英国essay论文精选范文:“Musical Aesthetics of Guzheng”,这篇论文讨论了古筝音乐美学。古筝是我国所特有的一种传统民族乐器,随着时代的变迁流传至今,已有上千年的历史。古筝是一门以演奏为主的音乐艺术,在感觉主导的基础上拥有其自身的特点,古筝音乐美学源自于特定的历史文化环境,经过了长时间的历史发展进程,社会性较强。从古至今,古筝音乐美学始终是处于不断发展中的。
Guzheng is an important folk musical instrument in Chinese traditional culture, more and more favored by domestic and foreign musicians. Through the accumulation of time, the development of zheng has undergone the process of continuous transmission and development, which has important aesthetic value in the development of contemporary China. However, due to some institutions in the absence of musical instruments, a direct impact on the majority of guzheng lovers to learn and exercise opportunities. Analyzing the aesthetic value of zheng in Chinese traditional culture has practical significance to promote the development of Chinese cultural industry.
China's music aesthetics special attention to human life, in order to achieve the existence of human and human life in the world. Guzheng as the expression of traditional art form, with its unique playing skills, can make people in the process of playing or appreciation of the spiritual liberation and freedom, to understand the true meaning of life, is his own mind and nature Life is closely related to a carrier, which is a detached from the external beauty of nature. Therefore, the appreciation of the excellent guzheng performance, for shaping the character, and enhance their self-cultivation has a positive effect, which is the aesthetic value of Guzheng an important embodiment of the art of zither as people in-depth understanding and research, an increase of our traditional Cultural heritage and innovation, and promote the exchange and dissemination of the world's culture. On the music, some people may not feel the value of its existence, but this does not cover up music in their life influence of imperceptibility, it does not mean that he did not demand for music, but different classes, people of different ages The type and degree of demand for music is different. The aesthetic value of zheng music is huge, need to pay full attention to the development of guzheng music aesthetics, but also promote the innovation of guzheng art.
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Guzheng as the legacy of national music is one of the representatives of the Chinese nation's cultural heritage, to tap and protect the heritage of the Chinese nation culture, is our bounden duty of each person. Therefore, it should be further studied and found that the folk culture and art, try to explore folk preservation of the guzheng performance skills and methods of materials, for improving and improving the skills of playing is very important. In this way, can further understand and feel the aesthetic value of zheng music, but also can promote the development of guzheng music aesthetics, to achieve a good development effect.
On the one hand, Qiyun is an important feature of Chinese traditional aesthetics, which is associated with the harmony between man and nature and the infinite vividness between man and nature. For the understanding of the spirit, the ancient has been, and in the history of the development of a deep sense, and to be improved. In traditional Chinese aesthetics, has always been that the spirit between heaven and earth everywhere, all the rhythm, and even breathing, growth, are Qiyun vivid performance. In Chinese history, after a certain development, to Sikongtu era, mood, context, situation as a three-state aesthetics was clearly put forward, which is the effective progress of the study of qiyun, guzheng musical atmosphere of aesthetic development to this era , With the Sikong Tu "Three Realms," has its own aesthetic qualities of qiyun. The zheng music of the zheng music plays a close relationship with the whole zither, and the harmony between the whole zither and the whole nature. The harmony of the human mind and the harmony of the human spirit are the key to achieve the essence of Yin. Looking at the ancient guzheng music, all have this important feature. Qiyun is an important aesthetic characteristic of zheng music. On the other hand, the traditional guzheng playing technique is divided into left and right hand two categories, in which the left hand rhyme is an important aspect. Guzheng is a unique method of playing, making guzheng music has an important feature of qi. Guzheng left-hand rhyme with tremolo and portamento two categories. Straight sound line through the left hand on the strings of the vibration, in the continuing up and down after the action, bringing a beautiful aesthetic to the vibrato, this beauty is the technique brought about, it is technology behind the combination of beauty and beauty enjoy. Through the linear change to the wavy curve will be in the spirit of the original flat after the break, the way to express the volatility. This is the zheng aesthetics in aesthetics of the aesthetic characteristics of the heart moved. In the process of the development of Guzheng music aesthetics, it is active and clear, dissolving individual emotion between heaven and earth, and creating the aesthetic development of zheng music aesthetics. Qiyun view, has been an important aesthetic characteristics of the continuous development of Chinese aesthetics, it is in such a traditional aesthetic idea of the soil above the growth, making the guzheng music Qiyun view, vivid.
In the process of studying the aesthetic value of zheng music, we should also pay attention to the development of zheng music aesthetic value of tragic aesthetics. Guzheng music tragic aesthetics should bring people to feel with hot acid heart to describe, all embody sadness, tragic, sad, grief and other tragic aesthetic elements of the works, in the guzheng music in the share of some cannot be underestimated. The tragic aesthetics of Guzheng music features tragic, sad, desolate and so on, among which the solemn and solemn tragedy is the leading aethetics of Chinese zither music.
To "hate Lin'an", for example, this song is the main expression Yuefei tragic life, the beginning of the whole song to lay the tragic tone, at the beginning of the impassioned, followed by implicit introverted emotional expression, but Among the subtle and more will Yue Fei battlefield battle, eventually ended up with "thirty fame dust and soil," the tragic sense of expression most vividly.
Guzheng is a kind of traditional folk instrument which is unique to our country. With the development of the times, it has been passed on for thousands of years. Guzheng is a kind of music art which mainly plays music. It has its own characteristics on the basis of feeling. Guzheng music aesthetics originated from a specific historical and cultural environment. After a long history of development, it has a strong social character. From ancient times till now, guzheng music aesthetics is always in constant development.
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