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下面为大家整理一篇优秀的paper代写范文- An abstraction in a work of art，供大家参考学习，这篇论文讨论了艺术作品中的抽象。抽象艺术从艺术诞生之时起就已经存在了，古老的图腾、石窟的岩画无一不是明证，但真正意义上的抽象艺术是在19世纪才出现的。所谓抽象，其实指的是抽取事物的最本质的属性然后加以传达。在如今多元化的时代，能容纳异彩纷呈的风格与主义，只要能表达新时代人的精神就是超越理念。在这个世界上，没有无抽象的绝对的具象，也没有无具象的绝对抽象。

Which is more advanced, abstract or representational? This proposition has always been the subject of debate in the field of art. But this proposition is true or false, and it is the first question we should make clear. In fact, their relationship is mutually dependent, we should not separate to talk about any one of them individually.

Abstract art from the time of the birth of art existed, the ancient totem and cave paintings notting have is not a good one, but common sense people think it is the real abstract art is in the 19th century.

After the creation of the camera, the function of painting is no longer useful. The artist is thinking: "where should the road of art lead?" The appearance of impressionism lit a bright light for the direction of art. "The beauty of art is not only in content, but also in form." This idea came into being like a pioneer who followed more and more people along the road. Since then, painting schools such as dadaism, cubism and brutalist have mushroomed, and their power has increased with each passing day.

In fact, the famous Greek philosopher and aesthete Plato is the earliest source of abstract thought. He said; "The real world is the imitation of the idea world, and art is the imitation of the objective reality. Then, what art represents is the idea world." Kant is the integrator of abstract expression thought. He advocates that beauty is subjective and that art of beauty requires subjective expression and is the art of genius. At the beginning of the 20th century, the aesthetician croce believed that the origin of art was the intuition of the mind, and intuition was creation, and the form of creation was expression. Matisse, the famous brutalist painter, spoke of the realistic tradition. "The artist no longer has to deal with the monomer of the lock. Photography exists for this. It works better and faster. It is no longer a matter of painting to describe the events of history. The devil will be found in books.

Abstraction refers to the extraction of the most essential attributes of a thing and then its transmission. This process can be clearly seen from the paintings of Picasso, the founder of libenism. Its representative image of the bull has been changed more than ten times, from the beginning of a more realistic image to the last few lines. It is hard for others to imagine the artist laboring in these threads, but they alone convey all the features one can think of when referring to a bull. This is the abstract connotation, that is, different from the reappearance of traditional forms to convey the author's understanding of things, emotion and other psychology. Of course, the abstract pays more attention to the author's personality. Escher's emphasis is on contradiction; Dali emphasized ideas; Van gogh emphasized emotion. However, the common feature of expressionism is that it adopts different methods of representation from traditional reproduction, and they remove all the parts that affect the theme from the painting. As Picasso put it, "my bull's meat should not be on the screen, it should be on the market shelf, or it should be on the housewife's table." Their paintings are no longer the same as the reality, but are consistent with the artist's heart. It is mainly to make art no longer a reflection of the world reality but to actively express the individual's feelings towards the world and transform the world.

In fact, the world is originally contradictory and unified, and there are contradictions everywhere. If they are viewed from a different Angle, then the division between representativeness and abstraction is really relative. Bullock in "the philosophy of modern art," said: "our eyes can see is never the appearance of the object itself, but from our biology and our own culture background to see." Indeed, an important basis of representational theory is "focus perspective", and it has been proved that "focus perspective" is also a man-made virtual myth. Well, perspective is not real, it's just an illusion. Therefore, the reality in the representational works is only the truth in his own eyes, actually it still carries the painter's personal aesthetic. Secondly, each painting is not only a reflection of reality, but also deeply imprinted with the artist's personal emotional imprint. For example, miller's evening bell expresses his love for ordinary farmers. Velazquez's "Pope innolson x" conveys the author's own distaste for the hypocritical, brutal Pope. Therefore, "complete reproduction cannot exist in art."

"Abstraction" is also from real life after a long period of human practice. Is like a Chinese text, it from the very beginning of pictographic gradually evolved into today's symbol, once is the specific shape, its image, so the so-called abstract is not, like water without source. Secondly, abstract works should convey feelings and meanings, and such a process should be used to make the audience accept these feelings. That is, through the image lines, colors and other forms to make the audience associate, and then into their own existing experience, emotion to extract some related emotions, that is, to produce aesthetics. So when people see these symbols, they can think of the meaning that the symbols represent, that is, some specific images. Such as: mondrian's "Broadway. Buji WuJi reminds people through red square of New York glittering skyscrapers and thought of their height is arranged and then produced the rhythm feeling. Picasso's works appear in parts, but through a lateral nose you can think of the whole form of the person on the side. Through a broken breast you can think of a woman's body. So, that is to say, the so-called abstract will not get rid of the phantom of the concrete image after all.

Entered a new era, art also faces new challenges, but would be nice to think that our age is an era of diversity can hold colorful style and socialist, we want to be able to express new concept and the form of a new era of human spirit is to surpass. We can think of it this way: in this world, there is neither absolute representation without abstraction, nor absolute abstraction without concreteness.

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