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下面为大家整理一篇优秀的essay代写范文- Wallace and gromit，供大家参考学习，这篇论文讨论了超级无敌掌门狗。在《超级无敌掌门狗》的系列动画片中，机械一方面为华莱士和阿高的生活提供了便利，另一方面是机械被坏人利用而成为其帮凶，如《错误的裤子》中的机器裤子被企鹅大盗利用来偷窃钻石。在轻松诙谐的故事中，机械吸引人们关注剧情发展并不著痕迹地引导观众反思机械与人类的矛盾关系。

Clay animation is a kind of stop-motion animation, which is to obtain the continuous motion pictures of the clay model by shooting the spatial position changes of the model in a grid-by-grid-manner, and to generate the active images visually through the continuous projection and shooting of the pictures. Clay animation as a comprehensive art form, it contains modeling, action, language, painting, sound and many other performance techniques. Wallace and gromit, a series of clay animations produced by adman animation, has won two Academy Awards for best animated short film, one for best animated feature, and many other British Academy Awards. Parker grasps the characteristics of stop-motion animation, so that the work not only embodies the beauty of the rhythm of animation, but also contains the static beauty of sculpture, with unique artistic charm.

In the course of general linguistics, saussure proposed the concept of signifier and signified. The relationship between signifier and signified is corresponding and indivisible in a symbolic entity. Wallace and gromit's animated series is rich in symbolism. The signifier refers to the image in the animation and the symbol refers to the symbolic symbol behind the image. The arbitrariness of the symbol and the multidimensionality of the signifier make the signified have deeper meaning and deeper imagination space. In animation, the symbols used in different contexts bring us new meanings, which in turn influence the processing of symbols and films.

Wallace is the main character in the Wallace and gromit series. In the film, he wears a white shirt, a green sleeveless sweater and a red tie, and his slightly stiff appearance is the image of a polite and reserved gentleman in Britain.

In the animation, Wallace's signifier is simple and clear: a bald head without hair, facial features exaggerated and crowded in the face, huge palm, awkward posture. Wallace, less adroit but optimistic, was given the image of an ordinary Englishman. Wallace likes mechanical inventions, designed many strange mechanical devices, is the film indispensable line. About this image, Nick? "Wallace was inspired by my father," parker said. He's just a guy who likes to tinkle and invent with a hammer."

The cultural symbols of successful classic animation images are abundant and formed from the most appropriate reading perspective. Wallace and agao bring typical British life to the audience with the help of props and scenes as they take on exciting adventures. The lifelike prop models in the film become numerous signifiers. This way of creating symbolic elements in the coding symbols of animation stories further increases the "reading saturation" of animation stories.

The cultural connotation and value characteristics of the animated image are produced by its symbols. Cheese and black tea are symbols of British food culture. Wallace, who loves cheese and black tea, transcends the simple form of clay animation and becomes a symbol of British culture and tradition.

Cheese is a traditional English food, symbolizing warmth, nature and pastoral. Wallace's signature morning ritual of getting up and sitting down to a cheesy breakfast has become a staple of the film. Cheese also appears frequently in the camera as an important prop. The first short film, "the moon picnic" (1989), was even more cheesy. During the vacation, Wallace and agao made rockets by themselves and flew to the moon to find cheese. In English legend, the moon is a huge piece of cheese. They eat cheese on the moon, meet a mysterious robot and return to earth after an interesting story.

Wallace has a special liking for black tea, a cup of black tea at breakfast, leisure time and a high tea together. British people endows black tea with elegant image and colorful and various drinking ways, and has formed a black tea culture with rich connotation for a long time. Black tea has become a British way of life and spiritual enjoyment, this full of cultural symbols not only fullness of Wallace's image, and the appropriate way to express the British traditional culture.

Wallace does not have superman's extraordinary ability, not as well equipped as batman. He is ordinary, because the trivial things in life and joy and sorrow. He has his own interests and often makes mistakes. Of the success of the Wallace and gromit series, viewers say: "he was a faithful reflection of British life. Although they are cartoon characters, they are not always smiling, they are flesh and blood. They have a lively look on their faces, and they have a good sense of humor in their dialogue and actions. Wallace is a portrait of an English man, and every English man sees himself in him.

Roland? In film, television, and advertising, meaning depends on the system of interactions between images, sounds, and glyphs, barter notes. Partnership is an important symbol of the Wallace and gromit franchise, and like doraemon and wild bikoff, donkey and shrek, agol and Wallace are the vehicles for partnership. This pair of partners in the face of setbacks and challenges, showed optimism, open-minded, the quality of mutual trust. These qualities are not only the common symbols recognized by the director and the audience, but also the British spirit the director intends to convey to the audience. Just as the tall, white-haired, bowl-hatted uncle Sam represents the American spirit of honesty and hard work.

In the animation, the dog agao has personified feelings and personality. Although he is not good at expressing, he is calm and brave. In the animation, agao plays the role of Wallace's protector, tolerates Wallace's willful act, and helps Wallace solve problems when he encounters difficulties. Even in "wrong pants" Wallace by penguin bandit blind, agao was left out of the cold run away from home; "Bread and death incident" found miss pyra plot is high love infatuated Wallace locked up, but high still regardless of grievance, selfless to help Wallace. Loyal, witty and brave, the dog symbolizes the image of a good friend to the British people.

Agao can't speak and USES changes in his eyes and eyebrows to show emotion. Clever and taciturn, he was more like an English gentleman than Wallace, who often talked. The acute and insightful agao discovers the stolen sheep in razor's edge through the wool left by Sean, and in bread and death, through the intact brake handle, he discovers the murder plot of miss perla. "The moon picnic" high and Wallace together to build a moon rocket; In the curse of the rabbit, they work together to catch rabbits. Bread and death's masterful delivery. We can see the partner symbol they represent from these carriers. This is an implied meaning of emotional value: Wallace and dog agao are intimate, loyal partners. Its signifier is the tacit gesture of two characters when they are together.

In the Wallace and gromit series, the mechanical side of things facilitates the lives of Wallace and Argo. On the other hand, machines are used by bad people and become their accomplices. For example, the machine pants in wrong pants are used by penguin thieves to steal diamonds. In light-hearted and humorous stories, machines draw people's attention to the plot development and lead the audience to reflect on the contradictory relationship between machines and human beings without any trace.

In the curse of the rabbit, Wallace and agao adopted a humanitarian stance to make a rabbit catching machine, which was not aimed at destroying life, but an externalization of the values inherent in the British mind. The doctrine of the supremacy of technology is one that many people believe in. But Nick? Mr Parker is boldly sceptical. In "the curse of the rabbit," Wallace and agao invent various rabbit traps, alarm devices, vacuum cups, and even mind-altering machines to stop rabbits from destroying vegetables. But instead of stopping the rabbits from destroying the vegetables, the machines trapped themselves. At the end of the animation, humans and rabbits get along well with each other, which is a questioning of the supremacy of science and technology. The cold machine becomes a warm symbol full of humanistic connotation and thought depth.

Machinery in the improvement of human life at the same time, but also imperceptibly change interpersonal relations. In wrong pants, Wallace makes walking machine pants as a gift to agao, with the intention of taking agao out for a walk with him. Clever a gao is dismissive of this of course, give an opposition with his method. On the one hand, the emergence of machinery reflects that Wallace became lazy under the convenience provided by machines, just like the lazy laziness gradually bred by human in modern society. On the other hand, Wallace later snub agao laid the groundwork.

Since the beginning of the 20th century, wan brothers opened the prelude of Chinese animation. Through the unremitting efforts of several generations of animators, Chinese animation has made many remarkable achievements and produced many high-quality works. Tracing back to earlier animations in China, such as the 1955 film the proud general directed by tway, the short film quotes facial makeup symbols from Peking Opera, such as the painted face of a general and the white face of a eater. The paper-cut created by wan gutoad created a new form of stop-motion animation, and the combination of shadow puppetry and folk paper-cut in "fishing boy" and "jigong fighting cricket" gave a good play to the form accumulation of national culture. "Magic brush", "midnight chicken crow" and other films have absorbed the essence of the Soviet union and Czech puppet films, and have also made good use of Chinese cultural symbols. Tadpole finds his mother and the shepherd's flute successfully apply Chinese ink symbols and push Chinese humanistic spirit to the world stage. These successful animations are a model of symbolic creation, integrating realistic and surreal symbols. In the rapid development of animation in today's world, Chinese animation is in trouble, and many domestic animations blindly learn foreign animation without getting the point. The Wallace and gromit series can give us some inspiration.

The Wallace and gromit series presents our world with a gentle and unsentimental perspective, and USES ordinary symbols to express admiration for life. The director skillfully used the symbolic meaning of the British cultural symbols and paid attention to the extension of the connotation of the symbols, which enabled the audience to touch the tranquil happiness of life from the simple laughing dialogue and see the beautiful pious yearning in the tiny life clips. On the contrary, the Chinese animation lotus lantern selects classical story themes and imitates the production mode of the lion king, trying to render the value theme of growth and self-salvation. However, it ignores the excavation of the connotation of Chinese cultural symbols, making the film like a Disney animation in a cheap tang suit. The simple binary opposition between the brave aloes and the evil villain Erlang shen makes the characters flat and weak. Agalloch eaglewood and the little monkey are just the relationship between the hero and the pet, rather than Wallace and agao, who have inherent spiritual compatibility.

Black tea, cheese and other symbols in the Wallace and gromit series from the outside to the inside, seems to be handy but just right. It not only shapes the plump animation image, but also promotes the story development extremely well. Under the surface of the harmony between traditional culture and modern life, it is a reflection metaphor of friendship, ideal, responsibility and life. The success of animation is a model of the perfect integration of traditional values and modern appreciation habits. Domestic animation "kuiba" also tries to achieve the integration of tradition and modern, but deliberately imitate the Japanese animation traces obviously, the improper use of Chinese traditional cultural symbols makes the film neither fish nor fish. In the Japanese story background structure, the design of characters, scenes, props and many other details also a lot of imitation of Japanese animation. The protagonist, manji, has big eyes in the style of Japanese animation, and practices kung fu, similar to Chinese martial arts, in miyazaki's characteristic villages.

Wallace's machinery is always silly, let the audience can not help but laugh, but laughter people can not help but calm thinking. There is reason in humor, and there is wisdom in a light tone. Parker's real intentions. Similar to the Wallace and gromit series, the success of kung fu panda is based on superb production standards, but also on its deep interpretation of eastern culture and rendering of Chinese humanistic spirit. From "Epiphany" to "zen", dreamworks' well-planned moves have made Chinese animation "moebius" lose ground to the latter, who blindly pursues gorgeous visual effects and ignores the real emotional accumulation and humanistic feelings.

Animation has its own unique symbol system, including visual image, color, auditory aspects of music and so on. Symbols are interrelated and aggregated in the film, thus forming artistic works of expressiveness. The skillful application of the symbol system contributes to the artistic essence of animation. Wallace and gromit series has a simple style, familiar symbols and humanistic reflection and philosophy. Wallace is full of British traditional cultural symbols and full of vitality, agao contains the feelings of partners and mechanical symbols brought by the profound thinking also makes the film more tension. In view of the plight of Chinese animation, Wallace and gromit series animation is an enlightening case worthy of in-depth interpretation by semiotics. The use of symbols and the way of animation image building are of great benefit to the creation of Chinese animation. Semiotics is of great significance for understanding the characteristics of animation art and grasping the creation rules of animation art. Also opens a new level for the current animation theory research.

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