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本篇paper代写- Chinese and western architectural culture讨论了中西建筑文化。中国与西方的建筑是在不同条件下发展起来的，两者间的差异，可以“数量”一词进行诠释。中国建筑师常在“数”上做文章，将一个功能的建筑分割成多个建筑，在水平方向上铺陈开来。而西方建筑师则是在“量”上来诠释建筑的宏伟，教堂等建筑被建造的高耸入云，体量庞大。本篇paper代写由51due代写平台整理，供大家参考阅读。

German scholar ernst once said: "human culture is divided into different activities, which progress along different lines and pursue different goals. However, Chinese and western architecture is developed under different conditions. The difference between the two can be interpreted by the word "quantity".

Chinese architects often play with "Numbers", dividing a functional building into multiple buildings, laying out horizontally. In contrast, western architects interpret the grandeur of architecture in terms of "quantity". Churches and other buildings are built with huge volume and towering heights.

Take the Louvre and the Forbidden City. The Louvre has three floors in which all functions are laid out, and the building spreads out horizontally, with a great width. It is not as tall as the gothic church, but it is no less massive. The Forbidden City, on the other hand, works by superimposing the number of individual buildings. Each individual unit has its own function, which constitutes a huge building group.

In the west, mythology has exerted a profound influence on western architecture. In an age when construction technology was still at a low level, ancient Rome produced an architectural form to highlight the divinity of the gods. Built in 118 AD, the pantheon of ancient Rome has a semicircular dome, 43m in diameter and 43m in height, far beyond the scale of superman. People walking in it will produce a feeling of smallness and helplessness, and under the influence of this emotion, people will naturally want to pray to god for help. This also makes the architecture produce a certain divinity.

And the cornerstone that supports these buildings to develop to the height ceaselessly, it is western advanced construction technology. Concrete was invented as early as ancient Rome, and the emergence of concrete allowed western architecture to go further and further in terms of large spans. Meanwhile, the vigorous development of western mathematics, mechanics and other theories also laid a solid foundation for the design of these complex structures.

The emergence of gothic spires and Byzantine sail arches increased the height of buildings in the west. With the advent of the cusp, the church building abandoned its thick reinforced concrete walls and became a frame structure. The structure is much lighter than the church buildings that preceded it, allowing for the emergence of taller buildings. And the appearance of sail arch makes the development of architecture leap forward again. More and more tall buildings were built, and at this time, the height of western buildings had reached a level that our country's buildings could not reach.

Western architecture is used to worship gods, while Chinese architecture is used to worship heaven and earth. The scale of heaven and earth cannot be measured by the scale. Therefore, China adopts the philosophy of setting off the vastness of heaven by means of small lines and large lines. In an open field, there stands a small building, and the corresponding is a boundless sky, which can show the vastness of the sky. Tall buildings in the west are intended to conquer nature, while Chinese architecture stresses the integration of nature and man, and the integration of nature.

Chinese architecture is deeply influenced by the ritual system. The so-called "100 feet for shape" is intended to conform to the normal scale of human beings, and it is inappropriate to be too large or too small. At the same time, there is a rigid hierarchy in China, which decreases gradually according to their status. Therefore, the building shapes and structures of ordinary people are relatively small.

Confucius day: "the gentleman does not implement." Under Confucianism, a gentleman should read books of sages and sages, and the ambition of a scholar should be to serve as an official. Besides being an official, every occupation in ancient China was influenced correspondingly, and architecture was no exception. Different from the praise of architects in the west, China's construction industry has not been paid attention to, so the development of architecture has been very slow.

In terms of materials, China has long used wood to construct buildings. And the service life of lumber is shortened at stone material a lot, intensity and stone material also cannot be mentioned in the same breath. So the span of the building is not comparable to that of western buildings. However, the growth cycle of wood is extremely slow and the lack of wood is also an important factor restricting the development of Chinese architecture. The limitation of materials leads to the stagnation of technology. Although it is improved in every generation, it does not make the same progress as western architecture.

In a word, Chinese and western architectures growing up in different environments and cultures show their unique charms to the world respectively. However, in today's era, with the continuous advance of globalization, eastern and western cultures are permeating each other. In the near future, I believe world architecture will embrace Chinese and western architecture and reach a higher level.

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