浅谈《索尔维格之歌》-代写英文论文－r51due

英国essay论文精选范文：“浅谈《索尔维格之歌》”，这篇论文讨论了《索尔维格之歌》。《索尔维格之歌》是作曲家格里格为现代戏剧之父易卜生的诗剧《培尔·金特》所作的配乐。这首歌具有很强的抒情和浪漫感，歌曲音色的变化是表达情感的有力补充。歌曲生动的艺术作用和音乐表现，描绘了人物的心灵特点。其优美的旋律和丰富的表现力，使之成为无限生机的作品。

Edward Grieg, is one of the important representatives of the 19th century, half of the Norwegian national school of European music composer of progressive ideas and important influence. His work with the Norwegian National Romanticism ideological content and artistic features of folk music. In Norway, Grieg, either in life or after death, are subject to infinite respect and affection of the people. This is not only to carry forward the creation of national culture and national spirit out of a large number of classic works of world influence, and because of his love for the motherland and the people of noble character and devoted his life to the cause of national independence and liberation struggle of the spirit. Henrik Ibsen is a great writer by the Norwegian people love, the master dramatist, the modern European drama of the pioneers of a new era. Life wrote a total of more than 20 plays, lyric poetry, "Bayle King special" is the theme of the drama he's one with a personal spirit of rebellion ", the performance of his patriotic spirit, full of romanticism.

Ibsen and Grieg, both of them called the Gemini of the art of the sky, embraced each other, emit bright light. The creation of friendship of both of them are transferred on a world cultural history of the elephants, and to leave the world a great classic. "Song of Saul Ludwig classic aria in music written by the same name as the Grieg for Henrik Ibsen's drama" Bayle Kindt, the fourth movement of "Bayle King special" Second Suite a ballad. Is "Bayle Kindt, a classic song.

In 1894, Ibsen invited Grieg soundtrack for this drama. Grieg spent nearly two years to complete it. February 1896, the play in the Norwegian capital Oslo premiere a huge success. The Grieg elected eight out soundtrack, compiled two orchestral suites, "Bayle King special" First Suite and Second Suite. First Suite in four movements: towards the King Osei death of Ani Tel Dance <magic in the mountain palace "; Second Suite also contains four movements: abduction of the bride" Arab Dance "and" Peer Gynt's Return "and" Song of Saul Ludwig ".

Norway since the 14th century to the 20th century, the long years of complete loss of national independence. Were Denmark and Sweden control. In 1814, Norway from the Danish and independent, but was forced alliance with Sweden. In the 1814-1905 years of the League of Nations, the Norwegian People's tenacious resistance, in the long-term struggle for national independence, national culture, folk music has also been a high level of carry forward. In the fifties and sixties of the 19th century, the Norwegian intellectuals "revival of the slogan of national culture", people started to pay attention to the cultural traditions of this nation's efforts to get rid of the shackles of the alien culture. Grieg is growing in such an environment, his commitment to the nation's music career, creative with a strong Norwegian-style music, a distinctive and prominent personal style. His own music and the performance of democracy, the desire for an independent strong desire. Grieg, has extensive experience in the ethnic style of exploration.

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Song of Saul Lu dwig, at the beginning is purely China song style, to save the folk songs fresh and original, prominent Norwegian melody typical conversion tonality practices, also focused on many of the characteristics of the Norwegian folk tunes , all of which are used to pass heartfelt loyalty feelings. The musical performance of the role of vivid art, portrayed the characters state of mind and characteristics. Its beautiful melodies, refined mood and rich expressive power, so that works with infinite vitality. Grieg's goal is to create a national form of music to express the patriotic spirit of a public identity, so that the work has a strong national character.

In poetry, drama, Saul Ludwig, all day long looking forward to Peer Gynt returned home side in the hut before spinning, singing the songs of the folk song style. Music written using the song in the form of sub-section in front of the orderly played, followed by the end of the Rings-style one with a reproduction of a single, two themes of reproduction by the primer and without rotation, and the end of the composition. Tunes mildly elegant, sincere and deep feelings. Songs from a smooth, lyrical primer.

The first theme, the melody is natural, smooth, embodies the style characteristics of the Norwegian folk songs, 4/4 beat, adagio, the accompaniment of the main body has been the main pillar chord, the main highlight of Saul Ludwig endless thoughts of love. This part consists of two phrases. The start of a minor, the rhythm uniformly calm, tune mildly emotional sad. In music, we saw a young girl in a shabby hut side of the spinning line, while singing the melody, thinking of love from afar. Her hope you look forward to it, and waited, and waited ... day after day, year after year. This melody is beautiful and moving, including thoughts on love unlimited, and mixed with a hint of frustration.

The second theme into the same name in A major, 3/4 shot, Allegretto. This part is of instrumental music, vocal singing: "ah", the major characteristics of the mood suddenly became clear, like Saul Ludwig beautiful yearning for the future life. The music is the main chords and alternate chord and coloratura of the melody, which reflects the style characteristics of the Norwegian folk songs. The middle part of the song completely repeat the first theme and second theme. Its structure is the same, the conversion between a minor and C major and a minor and A major conversion. The whole song through the music melody, Saul Ludwig sincere affection for the performance of most vividly. The end part of a total of seven sections, it is consistent with the feelings shown by the primer. Really constitute the tail echo. The song gradually end in a deep, melancholy mood.

Works of melody and rhythm, the melody changes profound expression of the feelings of Saul Ludwig. Smooth, natural flow of the melody line has been around two themes, and to commence development. This song has a strong lyrical and romantic. The change of tone color is a useful complement to the song thinking of emotional expression.

Expressed in music drama, the plot is the history of the relationship between the characters is an important clue to theater reflects the character, revealing the conflicts. "Song of Saul Ludwig in the play pushed a climax when the ballads. The songs in the night and day I hope your message you back a message, you Ruoyi die I will meet you, see you in heaven. Ah ......" Saul Ludwig from the endless miss to a better life and finally transferred to a deep longing and frustration. The melodies are ups and downs around the true feelings of this kind beautiful girl. The climax of the song in the plot and emotional climax of the advance are complementary. Drama accompanied by music, and more effectively promote the development of the drama. Drama in music, drama, language added to the wings of song, theater at this time raising it to a better situation to a more romantic atmosphere. Between the two is to integrate with each other, inseparable elements of music with dramatic action, drama with music of poetic visualization of both the theatrical stage visual effect, but also the perception of music rich in spiritual effect.

Grieg in the composer can not only inherits the artistic achievements of their predecessors, and again the song art to a new level. Has made tremendous development, and widely spread. Grieg's "Song of Saul Ludwig crystal thorough graceful folk style, depicts Saul Ludwig meek, pure of character and mind. In this work, the composer not only showed the heart emotional and role characteristics of the figures in the music, the most important thing is to express their own inner feelings.

Music and literature from the surface, this is two very different disciplines of the arts, language and sound manifestations consistent. The song is the embodiment of language and melody combine art form. "Song of Saul Ludwig, music and literature, lyrics and melodies perfect combination of the best examples. Grieg has a profound understanding of the content and emotions expressed in the lyrics. Therefore, the combination of lyrics, rhythm, tone and melody. Tone are very apt to make integrated into the continuum of art. Such as: write the first paragraph of the lyrics: "as early as in the past winter, spring and not come back, the summer will be gone a year to wait." Andante speed and sorrow dim a minor composer to express the passage of time, a to return, and the helplessness and thoughts of the protagonist. Then the second phrase is turning into a powerful, bright melodies, "But I always believe that you will be able to come back, I promised you to be faithfully waiting for you ..." the performance of Saul Ludwig sweetheart feelings of sincere and kind-hearted and honest character. In the chorus of "ah", Grieg's relationship with the second time interval to express their emotions. Melodious, coherent and far-reaching charm.

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