浅析电影《时间与城市》-英国硕士论文代写－r51due

英国essay论文精选范文：“《时间与城市》”，这篇论文讨论了电影《时间与城市》。影片以诗一般的缓和节奏记录了作者对家乡利物浦残存的记忆，诗意化的个人叙述、黑白与彩色镜头的相互衬托，缓慢且富有张力，表达出作者对家乡利物浦浓浓的感情。为了追求影片真实的场景，导演特伦斯戴维斯通过镜头语言和画面讲述了一些他个人对整个利物浦的经历和感情，充分展现了镜头与自我叙述的关系以及影片与作者个人情感的关系。

Film music, in the creator of the general contains the visual elements of the lack of information, but also the content of the film supplement and expression. In the documentary of music, usually with the documentary theme, lens language, emotional expression and supplement has a very close relationship. The music in the documentary broke the music is an isolated work, but with an indispensable element embodies the author's thoughts and feelings and subject content. The music in the documentary uses the film thinking, according to the thought content, the artistic style, the time characteristic, the local characteristic and the national characteristic and so on carries on the creation, causes the music image deep into the documentary emotion content.

Music, is an expression of the inner feelings, used in the film is mainly to express the heart of documentary writers and difficult to express the emotional changes. Music used to express the author's feelings, the use of a large number of documentary music classical music. As an important part of the composition of the film, classical music as an important part of the transformation of the screen to express thoughts and feelings, the picture can not be fully expressed feelings, Davis use of this vague language of music, indirect and eloquent feelings of all released directly to the audience heart. Smooth narrative montage of the editing, smooth smooth, straightforward. Coupled with the classical music works intertwined fusion, the film presents a poetic picture and profound meaning of the aesthetic value, and one of the film screen echoes, complement each other.

In the documentary, the use of music to reflect the story of the background and distinct characteristics of the times, is a documentary in the commonly used expression techniques. The author of the documentary "Bishi Bucheng" reflects the memory of the memory of the city in memory of his hometown of Liverpool. The music used to express the author's feelings, the documentary of the music using the famous British band The Hollies band "He Is not Heavy, He's My Brother" This is a veteran of the 60's British invasion band, and Liverpool is Beatles Of the hometown. Deep feeling of the profound embodiment of into the documentary.

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Calm restraint shooting techniques, coupled with the appropriate expression and guidance of music, to the audience to leave more space and association, the introduction of thinking. In the director of the personal expression, the music is not the pursuit of melody complete sound, but as a documentary organic part of the play a unique aesthetic function and value.

As the only film without a commentary and only music as long as the elements of the documentary, the author through the appropriate music operators to create the atmosphere - Liverpool's past rustic and ruins, modern urban bustling and lonely, in a large number of black and white lenses and color The lens against each other, the expression of the author to Liverpool really emotional. Through the lens screen and music at the same time, about their home remembrance of the theme in a poetic film atmosphere under the theme of sublimation, highlights the value of the film. As a poetical urbanization of the documentary, although not open documentary poetic precedent, but also unique, highlighting the aesthetic value of literary and documentary films.

Although in the documentary, the real lens and objective records are pursued by documentary filmmakers. The director is through his material to extract the best expression of their ideas and ideas of the lens to edit, through his lens language, with the audience in-depth exchanges.

The film began with a rich sense of history of black and white film, began a full of memories of this city of Liverpool monologue. Through the description of Liverpool, a true reflection of the people living in Liverpool's real state, recorded the process of Liverpool changes. Through the screen constantly converted, showing the people in the spiritual and material aspects of life and pursuit of the state. The record of urban change, from the lonely city ruins to the city streets now blooming, Davis is the real image data clips out. No play, no actors, only the real shot.

Documentary photography is the real space of the real events of the record, the photographer cannot interfere with the subject, not to be able to shoot the event command and command. In order to restore the real shape of Liverpool, Davis in the choice of scene, neither deliberately hidden, do not intentionally shift the camera's attention. In the film, Davis is only in the corner on the choice of some of the more representative of the income figures in the camera lens, as much as possible to match the lens content and theme. In the shooting techniques, the lens movement, such as "push" and "pull" "way", the lens in the most natural state of relaxation to complete the introduction of Liverpool, both to prevent the viewing audience through the screen documentary effect, Feelings and director of the feelings of resonance and sublimation.

Documentary is the director's reflection to the audience. The world is complex, people will have different views on the same thing, the audience perception is also different. The director should stand in a higher realm to express their feelings to the audience. In general, many documentaries are mostly in the "third person" way to tell the story, the fact that the audience itself through the thinking and emotions, not directly to the conclusions communicated to the audience. In the film, the director uses the "first person" narrative point of view expression, not the usual documentary to watch calm "third person" rational narration. In the narration of self, the director, whether in the commentary or on the selection of the lens screen, more and more personal color. The film as Davis deep memory of his hometown and sentimental feelings, from the perspective of self-feelings, his eyes Liverpool certainly in the eyes of others than Liverpool let the audience feel convincing.

In addition to the pursuit of the real scene of the film, director Terence Davis is through the lens language and picture about some of his personal experiences and feelings of the Liverpool. Director Terence Davis used the old image data of the 1950s and 1960s, using black and white and color images of convergence and contrast, to shoot a different rhythm and texture of the image. With images to review Liverpool's history, showing the original Liverpool scene, a profound expression of the author of the home of Liverpool deep nostalgia. Writers use their own memories to reflect the history of the city, with their own experience weaving city changes, with their own unique perspective to read the city landscape, with their own careful thinking to reveal the city's cultural connotations. The charm of the city in the black and white and the color of the lens against each other in the contrast of the old ruins and the new high-rise buildings, playing in the streets of children frolic and faltering vicissitudes of the face of the elderly, No trace of dreams.

Poetic documentary, through the expression of personal emotion to the audience recognition and resonance, compared to purely rational compared to the traditional documentary, the rich more emotional traction, and guide the audience to create the emotional atmosphere in the director, with one of the sincere feelings, profound thinking and implication in plain and plain narrative, "moisten things silently," the slightest bit to impress the audience, with the audience into deep thinking. Films of this kind are not just poetic personal feelings, but also need to add more about the history of the city and the narration of the story of humanistic care, will make the audience more moved.

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