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本篇paper代写- The view of literary criticism讨论了文学批评观。神话-原型批评是继20世纪英美新批评之后兴起的又一文学理论研究和方法，源于人类学和心理学领域，得助于卡西尔的象征形式哲学，大成于加拿大文学批评家诺斯洛普·弗莱的《批评的剖析》。这种文学理论和方法是以神话为本体，以文学为主要载体，对文学的内部形式进行考察。在方法论上强调文学研究的认知性，将自身的批评功能定位于除对作品的意义解释、价值评判之外的意义的构成方式上，因此，也被称作“学院批评”。本篇paper代写由51due代写平台整理，供大家参考阅读。

Of criticism ", to play for the best "archetypal criticism", its "with far-reaching vision, elaborate the logical structure of circumstantial evidence digg quote and generalization", make the theory of archetypal criticism systematic interpretation, is considered to be the "bible" of archetypal criticism. It regards exploring the law of literary archetypal generation and substitution as the main content of literary criticism scientific culture. It is believed that the structural principles of literature should come into being in the archetypal criticism and the mysterious interpretation criticism. In this work, frye points out that there are three types of organization in literature for myths and archetypal symbols:

Unreplaced myths - demonic or apocalyptic, that is, places or heaven. This, fry in the uncovered the dreamland dense key also talked about: the representation of life is not in front of real life in literature, but rather are dominated by a tradition of world and traditional literature in a stable and orderly format. Writers create better or worse worlds by imagination, and literary appreciation requires the ability to "create" and "understand".

Known as the general tendency to romanticize, the tendency to think of an inherent mythological form in a more closely related world of human experience.

Realism tends to place more emphasis on content and representation than on story form. The irony literature, one of the five stages of frye's "displacement transformation", is that realism begins to develop towards myth. This mythological form often reminds people of demonic rather than apocalyptic. But sometimes it is just a continuation of the romantic legend tradition with stylized characteristics. In fact, as fictional models move from myth to low-level imitation and irony, they approach extreme "realism" or realistic representation of life.

Fry is on the basis of frazier and jung, from the perspective of literature, a systematic and in-depth discussion of the mythology-archetypal problem. He obtains from the ancient Greek myth and Hebrew old testament, describing and summarizing the basic structure of western literature, is advocating literature research to the standard and scientific system of scholars, frye believes that criticism can be scientific, depends on the intrinsic cognition degree of the rule of literary phenomenon. In the past literary theories, the focus was on the classification of the external literary genre, the lack of understanding of the internal structure of literature, and the neglect of the connection between individual works and the whole literature. This is exactly what prototype criticism is about to correct.

In fry's opinion, archetypal criticism is like abstracting characters, behaviors and psychological actions in literary works into symbolic color blocks. For example, he himself likens prototype criticism to looking at paintings and "standing back". He opposes the trivial research methods of the new criticism school and tries to integrate all literary works into a complete structure from a macro perspective so as to grasp the connection between literature and the world. This is in line with the expectation of American literary criticism at that time to connect poetry with the outside world and bring art back to warm humanity. It is also the reason for the rapid occupation of western literary theory in the 1960s with a sweeping new criticism. In brief analysis, fry's literary view can be divided into the following aspects:

Based on the structural principle, the concept of prototype is explained. Notice the literature "context" in an important significance in the contemporary literary criticism, advocated put concrete works in the writer's oeuvre, and then put some literature structure factors on the literary tradition.

Fry for explanation of the concept of prototype is "recurring image", is "factors of literary works, or a character, an image, a narrative set, or a category larger similar description in the extracted thought". This freed the archetypal concept from the study of myth and ritual, and made it the link between today's culture and yesterday's myth, bringing it into literature from anthropology and psychology. In literary criticism, it is regarded as a constituent factor of literary works, and the connecting conditions between literature and reality greatly promote the practical significance of archetypes in literary criticism.

The concept of archetypal makes the critic pay attention to the relation between the individual literary phenomena and the overall literary experience when investigating the individual literary phenomena. The depth of literary history stems from primitive cultures, such as religion, ritual, witchcraft and mythology, from which patterns and rules of literary expression can be found progenies. In jung's inspired, fry from myth, ritual, these also is seen as a human ancestor original experience accumulation and the form of prototype image, think that literature is a form of myth and ritual, is a myth of regeneration and resurrection. According to fry, "when we understand literature from its pre-literary rituals, myths and folklore, it becomes a literary anthropology to explore archetypes." In the anatomy of the criticism, frye reference anthropology ceremony program, the method of the whole history of literature as a prototype by ceremony of five stages "displacement deformation" - myth, legend, noble, ironic mode, obscure. Fley pointed out that myth and realism respectively represent the poles of literary expression. As far as discourse is concerned, myth is an imitation of action with the limit of desire, which is carried out in the form of metaphor. Is the god to do everything to exceed human nature are only metaphorical expression of human desire, with the rise of abstract rational people wish fantasy gradually suppressed, myths tend to die, but deformation for the secular literature continue to develop. The content expressed by metaphor in myth was changed to simile in later literature. Realism emphasizes the similar relationship between what is represented and reality, which is actually a kind of simile art. Between these two poles lies legend. Myth - legend - realism, literary development and evolution of the rule of clues to the prototype of "displacement deformation."

In terms of methodology, the understanding of a character in a work must be connected with other characters, and the study of a specific work should be placed in the author's entire works. The more knowledgeable a critic is about literature, the more he knows about its composition. Fry considered literary criticism a systematic science. In this regard, archetypal criticism pursues and embraces the cultural tradition, and emphasizes the openness of this paper's analysis more than new criticism. But it says "poetry from other forms in the poem, a novel from other novels, literary form", is obviously between the literature and other social aspects of, failed to escape the path of formalism.

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