Essay代写：Horror film Culture－r51due

下面为大家整理一篇优秀的essay代写范文- Horror film Culture，供大家参考学习，这篇论文讨论了恐怖电影文化。西方恐怖电影，究其根源，与宗教文化、哲学的关系密不可分。早期的哥特式恐怖电影中形象，女巫、异教徒、吸血鬼等皆源于宗教传说。而随着西方科技文化进步，恐怖形象的跟进也是几乎同步的，出现了科学怪人、尼斯湖水怪，及至后来的异形、外星人等。这些恐怖形象的刻画，重在外形的视觉冲击，这也暗合了西方文化的直接外露。在哲学方面，由西方侧重对异己力量的对抗和征服，这体现到其恐怖文化中亦是如此。

Fear, in common sense, is not a comfortable, even painful, emotional experience. The specific causes of fear are the following: the poor consciousness of others, illness, unexpected disaster, inexplicable death, strict social management ... These are things that people can't control in real life. People despise fear, but like a beast behind the door, they have to fight the shadow of the mind alone. So, to seek out some of the fears that you can conquer can be comforting, and controlling and conquering fear is a pleasure. Thus, people will create some man-made fear for their own conquest and then build their own mentality, fear of consumption will come into being. Fear is a hidden heart, people do not want to be like comedy always mention it to pay attention to it, so afraid of consumption is relatively small. As the latest terrorist factor in the central reflection, horror films have become a kind of film. In other words, people have a certain proportion of the consumer demand for fear.

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At present, the information is highly developed, the contrast between the east and West horror movies is more convenient and clear. With the deepening of globalization, the terrorist elements of the eastern and Western horror films are gradually exchanging. Hollywood-produced horror films have been warmly welcomed in Japan, and Asian films have been used in the west to dazzle the atmosphere.

In the appendix of film genre readings, Barry Kessie Grant provides us with a number of references to the "exact" type of judgment, that is, clearly identifiable, well known features and formal features. Horror movies mainly refers to the horror of the subject matter, the atmosphere is gloomy, the plot suspense and often contain some violent factors, so that viewers look at the horror of a class of films. Such films, some of the use of the environment to create suspense mystery adventure stories, some of the evil or abnormal character of the in-depth psychological discussion, as well as the terrible, disgusting, exciting stories of ghosts and goblins. Although the horror movie's existence less than 100 years, but has the relatively fixed creation pattern and the viewing group, we can no longer ignore its esthetic value. As I said, fear is an uncomfortable emotional experience, it can be said that the most obvious and strong emotional experience of mankind, it is relatively small, but it will not disappear.

From the table above, the proportion of thriller is only 27.3% of the total, said the market is a small tributary is not too. Kraft, a famous American modern horror novelist, once said: "The strongest and oldest emotion of mankind is fear." "In the depths of the human mind, there are always some deepest fears lurking in places that cannot be touched." This fear, as one of the most primitive driving forces, is innate, and it is in the dark about people's words and deeds. Whether it is literature narration, or movie picture, art form reflects the horror reality, and by the reappearance of the image, it blurs the boundary between fiction and reality, thus creating a kind of horror aesthetics.

When it comes to horror movies, it makes people feel excited and scared. The motives of watching horror films vary from person to person, with the release of pressure, the pursuit of stimulation, curiosity and other psychological. There are too many unknowns in reality, and there is no way for people to know the powerful and bizarre terrorist factors. In horror movies, people focus their eyes intently, which implies that conquest controls fear, thus satisfying people's feelings of helplessness and anxiety in the real world. People also watch horror movies to regulate the boring life, curiosity is the phenomenon of human beings and things appear to explore and surprise psychological tendencies. Thus, the existence of horror films is based on human anxiety about the unknown and death. As long as there is human existence, horror movies will be seen.

But horror movies don't dominate the movie market. The underlying reason is that humans do not preach their own inner fears, hinting at weaknesses such as weak ignorance and incompetence. Eager to do their part, demonstrate the wisdom of martial arts is the mainstream, the promotion of love and warmth is also the mainstream side, and as a wonderful human culture, the culture of terror is a twig More. People in the complex real life, more is the need to affirm their own value. and horror movies, with its own unique negative energy-helplessness, loneliness, darkness, death, restricting its audience. Generally speaking, the horror movie consumer crowd is a certain few people, the psychological endurance is stronger.

Traditional Asian horror films are different from the terrorist elements of Western horror films, which is universally acknowledged. The horror films in the East and the west create a tense atmosphere of terror, but because of the different countries ' history, culture, customs and other factors, the western and eastern films are not identical in their methods of expression and subject matter. In general, Asian horror films pay attention to the atmosphere and spiritual cues; The comparison between the two is as follows:

Throughout the horror films produced in Asia, we will find that these horror films created by the "horror" is based on the following four basis points: the sense of terror is not caused by the body of the hideous shape, more is the fear of the unknown. The concentrated embodiment of horror is that things have been done, but not the existence of behavioral subjects. Horror is not isolated, horror and film music tone, suspense storyline, the protagonist's judgment and reasoning exist at the same time and throughout the film. Admitting that the dead will not be resurrected, in the horror films of the Asian countries, the body walks, speaks, kills the plot does not appear. At the end of the story horror films often warn people "do not do a good conscience, not afraid of ghost Mengen", although there is the color of feudal superstition, there is no lack of enlightenment people do good social significance. Theme, the traditional Asian horror film is more about the twisted human relations, people than ghosts and evil. In the tragedy of ignorance, framing, or discrimination, ghosts come back to revenge, complete unfinished desires, and have a fatalistic meaning. The Ghost in the movie is not grim, usually is normal person and the singular treatment of lighting effect, the psychological hint to the audience, causing the psychological offensive heart ghosts, often recall a lens when the feeling of fear. The subject matter is also involved in the characters, "more than a line of righteousness will die," there will not be a side of the common people involved in the relationship.

The film "Shift's Home" is a superb Hong Kong horror film, surrounded by emotion is a feeling of fear. Photography to create a classical nostalgic atmosphere, so that the boundaries of time and space become blurred, do not want to let the audience see the era of the story, so the choice of 5, 60 's some furniture, such as bunk bed, ancient dresser ... At first it was a problematic world, dark green, gloomy ... This is not the ordinary people will go into the space, there is a strange fear, but not really deliberately something scary to frighten you, so if you have fear, it will be a kind of appreciation of terror, psychological horror. The little girl in red is the only one who can see it, the weird photo studio, the empty and gloomy residential buildings, all give people the feeling of being surrounded by terror. However, seemingly quiet ning and the wheelchair paralyzed women, close-up of the stiff facial expression, the hero carefully take care of his bath paint nails, such as screen, is the smooth and silent-like high state of terror, straight to the back of the human hair inverted.

Western films, which are typical of Anglo-American horror films, are rooted in Gothic novels, with the advent of Gothic films in the 20th century. The so-called "Gothic" film, refers to the British top of the roof, small windows of the ancient castle and the castle zombie as the theme of horror movies. This type of film is used for three points: churches, castles, basements and other gloomy places are often the place where the story happened. After death, many corpses become scary zombies instead of ghosts, zombies walk, fly or jump, zombies kill by sucking blood, but not by ghosts. The end of the story is often a hero's wisdom, strength and courage to conquer vampire zombies, the film to express is not to enlighten people to treat others, more good deeds, but to express the worship of individual heroism. The origin of its horror films is inseparable from the religious culture in Europe and America, witches, vampires, pagans, demons and other images are often the image of terror, these images originated from religion. Later, the theme of horror films gradually evolved widely, such as aliens, alien, abnormal killers and so on. All these images are external, independent of the individual, public hazards, as long as a strong enough body and wisdom can subdue it, but not the Asian traditional movies in the fate of the helpless people died. The main element of terror is the visual sense, the sensory stimulation, and the audience will not have too many psychological shadows after the shadow.

As an important type of commercial films, horror films show distinct types and development rules in their long history, and combine various internal and external factors to form a self-contained linguistic logic and aesthetic norms, and manifest regional and national characteristics. The different philosophy is the drainage of the development of national culture in different regions. Generally speaking, Western philosophy has gone a different path from Chinese philosophy. Chinese philosophy can be said to be "the Philosophy of mental adjustment". Focus on the spiritual world of the self-balance, while Western philosophy is "struggle to conquer philosophy", focusing on foreign forces in the confrontation and conquest. For example, for the "heaven", the Chinese advocate obedience and natural, expect "heaven and Man" realm, and for "law", Western culture emphasizes cognition, use and transformation.

Western horror films, the root cause, and religious culture, philosophy of the relationship inseparable. Culturally, after more than 1000 years of theological rule throughout the Middle Ages, the religious systems of the Western world were more complete, and even later the Renaissance, religious theology fell to the altar, and its deep-rooted imprint was hard to erase. So the image of the early gothic horror movies, witches, pagans, vampires, all originated from religious legends. And with the progress of Western scientific and technological culture, the follow-up of the image of terror is almost synchronized, the emergence of Frankenstein, the Loch Ness Monster, and then the alien, aliens and so on. The portrayal of these horror images, the visual impact of the shape, which also coincides with the direct exposure of Western culture. In philosophy, the West focuses on confrontation and conquest of dissident forces, which is reflected in the culture of terror.

Most of the Asian countries are influenced by the Chinese classical culture, and the Oriental culture is implicit and introverted. And the aesthetic view of the heavy brushwork of image is also a natural trace. Since the pre-Qin period, the Confucian culture occupies the Orthodox, especially pay attention to the ethical relationship between people. When the emergence of human relations distorted, the poor nature of the situation, the original image of the horror ghost Fox also derived. Later, Chinese native religion, Taoism, advocated the imitation of nature and advocated harmonious coexistence with nature. After Buddhism was introduced into our country, it was also influenced by Taoism, which was inspired by Zhuangzi in many aspects. Taoist Aesthetics advocated natural carving is also deeply rooted. In the expression of terror more emphasis on the creation of the atmosphere and psychological cues, the general performance of the character is more depressed, the environment compared to the dark loneliness, the image of ghosts and living without major changes. This goes back to philosophy, because it emphasizes the self balance of the spiritual world and achieves the realm of "harmony between heaven and Man". Ghosts are depicted as real as you and I are, living in harmony is peaceful, there is enmity and enmity involves the parties.

There are hundreds of years of cultural exchanges between China and the United Kingdom, the east and the west, and the spread and exchange of film between Asian countries and Western countries is nearly one and a half centuries old. Reflected in the film consumption, is the oriental terrorist expression is used to learn from Hollywood horror films, such as the movie "Death Is Coming", and Hong Kong, China's early zombie theme films, also accepted by the audience. With the current exchange of development speed, the cultural consumption of eastern and western intertwined and integration is the general trend.

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