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本篇paper代写- Paintings by Schiller讨论了席勒的绘画作品。埃贡·席勒是20世纪初期一位重要的表现主义画家，他的绘画作品最显著的特点是锐利敏感的线条表现以及有着变异和几何结构的带有压抑感的形象。席勒善于描绘非静态的人物和景物，无论是什么样的形态都像处在惊恐不安状态，恐惧与绝望的威胁交织成可怕的阴影，始终笼罩着他的作品。本篇paper代写由51due代写平台整理，供大家参考阅读。

Lines can reveal a painter's emotions and personality, and trying to hide them is never easy. In my opinion, learning to express a certain state of mind in the form of pure lines is also an ability that a painter should have. Lines are an important language of expression in Schiller's paintings and the tool that can grasp my thoughts the most. His use of lines is as naked and merciless as his grasp of human psychology, which even makes people prickly and anxious. That is to say, this "heart-wrenching feeling" drives me to understand Schiller and the unique charm of the painting language "lines".

In several years of teaching, my understanding of the basic elements of modeling was aroused. In painting creation I've been thinking about a few questions, how to understand the basic factors of the plastic arts - point, line, face, how to connect the social environment and the artistic creation, how to seize the heart the most soft the audience a point, arouse people's strong resonance, in a sense, Schiller's paintings is a key to unlock my confusion.

Schiller's paintings are characterized by sharp and sensitive lines and depressive images with variation and geometric structure. His works are not satisfied with the aestheticism, sentimentality and mysticism of symbolic paintings, but adopt a more rugged, bold and unrestrained artistic form and creative attitude, and his works have a strong expressionist style. Schiller is good at depicting non-static characters and scenes. No matter what form they take, they seem to be in a state of panic. Fear and the threat of despair interweave into a terrible shadow that always hangs over his works.

Schiller painting with thick, concise, line is the most primitive desire, impulse, expression form the transition from the traditional to the modern western agitated, his painting shows his swooning, fears, fantasies, and cruel torture yourself, painting often drawn on a base of blank characters, sometimes only draw the contour line, and the body stretched out of shape. His cold and handsome lines are thrilling, and the heavy lines in his works emphasize the clear external contour. However, in the anxious picture, we can clearly appreciate his passion for lines and his attention to the human mental state.

Schiller did not use many horizontal lines in his works, only relatively many for a very short period of time when his emotions were relatively stable. Horizontal lines have a sense of stillness and tranquility, and can be used to divide and stabilize the picture. Although Schiller used many horizontal lines in his works in this short period, what the picture conveys is not a pure sense of tranquility, but a state of alert under emotional repression. His landscapes felt crowded, as if a mentally disturbed person had been soothed for a while and would erupt again sooner or later.

If horizontal lines become unsettling in Schiller's writing, curves are his powerful language. When the curve is further emphasized, the picture becomes a strong emotional expression. The curvilinear space represents an imaginary universe or a vortex of uneasiness. Therefore, both the painter and the audience can create a sense of unrest. When we talk about the vortex of anxiety, the first thing that comes to mind may be the post-impressionist painter van gogh. Van gogh directly influenced Schiller from the perspective of painting. Although they have different styles of expression, they have been sublimated and recognized by the audience in the naked self-presentation, which is a complete self-expression of emotion. They paint in the simplest and most individual way, not content to express what they see, and bring us into their painful hearts, using swirl and wave strokes to express the storm of their inner excitement.

The provocative human body and erotic scenes in Schiller's paintings revealed people's psychology at that time, and depicted things that people wanted to do but did not dare to do, or were severely punished and forbidden at that time, or even dared not mention in the field of moral public opinion. Let people have a kind of psychological acne was stabbed, the heart of the secret is peeping at the feeling. As lu xun said: "dare to face up to the bleak life, dare to face up to dripping blood."

For Schiller to convey these emotions, he found a suitable, powerful and thrilling expression tool -- "line". His lines are as crazy as they can be, showing human nature and unpredictable potential, releasing great artistic energy in self-expression. Schiller's lines are direct and mysterious. A line is often thought of as a continuous symbol connecting two points. Lines can actually be formed by imagination. As long as the starting and ending marks are given, and some hints are given in the middle, the imagination itself will fill in the remaining gaps. This method enables the viewer to participate in the creative process. Imaginary lines can also highlight the atmosphere and add depth. It is more common in Schiller's works to give detailed descriptions of faces and hands and omit other parts of the body. Or just pick a part of your body and paint it. In this way, it is easy to draw the audience into his works and into his emotional vortex, so that people unconsciously follow his sometimes omitted and sometimes twitching lines and enter the spiritual world of the people in the painting. "Pain and happiness" is an appropriate description of his line.

Recall that the reason why their works do not resonate with the audience, the reason why the flow of mediocrity, the reason why people can not grab the attention, at least in the line can get a little inspiration. It is an effective way to improve oneself to analyze one's paintings with rational thinking. Because art itself is a constant cycle from sensibility to rationality, and from rationality to sensibility, it is also a process of constant perception of society.

The main reason why my works fail to resonate with the audience is that I cannot get rid of the bondage and fully express my emotions. Unable to face the rational life, old illness and death of people, do not dare to face. I disguised myself as a rational person. In a sense, Schiller may be more psychologically healthy. He is brave enough to face the lunatics in mental hospitals, the nature of human naked desire, the idea of death, and the psychology of pain, convulsion, struggle and sensitivity. Perhaps it is because of this "emotional camouflage" that we do not dare to use the "line" language to the extreme, until the degradation of the language can not be used.

Paul klee famously said, "take a walk with a line." "Line", the most basic modeling language, is a language we have been using since we first came into contact with painting, but it is also the language with the strongest expression and the deepest depth. I like and appreciate the lines in Schiller's works, and I have always been guided by the lines in his works. But as an artist, we should have our own way of expression. Especially in today's many works of art full of vision, "take on a new look" is the way works of survival. While trying to perceive and absorb the excellent elements in Schiller's works, I also insist on and find my own way of expression. I pay more attention to the "nutrients" in Chinese "line drawing" and intentionally ignore the depth in western oil painting. I hope that we can all experience online performance, online performance to find their own way of expression.

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