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本篇paper代写- The Calatrava讨论了卡拉特拉瓦。卡拉特拉瓦是世界上最著名的创新建筑师之一，拥有建筑师和工程师的双重身份，他认为美态能够由力学的工程设计表达出来，而在大自然中，林木鸟虫的形态美同时也有着惊人的力学效率。他的设计灵感都来源于大自然，动物的脊椎，羽毛，就连动物生长的纹路都被他玩弄于鼓掌之间，他甚至把人的肢体语言和谐的运用到建筑中。本篇paper代写由51due代写平台整理，供大家参考阅读。

Calatrava became famous for the design of bridge buildings, and his various and strange forms, which are similar to those of alien visitors, are the sketches of nature and the pulse of life. Like a poet, all poetry celebrates nature, which is his bionics art, which has no equal charm.

Since the 1980s, both postmodernism and structuralism have launched the revolution of aesthetic values with ugly, strange and irrational. Hence, all kinds of strange, absurd and strange buildings spring up like mushrooms. But gradually, people started to become more and more uncomfortable from the original freshness to the later difficulty in accepting, and the architecture lost its original beauty. Calatrava, on the other hand, also USES his peculiar and unusual architecture to bring us back to the beauty, especially the bionic architecture created by natural law, which is in contrast with nature and brings fresh wind to the architecture.

He is one of nature's disciples, use material heap to build a house like a bird, he had a heart to build a bridge, so all of the buildings have the shadow of the arch bridge, his fascination with the dynamic beauty of all things, for construction on the wings to fly, he ignored the curve of the building structure, the building toward the sky there is no gravity, such is his, unique architectural master calatrava.

In 2001, calatrava's first work in the United States was an extension of the art gallery in Milwaukee, Wisconsin. To exploit the natural beauty of the location, calatrava has put the building on the water. He walked along the avenue in the direction of the newly built up a index bridge, white concrete material of pylon incisively and vividly highlights the bold temperament, outdoor shutter shade, like a leaf fine feathers, as the transfer of the day time, the feelings of the blink also ripples in this piece of feathers, it will always follow the sun to adjust own point of view, as a spiritual quietly trembling in the quiet lake in the city.

If too many people aren't familiar with the buildings above, let's take a look at another landmark building - the Athens Olympic stadium.

With the world's six billion people cheering and the Olympics returning to their native land, calatrava turned that dream into an interpretation of nature's language. Calatrava's design is to add two large arch beams 304 meters long and 80 meters high to the original venue, and to use steel cables to pull up the fiberboard roof with a total area of over 10,000 square meters and a total weight of 16,000 tons. Calatrava called the project the "Olympic dream," and it transformed the 20-year old stadium. Two steel domes span the top of the course, and translucent glass is suspended above the seating area to allow sunlight to enter and keep out the heat. Calatrava hopes that this building, made of steel, concrete, with views and the light of Athens, will give an unforgettable image and inspire the Olympic spirit. The entire home pavilion is inspired by Byzantine architecture, with domes and blue-and-white tones, all from the Aegean sea. The colors of the sea, peaceful Greece, and green buildings have shocked the world. This is the natural beauty of calatrava's architecture.

Calatrava, an architect and an engineer, believed that beauty could be expressed by mechanical engineering, while in nature, the beauty of the wood bird and insect forms also had an amazing mechanical efficiency. His design inspiration comes from nature, the vertebrae of animals, feathers, even the patterns of animals' growth are played by him, and he even USES human body language harmoniously in architecture.

Bionics, however popular, does not seem to have much to do with architecture. We have seen bionic furniture, they all have certain scale, but the building is piled up is the track of the firmament, what this needs is a kind of adventurous spirit and innovative will. In this process, calatrava integrates the solution of architectural functional problems with the dreamlike expression of his works with his unique ability to reconcile things, providing us with new ways to improve the city, landscape and human beings themselves.

For example, the contour of birds is the shape of buildings in the train station of sallas in France. He made full use of the structural principle of animal bones and endowed this station with the dynamic beauty of flying by the way of static expression. A bird, saw it take off, this great architect fixed it in this moment of dynamic beauty, so the building opened its wings and began to fly.

For another example, in the erstine warehouse, the gate of the warehouse adopts the graceful cantilever design, and the shape of the door seems to be the facial expression when a person smiles, which gradually changes with the opening of the door. It is easy to see from the above examples that whatever is given by nature, whether animals or people themselves, is the most magnificent coat of calatrava architecture.

People always say: life is not lack of beauty, but the lack of eyes to discover beauty. Can we understand that the building is not necessarily ugly, but our vision is not beautiful and vivid structure.

As the avant-garde usually put it: "new things don't appear out of thin air, new designs often come from a comprehensive understanding of history and life." Calatrava USES the movement of human body to reexplore the basic elements of architecture. In fact, in the whole design process of architecture, the natural support is static, and the presentation of the final results is also static. The only thing that is moving is actually the designer himself, whether it is the emergence of inspiration or physical action. Like the creator, he used his own inspiration to support the bridge between nature and artistic beauty, making everything impossible to become a reality.

Therefore, we can't help but think about what a successful designer should rely on, whether it is conforming to conventions or novelty. In fact, the fresh air we breathe every day has already given us the answer, that is, as long as we follow the laws of nature, existence is reasonable and there is infinite hope.

Like calatrava, there are many ways to "survive" by talking to nature and building.

If the soaring architecture were not the fluttering of the birds, we might not see the miracle of the sallas; If the twisted building weren't for the human body's one turn, we wouldn't see its 360-degree stunning. Design needs inspiration, and the most inspired place is endless nature. If we really learn anything from calatrava, it is to make the song of nature more violent.

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