Essay代写：Modern urban painting－r51due

下面为大家整理一篇优秀的essay代写范文- Modern urban painting，供大家参考学习，这篇论文讨论了现代都市绘画。如今，现代都市不仅是都市人的栖身之所、艺术活动的承载之地，更是反映时代的宏大景观，绘画视角应当更有当代的都市气息，真切地反映现实生活，这也是绘画的发展趋势，在许多大型美术展览上都能感受到。无论是探讨社会变迁的身份问题，还是快节奏下的生存状态，现代都市绘画都具有非常多的可能性，它本质上就是都市人对于自身和环境的思考。

Since the reform and opening up, economic construction has become the theme of The Times. As a special economic zone, shenzhen has created a miracle attracting worldwide attention. In this context, modern urban painting has very distinct practical significance and characteristics of The Times. With the development of society and the prosperity of civilization, the painter's expression and understanding of the city gradually entered into his painting works. At the same time, it was accompanied by the process of city commercialization. Take shenzhen as an example. This is a process of "city" and "city". Because of the decision to set up special economic zones, because of the "city" and "city", economic construction developed, and then because of the "city" and "city", promote the renewal of the city construction, high-rises rise. "City" because of "city" is the impetus of policy, "city" because of "city" is the drive of interest, which is exactly in line with the theme of "economic construction as the center", its essence is to pursue interests and build. Reclamation, opening mountains, digging tunnels, building airports, ports, high-speed rail, subway... Everything paves the way for faster economic construction. Model commercial real estate development, construction of residential buildings, office buildings, shopping square... There are stylized branches of big brands in the square, companies set up in the office buildings are involved in real estate, finance, Internet, high-tech, and residential buildings are all people indirectly involved in or building this model.

Faced with such a modern and commercial city, should painting take the initiative to reflect the current social situation? Are they thinking differently than they used to? Do you dig, examine, and criticize the hearts of the people who live in this glass and concrete forest? This necessity cannot be ignored. The modern urban painting we discussed was born under this background and theme of The Times. This is a discussion based on the perspective of shenzhen with local characteristics.

Is the scenery in the city or in the countryside? This question actually asks about the aesthetic tendency, there is no definite answer. However, according to the custom, they are all "to the countryside to sketch", and the traditional art education is "close to the countryside, far from the city". Undeniably, the beauty of light and color in nature is indispensable in the training of color painting. French impressionism and Russian touring exhibition school of landscape painting have exerted an important influence on the creation and education of landscape painting in China, and this established aesthetic mode seems to have never been out of date. The articles published by the educational module of lu xun academy of fine arts in the journal are indeed as the author said, "repeating the same old tune", which is inseparable from the paradigm of modeling, aesthetics and technology. Under the influence of the teachers, the students went to the countryside to sketch, regardless of the course requirements, giving people a feeling that the painter should "avoid the city" self-cultivation. This mass sketching movement has become a kind of tourism industry, such as the "painter's village" in anhui province, which is also constantly building new archaized hui-style buildings and archaized inns catering to painters and tourists. Artists sometimes avoid overly "artificial" cities and just go to another "artificial" environment, but their plots of sketching can be satisfied. The author also had this kind of sketch plot, go alone tour mountains of ethnic minority autonomous region sketch, but the more begin to reflect on their own works, the men of the city is keen to show the beautiful scenery of the countryside and color, can not think, rural people are yearning we live in a city, our performance was good for the locals is an insurmountable barrier? With the mentality of tourists, it seems that we can never understand the real state of people and nature at that time. Of course, we can also practice our own modeling, aesthetics and technology regardless of everything.

Art comes from and reflects real life. There are also some local old painters in shenzhen who put their eyes on the city of current life, such as li chuchi's "chiwan golden autumn" and he zhenxiang's "one of the dreams of new port", which are the expression of shenzhen chiwan port and yantian port docks, which are works reflecting real life. Facing the wave of reform and opening up and urban construction, what we are facing is the scenery that our predecessors have been looking forward to for a long time.

The concept of shanshui city was first put forward by Mr. Qian xuesen in 1990. The first is the harmony and unity between man and nature, the second is the harmonious development of natural environment and artificial environment, and the third is the combination of Chinese classical cultural tradition and foreign advanced culture and architectural technology. After seeing the works of shenzhen painters, Mr. Qian came up with the idea of "urban landscape painting". Since 1992, the subject of "urban landscape painting" has been concerned by many artists from all over the country. Painter song yuming is one of them, "shenzhen xiaomeisha summer" is his work, this painting is "urban landscape painting" representative of the early works. According to song yuming, it is particularly important to "restore" the spiritual core of the city in his works and reflect his own profound experience in it.

In the "impression city -- contemporary urban landscape painting nomination exhibition" held by wuhan art museum in 2010, nine artists jointly depicted various modern cities at home and abroad, most of whom experienced the "urbanization" period of the construction of new China and the reform and opening up. The works exhibited in this exhibition have a wide range of contents, including shopping malls, hot and dry noodle shops on the streets of Shanghai, high-rise buildings in Hong Kong, European churches, trams and so on. The works have different styles and techniques. Fan feng, the artist and curator of wuhan art museum, said that although ancient paintings like "riverside scene at qingming festival" have been used to depict urban life, urban landscape painting lacks references and mature techniques, which pose challenges for future creation.

In modern urban painting, the combination of ink and wash materials is one of the directions. Can "urban landscape" combine modern urban landscape with traditional Chinese painting with literati interest? It is still worth discussing the effect and degree of freedom of the strong psychological conflicts in individual's spiritual life under the background of "urbanization" while the traditional media show the city image.

Modern city is not only a place for urbanites to live and a place for artistic activities, but also a reflection of the grand landscape of The Times. Our painting perspective should be more contemporary and truly reflect real life, which is also the development trend of painting and can be felt in many large art exhibitions. Whether it is to discuss the identity of social changes or the living state under the fast pace, modern urban painting has a lot of possibilities. It is essentially the reflection of urban people on themselves and their environment.

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