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下面为大家整理一篇优秀的essay代写范文- European architecture and art，供大家参考学习，这篇论文讨论了欧洲建筑与艺术风格。像欧洲古典主义的秩序美学为君权服务一样，欧洲的建筑也跟艺术风格有很大的关系，其中的原因就是建筑师和阶级的权利因素，但是还有相当大的一部分来自于大众。因为建筑的建成靠的还是人民群众，所以群众当然还是希望加入自己的审美，然而这种审美是随着当时的潮流走的，这才形成了建筑风格跟着艺术风格走的大方向。

Capitalism germinated in the 14th century and the Renaissance began. Britain follows the Italian fashion and develops its own characteristics in this wave. This paper focuses on the relationship between the development of British architecture and the evolution of painting style. Does architectural style follow the development of art, or does it promote the development of art?

Architecture is an art, and its development is closely related to people's aesthetics in the same period, which is the so-called social concern of architectural response.

In the 14th century, when capitalism was budding in Italy, the Renaissance movement initiated swept almost all of Europe, bringing fierce struggles in various fields, and a new peak of development for architecture. In 15th-century Britain, culture, including architecture, gradually emerged from the middle ages and entered the Renaissance.

At the end of the middle ages, the British gothic culture had a glorious achievement. At that time, gothic art was still inclined to some myths, fantasies and religious themes, with more forms reflected by glass Mosaic and murals. Gothic painting style is a highly visual art, which is also one of the characteristics of gothic architecture. From the prayer book of belleville to the prayer book of the duke of berry, goth's paintings have changed in terms of depth and emphasis on expressing emotion. It is a change from pure religion to focusing on nature through religious stories, which balances secularism with the sanctity of religion. These changes were not only reflected in the field of painting, but also deeply influenced the development direction of British architecture.

The great nobles looked out of their medieval castles and found their dark towers a prison compared with the new mansions of the time

They soon built a new style of mansion, the manor house. From the 15th to the 16th century, Britain gradually established a centralized nation-state, which brought a peaceful scene at home and provided good political and social conditions for the construction development. Buildings are no longer built on perilous hills, but on vast plains. The architectural form is no longer the slender and lofty gothic style, but strengthens the horizontal lines, making the building spread on the earth in a more natural way. The large mansions of the 16th century were all siheyuan style. Later, they gradually evolved into two houses with prominent rectangular shape, which improved the lighting and ventilation performance of the building and gave the building a good view. The sudden closeness of the two seemed to have something to do with the political culture of the time, and even more reminiscent of two very different gothic prayer books. Art affects architecture? Is it the "naturalization" led by art that drives the "naturalization" of architecture?

Classicism was brewed from philosophy and aesthetics in the 16th ~ 17th century. At that time, absolute monarchy was equal to absolute rationality. In order to establish norms in the field of culture and art, classicism, which advocated rational thinking, came into being.

Academic theories began to brainwash people's original theories and aesthetics. They look for "universal rules", "universal beauty", to express these in "standard form", and as a result become so called norms. And, in their minds, these standards are purely geometric and mathematical. They respect proportion as the decisive, or even the only, factor in architectural form. The trend started in France and soon spread to Britain. Paladio-style palace buildings were soon built in England. The classical architecture, which emphasizes the proportion of beauty, has no comfort in function, and is not popular soon because of the outbreak of bourgeois revolution, which has become a small interlude in architectural history.

As early as the birth of architectural classicism, proportion aesthetics appeared in people's vision. The best known is Da Vinci's vitruvian man. It tells us the secret of human proportion in a precise way of expression.

From the perspective of classicism, architecture seems to follow the trend of art.

The emergence of romanticism in the late 18th century brought another artistic revolution.

Romanticism pursues the freedom and liberation of human nature, pays attention to the expression of personal feelings, is less restrained and free and unrestrained, and surpasses reality by means of fantasy or retrospection. Romanticism, in painting, is opposite to the classicism represented by academic school, and the style it brings is doomed to be opposite to classicism.

Romantic architecture flourished in Britain, known as the gothic revival. This immediately reminds people of the gothic era's desire for nature and freedom from religion, but this time religion is not a fetter, but an old-fashioned classicism. Medieval architecture, especially gothic architecture, has become the focus of attention again. Its free and flexible nature is in line with the romantic aesthetics and pursuit. But it's not entirely gothic, romanticism archaized, but it's also true, of which Victoria gothic is the most successful. It is restrained, simple, and the combination of plane and composition is the fine crystallization of people's efforts to create emotional and spiritual buildings. Such a big change in architecture seems to have awakened some people's pent-up feelings. Architecture woke up from the lethargy of two hundred years of classicism and ushered in a new era.

The relationship between architecture and artistic style is more than that. Baroque, rococo It is also a testament to the highly unified architectural and artistic styles.

In fact, architecture is the material existence that people dare to reflect real emotions. Unlike art, art is always in the hands of a few people. Like the classical European aesthetics of order, it served the monarchy. Architectural form follows artistic style, for reasons that do include the power of architects and leaders, but there is also a large proportion of the public. Because the building is built by the people, the people still want to add their own aesthetics, but this kind of aesthetics followed the trend of the time. This forms the general direction that architectural style follows artistic style.

In fact, architecture is originally an aspect of art and culture, but it is used by people and has more sense of reality. Architecture and art complement each other. Art leads the way first. Architecture is built to realize the value of art. And the process has never stopped, and mondrian's paintings have not been a good inspiration for modernist architecture.

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