盛与人们内心的欲望息息相关。惊悚电影通过种种将人类置于绝境的叙事展现着人类的担忧、紧张与无助,吸引观众与剧中角色一起感到惊悚,将观众人性之中深藏的恶尽量地释放出来。同时,因审美距离的存在而使观众感到某种安全感,这有利于观众在日益紧张的快节奏生活重压之下进行排解。
Thriller is one of Hollywood's enduring genre films. Its birth and prosperity are closely related to people's inner desire. People have long had the aesthetic experience and aesthetic habit of releasing emotions in art works that evoke human fears. The popularity of gothic novels is a typical example of this demand. The birth of the film is the product of the industrial and scientific and technological progress, but it was also associated with industry and the expanding of science and technology, its negative effect also increasingly prominent, the human is becoming more and more to the outside world have an uncontrollable fear and helplessness, Nietzsche's "god is dead" is the 20th century people fear mentality as well as to produce the feeling of helpless on behalf of his own fate. In such cases, the emergence of thriller genre films has played a similar role to gothic novels, and at the same time, it has a role beyond words. Thriller movie through a variety of puts human despair of narrative show the human concern, tension and helpless, to attract the audience feel thriller with the characters and the audience hidden evil of human nature as far as possible to release. At the same time, the existence of aesthetic distance makes the audience feel a sense of security, which is conducive to the audience under the pressure of increasingly tense and fast-paced life. In terms of thriller movie, Hollywood is undoubtedly occupy a leading position in the world film, in a long period of time to explore, Hollywood has formed a set of relatively stable narrative mode and business practices, and the former has a direct impact on the latter, so for Hollywood thriller movie narrative modes is brief analysis helps us to grasp the thread of the genre.
In general, the narrative logic of the film is in pursuit of rationality, and the creator must provide the audience with a complete, reasonable and fluent narrative in the film. The reason why human beings need scary movies is precisely because they have witnessed the limitations of reason in real life. Human beings cannot control their destiny and manipulate the world by their own reason. Such as Americans in the contemporary suffered the biggest trauma "9 ? 11" incident, and the resulting violent terrorist attacks, etc. These things are both evasive and attractive to humans. Therefore, thrillers must show the audience a world in which the order is completely destroyed and the reason in daily life is not applicable here. In this world, there is an unknown and enormous destructive force, and the problems it provides to human beings are difficult for ordinary people to solve under the existing conditions. Only when the audience is placed in such a narrative context can the plot be pushed forward smoothly, and the thriller effect of the narration can be brought into full play.
To the "museum of terror" as an example, the movie is a classic Hollywood thriller movie, there were 1953 by ender? DE? toth directed by version, and with m ? hill new version released in 2005. In the original, Gerald? professor Henry had indulged in sculpture art, built a wonderful museum, but poor earnings. Business partners and Matthew? burke to defrauds insurance money and set fire to the whole museum, professor Henry also missing in the fire, people thought that Henry had killed in the fire, he was miraculously resurrected and began a cruel revenge behavior. In his revenge, he not only kill the burke and burke's lover, even also plans to kill lover's roommate? Sue Ellen. After the attempted murder, Henry opened a new wax museum featuring death and violence, attracting Alan to watch. Henry was about to imprison Alan to make a wax statue of Joan of arc. After Allen escaped, Henry fell into hot wax in the scuffle with the police. Irrational logic of the story is that burke insurance fraud behavior is shocking enough, Henry after surviving without taking legal means to expose the crimes of burke, but revenge on their own, and would hate to burke's lover and entirely innocent Allen. In the process of designing to kill Alan, Henry was determined to make a wax figure of Alan. In the film, Henry's behavior is absurd and irrational.
The new horror waxworks has completely changed the story. In the movie, a couple living in a small town in the conjoined twins, when will they separate, elder brother was disfigured, and the younger brother's head also lost a large piece of leather, adult brothers suffered discrimination of people in the town because of the crazy revenge, will the whole town are made into lifelike wax. The crime of the town was exposed by a group of young tourists, and the desperate brothers began killing the young. Movie narrative also lost the rationality in normal story here, first of all, conjoined twins don't usually show face connection back before such a state, second, the two brothers keep such a small town near no man's land there is no such thing as the basis of the normal operation. But under such conditions set, small town, quiet, seemingly calm and orderly, in fact all made of wax, and the brothers with wax in the movie will be alive seal of terror, was enough to make the audience's heart seized by fear, ignore the unreasonable place of the narrative.
As mentioned earlier, the thriller genre narratives are closely related to its business operations at the box office, which is more obvious mda is a thriller movie, follow certain routine thriller movie seemingly conformism, but also in the film preparation is made at the beginning of production has a group of relatively stable potential audience. In other words, the audience who is tired and fussy about thrillers is not in the consideration of the movie's box office. The audience chooses the audience as well as the movie. Because the movie thriller pursuit is amplify the horror effect in a short time, not long time viewers retrospect and reflection on the movie narrative, therefore the characters image how deep or not, rich is not a thriller movie to pay attention to. And patterned film shots can guarantee in the shortest possible time from the screenwriter, taken to post-production and a series of process, entered the stage of theatrical release as soon as possible, to ensure the rapid withdrawal of funds. In this fixed mode, the typology of role building is one of the characteristics. Role is the key to movie narrative, the plot of the film is mainly composed of the characters and the relationship between the organization and promote characters, once the characters on the character, function setting is fixed, the film on the narrative basic coordinate are identified, creators have to do is plump the narrative on the coordinates. Especially when also entered the postmodernism film arts, people are more inclined to shape a face is not clear, the role of abstraction, to reflect the nothingness of the world, chaos and refractory.
The first is the mutant monster. Like the space monster in alien, it appears in an egg in the remains of an alien spaceship, a creature that does not exist on earth. The creature is able to attach to human bodies and emit deadly acid, which is a great threat to the crew of a spaceship. Such images can also be found in movies like jaws and godzilla. These creatures or from outer space, or from the inaccessible depths of the sea, or the product of the nuclear disaster on earth, although they vary in shape and capability, but for the audience, the meaning of them is a terrible, looks strange, can kill people. Because such characters exist in the image of "non-human", no matter the creator or receiver of the film, they can avoid the process of exploring their inner world. The second is the distorted image of abnormal characters. For example, John, the mysterious and cruel judge in the chainsaw movies, seems to know everything about people's privacy. "Hannibal" has a wealth of psychological knowledge, eating human flesh Dr. Hannibal, and so on. These people may look like ordinary people, but they all hate society for various reasons and are keen to torture others for pleasure. As in zc m? hill directed "the orphan hatred," the protagonist Easter is actually a appearance of adult women with children, due to the shape and manic diseases, she could not lead a normal life, but with the identity of the orphans to be in an orphanage. Once she was adopted, she would try to seduce the adoptive family and the male owner. Because of the size of her young child, all her attempts to seduce her ended in failure. In the movie, east to collapse adoptive families as soon as possible, even cruel killing orphanage mammy, then try to burn the adopter's son, had made against the adopter deaf daughter car accident. What's more, the discovery that the woman in the east is in trouble is not trusted by the man's owner, leading the audience to see the family sink into tragedy. Although these characters are part of the human race, they are remembered not for their mental journey, but for the great harm they can do to others.
Open narrative structure is at the end of the film does not give the audience a happy ending, the development of the plot to can have a variety of possibility, the fate of the characters exist or happy or sad. The audience can participate in the narration of the film in the open narrative structure, and make up the ending of the film according to their own understanding and subjective intention. This kind of narrative structure is constantly emerging in Hollywood thrillers. Unlike domestic thriller movie, have a grading system of Hollywood horror movies have more freedom in the expression, so it does not need to provide an explanation to the audience in at the end of the movie or replacement. Creators of thrillers tend to prefer to wrap up the film with an open ending with a wide variety of theories. First of all, this approach can continue to reflect the disorder and absurdity of the world in the drama, increase the mystery of the narrative, and even make the film a labyrinth without exit. Secondly, this approach can also increase the topical nature of the film, so that the film can maintain a certain degree of heat during the theatrical release. From a psychological point of view, the audience in the process of viewing experience some kind of danger, but the end does not represent the next risk will not come, that a maze in the audience left the cinema still likely will trap the audience; Finally, this kind of ending also creates the possibility for the film to make a sequel. It can be said that whether based on artistic or commercial considerations, an open narrative structure is more beneficial than harmful to thriller movies.
For example, in the "aliens" directed by ridley Scott ?, protagonist ripley led the members on the "shi mo" with alien spacecraft wreckage on life and death phase, although human beings already have very advanced technology, but for abnormity such silicon-based alien creatures human is very weak. When humans very not easy to destroy all living alien monster is exhausted, in addition to ripley, all other crew members have been killed, while the other is on the surface of a planet left a complete alien egg, whether it can be hatched become film of an open question. In "aliens", the first of the special-shaped indeed as expected and produce a large number of monsters, the last time in the sole survivor of the battle of ripley, led by the earth's people and special-shaped launched after a fight a bloody, seemingly has been a costly victory, bud glidden on spacecraft into the safety, can smoothly to return to earth. Is at the end of the film, however, almost into the darkness, came the voice of a rapid climb, and that is what alien pups can sound, although this sounds very brief, but ? director James Cameron is suggested that the audience in the voice, survivors of the spaceship, there are special. Away from the first in the audience know, special-shaped evolve rapidly, and it has strong ability to learn, at a time when the ripley did not grow up to be a take up arms and insistence on alien extermination of the hero, just a very fear to aliens, weak woman wanted to live. Alien and ripley, among others, are also likely to fight each other to the death, leaving the stage for the third film alien. Although the two films were made by different directors, they were remarkably consistent in their treatment of the ending.
It can be said that from the choice of subject matter field, or the various techniques of expression aided by high-tech means, the attempts of American Hollywood thriller genre films are diversified. But in narrative mode, Hollywood thrillers are conservative and follow a certain pattern. Precisely because thriller movie itself plays a role in psychology, according to the movie audience psychology, people have formed a relatively fixed the fear of germinal, response mechanism, and horror movies have to do is to suit the remedy to the case. Therefore, in mature thrillers, it is not hard to find that they generally have a narrative logic that is out of rationality, a familiar character setting and an open ending. Instead of criticizing it as a sign of Hollywood's indolence in artistic creation, consider it a model of Hollywood's success in running certain genres. , of course, these three points as the summary of Hollywood thriller movie narrative art, could be exhaustive, the hearts of men at the same time the world is developing along with the outside world, to be sure, the future of Hollywood thriller movie in the breakthrough of narrative mode is welcome by the audience.
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