下面为大家整理一篇优秀的assignment代写范文- Animal carvings,供大家参考学习,这篇论文讨论了动物木雕。近几年来,动物木雕独特的造型受到大众的喜爱,让动物木雕艺术得到了大力发展。动物木雕相比于普通种类的木雕,更具有艺术魅力。形与神是动物木雕的精髓,既要通过高超的技术保证动物木雕与生活里的动物具有相似性,也要把动物的精神淋漓尽致地表现出来。为增强动物木雕的艺术效果,必须通过独特的形式展现出来。
Wood carving has a long history in our country. Its origin is very early. In the primitive society, the working people carried out preliminary processing of wood. With the further development of technology, wood carving technology gradually popularized. During the spring and autumn period and the warring states period, the classification of wood carving was more extensive. Many animal carvings appeared in different countries successively.
As time goes on, the woodcarving in the qin and the han dynasties reached the peak of the history, the han dynasty carved animals modelling variety, source of materials is very extensive, which can be divided into two aspects of reality and unreality factors, reality factors mainly represent the time of the production and living environment of animals, such as cattle and horses, factors other than the reality on the other hand, is the lack of understanding of nature of guesswork unicorn beast, the beast is usually used for exorcism, etc. During the tang and song dynasties, when the economy was at its peak and Buddhism was introduced, wood carving was usually used on the buildings of Buddha statues, while animal wood carving was rarely used. During this period, animal wood carving entered the valley stage, and the corresponding technical development was also limited to some extent. However, in the Ming and qing dynasties, animal wood carving was revived again, and all social classes liked animal wood carving very much. As a result of great demand, promoted the growth of wood carving craft team, in this historical period, craftsmen not only noticed the decorative beauty of animal wood carving. It is also able to integrate the characteristics of animals into wood carving vividly. There are more and more wood carvings of animals with the theme of flowers, birds, insects and fish. At the same time, it forms a trend that is more important than appearance.
Compared with the common kind of wood carving, animal wood carving has more artistic charm, which embodies the essence of China's traditional aesthetics, and is interpreted from the following two aspects.
Shape and god are the essence of animal wood carving. We should not only ensure the similarity between animal wood carving and animals in life through superb technology, but also show the spirit of animals incisively and vividly. In order to enhance the artistic effect of animal wood carving, it must be displayed in a unique form.
Animal wood carving is a three-dimensional structure, which is very different from ordinary painting, which requires the craftsman of animal wood carving to have an overall grasp of the work at the initial stage of creation, and the creator's perception of animal shape is particularly important. A is a work of art works, the appearance of it in the first place is very accurate, the accurate is not only reflected in shape, also reflected in the ratio between the different parts and different structure size, only pay attention to the processing of detail, can be remade image more perfect, let the animal carvings integrating practicability and artistry, allows the audience to enjoy the feast of aesthetics.
Only the creation of the animal carvings by imitating the shape of animals cannot be of a higher level, animal carvings to vividly, carving must into their artistic creation, the artistic creation comes from life and higher than life, carver according to their own life experience, the need to express emotion into the creative process of the animal carvings, get the work manner is to express emotion, carver after animal carvings have god can continue to climb to a higher level, rhyme, which works with verve.
Animal wood carving to achieve both the form of god, the unity of form and god is a good work evaluation standard, form is the external expression of god, god is the internal nature of the form, the degree of combination of the form of god can reflect the level of the level of the sculptor.
The beauty of charm is an important content in Chinese classical aesthetics and a core concept in Chinese art theory. The charm of qi embodies the direct feeling that animal wood carving brings to people, and gives the vitality of life to animal wood carving. The beauty of qi also shows the thinking vitality and artistic aesthetic level of wood carving creators. Good works of excellent atmosphere, bring people elegant appreciation experience, can make people relaxed and happy.
Carved on the mere skill cannot bring work of chi in the woodcarving, want to graphically portrayed a work, the carver must attach their own understanding of the animal life to the work, which embody a concentrated reflection of the carver for animal life to understand and summarized, based on this understanding the carver's feeling when in contact with animals. If the sculptor reveals life from as many angles as possible, the work will go even further. After the sculptor mastered the essence of animal life, he used special techniques to express it. Only the organic unity of animal individual, carver and creative means can guarantee the qi of animal wood carving. The three are mutually complementary. Without any aspect, qi will be defective and cannot reach the corresponding artistic height.
Animal carvings of rhyme to express more complicated and the concept of the first rhyme, music, it gradually evolved into can perceived but not specific description in kind of a sense of rhyme is more reflected in the law of art workers to work summary and expression, constantly summarize from the work rule, flexible conversion, make work has the charm.
The gas and the rhyme of animal wood carving are mutually unified, the gas is the basis of the rhyme, the rhyme is the sublimation of the gas, people's appreciation of a work often starts from the gas of the work, to understand the end of its rhyme, so as to reach the highest state of aesthetics. In the process of creation, artists transfer their feelings for the beauty of life to their works.
With the continuous development of economy and society, people's needs for a better life are more and more intense, and great attention is paid to the development of socialist culture. In this environment, animal wood carving should also have a new development situation. The skills of animal wood carving can not be lost, which is the experience of hundreds of thousands of years of working people constantly groping out, need to be inherited and carried forward. The spiritual connotation of animal woodcarving cannot be changed. Animal woodcarving represents the Chinese nation's pursuit of aesthetics. For the display of vitality, in the contemporary cultural environment, animal wood carving should also give a certain degree of significance to The Times, animal wood carving represents the spirit of craftsman, the spirit of diligence to make the best of the details, is worthy of extensive learning. Sculptors should constantly enrich their own experience, maintain the spirit of learning until the end, and get inspiration for the creation of works in the experience of life, and constantly add these elements to enrich the creation of animal wood carving. Increase the intensity of innovation, innovation is the inexhaustible power and source of power for development, only continue to carry out technical and aesthetic innovation can continue to promote the progress of animal wood carving. Animal wood carving is not only limited to the realistic appearance, but also the pursuit of multiple deformation, not limited by the original appearance, the courage to explore new artistic creation. Gradually promote technological upgrading and transformation. With the progress of science and technology, high and new technology can replace manual workers more and more and upgrade the traditional technology. It not only retains the original artistic effect, but also can greatly improve the labor efficiency and reduce the labor intensity of artisans. Of course, the most essential beauty of wood carving is the height of the artist's mind. We should closely combine with the characteristics of The Times and seriously consider the development direction of animal woodcarving.
In a word, animal wood carving is a valuable cultural heritage, we should make rational use of and constantly improve the artistic height of works, enrich people's cultural life.
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