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本篇paper代写- Western aesthetic standards of art讨论了西方艺术审美标准。随着社会的发展以及生活的改变，人类艺术审美的标准也在不断变迁。西方艺术的发展伴随着审美标准的建构与解构。每一种艺术形态的产生必然有与之相对应的审美标准的建构。每一种艺术形式的式微和新艺术形态的出现，也伴随着审美标准的解构与建构。本篇paper代写由51due代写平台整理，供大家参考阅读。

With the development of society and the change of life, the aesthetic standards of human art are constantly changing. Taking the three stages of the development of western art as the clue, this paper expounds the development, alternation and integration of the three art forms of "classical art", "modern art" and "contemporary art", and the deconstruction and construction of aesthetic standards in the process, reflecting the diversity of artistic aesthetics.

Throughout the development and evolution of western art, three parts can be concerned, namely, classical art, modern art and contemporary art. In the history of western art, these three art forms have evolved into proper terms, especially the art forms and different aesthetic concepts they belong to. The rise of each art form is inevitably accompanied by the construction of aesthetic standards, and the replacement and overlapping of artistic forms is also accompanied by the deconstruction and construction of aesthetic standards.

Classical art focuses on realism. The realistic style originated from ancient Greece and formed a tradition of realistic style for over 1000 years during the Roman period. After the dark middle ages, classical art reached its peak during the Renaissance, forming the tradition of realism in western art. Through the systematic construction of the academic school, this realistic style became the authority of western art, which lasted until the 19th century and had a significant impact on western art. A realistic classical art, for the purpose of its aesthetic standards as the "natural beauty", such as the Renaissance masterpiece ? Vinci's "Mona Lisa", Angle of "big palace" and so on are the methods of realistic performance object, embodies the aesthetic standards of "beauty".

Modern art originated in the 1860s. From the beginning of impressionism, western art began to abandon realism, pursue light and shadow, and emphasize the individual feelings of painters, forming different styles of schools. Western art began from realism to freehand, and finally to abstraction. Abstract style is an important achievement of western modern painting, which represents the total disintegration of the western art realism tradition and moves towards another peak of art. The purpose of modern art is to create "meaningful forms", and its aesthetic standard is "artistic beauty". "Meaningful forms" is a British literary critic Clive ? bell in aesthetic theory put forward by the end of the 19th century. The works of the schools of impressionism, post-impressionism, brutalism and cubism embody the art form with self-expression as its characteristic, pursuit of individual expression and "artistic beauty" as its aesthetic standard.

From the 1960s, contemporary art started with pop art and began to express ideas. Duchamp has completely subverted the beauty of art and brought it down the temple. A group of young artists have made the connection between popular culture and art, leading to a qualitative change in artistic creation and abandoning the distinction between elegance and vulgarity in the past. Contemporary art is given priority to with concept expression, different from realistic and abstract of the United States, through the philosophy ideas to construct the United States, it is the aesthetic standard of American art critic Arthur tantor "beauty" in the field of the third.

Classical art aims at realism and takes "natural beauty" as the aesthetic standard. In the process of creation, artistic works pay attention to the expression of volume, space and texture of objects, and pursue realistic and figurative creation of objects. Therefore, the works of classical art are beautiful and authentic. Da Vinci's "Mona Lisa" is one of the representative. After the development of the academy school, the classical art aesthetic standard has formed the evaluation system with "natural beauty" as the highest standard. The evaluation content includes the color of the picture, the shaping of the object, the performance of the texture, etc., and the beauty criterion is nature and truth.

Classical art aesthetic standard of deconstruction in the 1860 s, with the emergence of the impressionist as the turning point, impressionist painter Claude monet's "sunrise" overturns the classical art aesthetic standard, showing no representations and real image, also did not reflect natural beauty, this work did not get the recognition of society at that time, but there is a landmark in the history of western art, it led to the classical aesthetic standard of deconstruction, also gives birth to the modern aesthetic standard.

Modern art, also known as modernist art, refers to the general term of various art trends and schools of thought different from traditional ones that have been avant-garde and avant-garde since the 20th century. Modern art emerged from the 1860s to the 1960s, about 100 years later. Starting from impressionism, we have experienced post-impressionism, brutalism, cubism, structuralism, expressionism, abstractionism and other schools. After the representatives of the impressionist painter Cezanne, brahman high, more people, etc. They are not satisfied with impressionism's pursuit of external light and color, emphasize the subjective feelings of the author in the works, pay attention to the composition relation of form, color and volume in the modeling expression, emphasize the difference between artistic image and life's image, and use the subjective feelings of the author to transform the objective image. Post-impressionism works have great influence on the development of various schools of modern art.

The theoretical foundation of modern art aesthetic standard is bell's "meaningful form", which advocates the aesthetic standard of "artistic beauty". According to bell, "in various works, lines, colors and the relationship between forms or forms in a special way arouse our aesthetic feelings. This relationship and combination of lines and colors, these moving forms of aesthetics, I call 'meaningful forms'. The meaningful form is the common nature of all visual arts. The aesthetic standard of modern art starts from impressionism, and takes bell's theory as the cornerstone to construct its own evaluation system. Here the appearance, figurative and reality of classical art is no longer the aesthetic standard of art. The expression of form, color, line and subjective expression of the painter become the standard of "artistic beauty". The appearance of abstract art makes the aesthetic standard of modern art reach the peak, and also gives birth to the deconstruction of contemporary art.

Contemporary art forms a unique aesthetic standard from pop art to the fountain by duchamp. This standard is danto's "beauty in the third field", that is, the expression of ideas. Danto constructed the history of art and divided it into three stages: the accurate representation of the progressive history stage, the pure modernism stage and the enlightenment and philosophy post-history stage, that is, the narrative-ending stage of the history of art. The expression of art breaks away from the carrier of form and begins the road of revolutionary peak. The structure, form, texture and representation of classical art are gone, as are the subjective expressions, colors, lines and abstractions of modern art. Contemporary art deconstructs the original aesthetic standards of art and reconstructs its own aesthetic standards and systems. This aesthetic standard is not only against the various forms of art, but also against art itself. The boundary between art and life begins to be blurred and confused, and people's concept of art is also confused. It will be interesting to see how far this form of contemporary art can go.

The development of western art is accompanied by the construction and deconstruction of aesthetic standards. Every form of art must be accompanied by the construction of aesthetic standards. The decline of each art form and the emergence of new art forms were accompanied by the deconstruction and construction of aesthetic standards. For example, monet's sunrise was not recognized in the exhibition of that year, but it did not affect that it stood as a landmark event of modern art in the history of western art, and was remembered as a representative of impressionism. Just as the death of an old life and the birth of a new life inevitably accompanied by pain, it is this pain that has led to the diversity of western art aesthetics.

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