Paper代写：The Art of Giotto－r51due

下面为大家整理一篇优秀的paper代写范文- The Art of Giotto，供大家参考学习，这篇论文讨论了乔托的艺术。乔托是佛罗伦萨画派的创始人，也是文艺复兴的先驱者之一。乔托的艺术是中世纪与文艺复兴的分界线，他不仅表现出卓越的绘画技巧，同时也奠定了文艺复兴艺术的现实主义基础。文艺复兴复兴的是希腊的人文主义思想，将在漫长的中世纪的神性压抑下的人性解放，乔托艺术的伟大之处正是在于此处。

After a long period of harsh medieval religious rule, Europeans aspire to be promoted and respected in the human nature of divinity, and this appeal and change will first be embodied in culture and art. In the era of demand in Greece, the art of human nature exudes the promotion and revival of cultural pioneers. History has repeatedly proved that every great time is created by great artists, and that a splendid culture in the history of the Renaissance, Europe and even human civilization, was created and opened by the great art pioneer ―― he is Giotto.

Before Giotto was a long medieval, all the art forms in the Middle Ages were patterned and patterned, and the artist was only there as a craftsman, and they did not need any creative power, or even creation, and all the myths that were to be performed had a fixed pattern, and the artisans only had to fill in the characters, There is no size and perspective relationship between the characters and the foil. Fortunately, Byzantine art retains the practical experience of some Greek artists, and the Giotto of the great era, under the influence of many factors, has emerged. Giotto is renowned for its cultural history in Europe, the father of the painting, which was identified as European, may be because Giotto not only opened the new painting language expression method, but also broke the art works authors do not leave the name of the craftsman practices, before Giotto, the author is insignificant, Giotto won the art history by the artist writing era opened. Giotto is not only a painter but also an outstanding architect. Giotto's birth was very ordinary, he was born in a peasant family, childhood with the white sheep and green grass together, or the child's Giotto in the Lamb as a companion depicting them, then Giotto on the table revealed a high artistic talent. This may be an important reason why Giotto became the Terminator of the medieval plate art, he contacted art in a poor house without a chance of being a child, but had enough time to be with nature to grow a natural and viable seed in infancy. After studying painting this seed germinated and this is the power of life. Giotto as a child of graffiti by the painter Cimabue attention, he thought the child is an artistic genius, then he took the small Giotto to Florence with his study of painting techniques. In the art of Florence learning Giotto like fish into the sea, talent under the Giotto will Cimabue, Bissano and other outstanding artists of the essence of integration and refinement and create a different from the previous stiff version of the vitality of the painting language.

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Because Giotto is good at observing nature, his works of art became natural and vivid, different from the medieval stereotype and personal, Giotto used a more than 1000-year-old visual illusion of reconstruction of the art language, that is, three-dimensional space picture, because the Middle Ages are planar or two-dimensional spatial relations, Giotto also uses a narrowing method to show spatial relationships. The perspective method has not yet been systematically present. The religious paintings depicted by Giotto give a true and authentic feeling, a variety of God's stories feel that the scene is real as it is, the expression of the character begins to become complicated, and the most important point is that medieval Byzantine art conveys the solemnity and sanctity of religion through the sense of composition and form, in which no one has feelings. As an example of mourning the subject of Christ, in the past artists in the expression of this sad theme when the character's expression is not much of a feeling of sadness and change, and in the Giotto of the image of the mourning Christ, the Madonna showed the human sad expression, others are also the expression of pain and some action to convey this emotion. In the image of the Giotto is also the use of light and shade of the block surface expression method, the picture feeling thick and true, so that believers in the watch when the miracles are authentic and have occurred. So they become more pious. These religious paintings made Giotto famous in the 14th century. In the specific picture processing, Giotto is very good at the main body, the whole picture of the rhythm is very strong, density, in the characterization of the characters Giotto using the method of light and shade more in-depth and meticulous, in the painting of the texture of the Giotto more enhanced expression, such as the use of smooth lines to express the texture of textiles. On the other hand, Giotto's handling of the background is still using the shading and narrowing method, and the character has a feeling of being in real space, which is unique in the 14th century religious paintings. The art of Giotto is natural, refining the essence of Greek art retained in Byzantine art, and pouring all its energies into nature and combining it with mythology. Vasari's generalization of Giotto is most accurate: the art of Giotto comes only from nature. Although the end of medieval art is not due to Giotto, but Giotto's key is not to be questioned, which does not affect the greatness of Giotto. Giotto is the tipping point of opening a new chapter in Western art history. Giotto Art Soul is the method of nature, but his main theme of artistic creation or the biblical story, the difference is that the Giotto picture of God and God living environment into the world's character image and environment. His most important work was the escape of Egypt, the Golden Gate, the kiss of Judah, and the Mourning of Christ.

Among the numerous works of Giotto, "The Kiss of Judah" is one of the masterpieces, which has been regarded as one of the landmark works of the Renaissance in the art History circle. This piece of work is also drawn from the biblical story, the story is a betrayal of the interests of Judah and betrayed his mentor Jesus, at the Last Supper, Jesus told his disciples that some of you betrayed me. Judas was very afraid after dinner, Judas decided to catch Jesus ahead, The situation of the king of Judah reported to Herod, and he personally led Herod's armies around the house where Jesus lived, and Judah and Herod the King, who did not know Jesus, agreed that he should be kissed to determine who Jesus was, and as a sign to capture Jesus. Giotto's "Judas Kiss" is in a very confusing picture, in his orange-coloured cloak, Judas was surrounded by Jesus, and the look of Jesus was grim and sober, and there was no hatred in Jesus ' eyes, and in a panic trance compared to Judas's eyes, he was only quick to identify Jesus. Giotto here is the manifestation of Jesus ' absence of Wrath, and with the inferiority of Judah to bring out the greatness of Jesus, the contrast between the shadows of the picture also maps the duel between Justice and evil. This is a wet mural, a painting method of egg yolk and colouring powder on the unfinished wall, prevalent in the Middle Ages. Giotto use their superb creativity to display the real stereo, the atmosphere is tense and realistic, the traditional painting methods and themes into the new exploration and development field.

Giotto belongs to the kind of new and old two times, shouldering the responsibility of opening a new era of art master, Giotto is a historical choice, as such artists must have a talent and unwilling to be mediocre courage and faith in innovation. The people of Florence gave Giotto the highest praise, and they thought that Giotto was the great artist who had once again unearthed the gems of art in the sand, and they thought Giotto was the glory and glory of the whole city. All this praise from Giotto will be realism and reappearance, will be vivid and vitality back to the screen. The past has lasted more than a century of decorative painting thoroughly using the Greek art of the idea of transformation, the picture is no longer a stiff combination of things but closely linked together. Renaissance is the Greek humanist thought, will be in the long Middle Ages of the divine oppression under the humanity liberation, Giotto Art's great place lies here. Successive artists continue to move forward along the Giotto, opening a new chapter in Western human civilization.

The influence of Giotto on the later generations can not only look at his technique, but the deep humanistic thinking and innovation brought by the breakthrough of his technique. Giotto and Dantingson in an era, Dante also wrote in the poem Giotto, they are the ancestors of human civilization, so the study of the impact of Giotto can not only stay in the painting techniques language research. After the Giotto Masaccio and so on the art master inherits Giotto's artistic thought and the humanities thought, and will carry on the Giotto to the painting language research continues to carry on the advancement, shortly thereafter appeared the Renaissance three-Jay Da Vinci, Michelangelo, Raphael, the Renaissance enters the glorious period, Leonardo da Vinci's "Mona Lisa" Portrayed as a mortal image, which in the Middle Ages could not be allowed. Michelangelo's struggle with the pope was a step forward in the advancement of the artist. Raphael's Madonna feels as warm and near as a neighbor's acquaintance. These are the continuation and inheritance of Giotto art thought and humanistic thought. Leonardo da Vinci's method of gradual concealment, Michelangelo's exquisite anatomy, and the expression of Raphael's fullness of body, these are the Giotto of the innovation of the painting language. In the contemporary art of our country now some people are using this kind of Giotto effect, such as Jian Wei and other people, this technique is not very gorgeous picture language gives a more pious and divine feeling, this hundreds of years after the technique infinite superb today, the return of painting Giotto at that time did not know to think of. Giotto was also a revival of the techniques and ideas of hundreds of years ago, and art was never linear.

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