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英国essay论文精选范文：“文艺复兴时期的艺术事业”，这篇论文讨论了文艺复兴时期的艺术事业。文艺复兴时期人们对艺术品的巨大需求，无疑让艺术资助事业开始得到发展。这也带动了社会的变革和创新，为法国历史留下了绚烂的宝贵财富，同时也为现当代艺术市场的发展留下了启发。从另一方面看，艺术赞助无疑保护了珍贵的艺术作品，提高了艺术家在社会中的地位，促进了法国艺术的发展。

French "mécène" means "literary or artistic cause of the sponsor," from the emperor of Rome emperor Augustus around a counsel Gaiusi Messenas. He was not only an outstanding political figure, but also generously sponsored many poets and artists at that time, Virgil, Horace, Prope race and Cartus Luos have received his help, the poet's works have Repeatedly referred to Messers. He used his assets and influence greatly promoted the development of literature and art, by people's respect and for future generations to commemorate, by his name derived from the French term "mécénat" specifically refers to the arts, science, sports, etc. Business sponsorship.

Belgian academician George Sion defines the term "artistic sponsorship" as "an individual or collective act designed to provide free communication for the arts and to bring care and compensation to the artist." In fact, the term "art sponsorship" was first used only for certain people. From the sixth century BC onwards, the monarchs of ancient Greece began to devote themselves to the construction of the Daxing city, which aims to improve the public life and provide more for the citizens. More convenient for artists to provide creative opportunities, while artists can use to meet their extravagant material life, and some of them also hope to be able to own the name engraved on the immortal works of art, for future generations to commemorate. Over time, there is a growing awareness of the importance of artistic sponsorship to the development of national art. Particularly in the fifteenth century, advances in commerce, industry, and banking had led to major economic changes that had increased the demand for art and provided artists with more freedom and greater space. The influence of the cultural reforms in the sixteenth century on art sponsorship was extremely far-reaching. Among them, the Renaissance is the most important. The Renaissance is a special period of European history and an important cultural movement. During this period, France's royal power and economic strength greatly increased, for the dissemination of arts and cultural change provides a strong support.

The church has always dominated early art sponsorship, not only with a large number of religious works of art, but "the church from the medieval royal family launched the art and literary activities benefit most: not only the new monastery and church , Back to the church and the monastery acquired a lot of precious equipment ", so has been art sponsorship, the right to teach and the royal family is always inextricably linked. Since the 16th century, the subject of artistic sponsorship began to change, the church is no longer the main center of cultural transmission, in most of the works, Renaissance art is defined as a palace art. Francois I's contribution to the cause of French art is most familiar. Francois I was known as "the father of literature and art and the real revival" is a profound reason, his art and literature sponsorship is not only for the needs of personal honor, more importantly, from his Art of the strong interest and selfless protection.

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As a protector and patron of many contemporary artists and writers, François I was not only the protector of Rabelais, but also the poets such as Clement Maro and Claude Sharp. In 1518, he established a large library in Blois. In 1530 he commissioned the font design expert Qiaofolei Toli as the Wang family, in 1538, he established the Wang printing house, the development of printing greatly promoted the spread of books, enrich people's lives. In addition, Francois I also set up a number of Royal Library, he urged people to read more, to encourage the creation of writers, he also tried poetry creation, and published a book. His most laudable achievement in cultural policy was in 1530, when he founded the royal academy at the suggestion of the French humanist Guillaume Bard, devoted to the study of Greek, Latin and Hebrew, later Known as the French Institute of Trilingual schools. Francois I hired a number of humanists and royal teachers responsible for teaching those who have not yet been Sorbonne recognized by the disciplines of knowledge, and the college motto "do not teach" consistent, its disciplines set up rich and novel, as Its purpose is to spread and Sorbonne University conservative, rigid knowledge of very different modern culture and humanistic science, it quickly became the people to learn new knowledge one of the most important way.

In addition, he also encouraged and invited artists from around the world to settle in France, the creation of more well-known, including Andrea Sarto, Benvenuto Cellini, Leonardo da Vinci Wait. Francois I also hired a number of Italian art commissioner specializing in his acquisition of the Italian Renaissance masters such as Michelangelo, Titian and Raphael Works, and then shipped them back to France. In fact, this initiative has indeed achieved remarkable results, today in the Louvre to see many of the collection of the French royal family are actually from the era of Francois I began, after all, in Francois I ascended the throne at the beginning, the French court also rarely praise oil paintings and works of art.

The maturity of the Renaissance art market has propelled the rapid development of the art sponsorship business. "Under the rule of Francois I and Henry II, there was a group of more than 10 official ministerial offices in Philip Bell, under the leadership of the common work for the court ". Renaissance French art patronage policy has been the form of state intervention, the king's will dominated. Before the first half of the seventeenth century, although France has not set up a special government agencies responsible for the implementation of the policy related to the art of patronage, but the cause of art sponsorship has begun to take shape. The King will personally select the qualified art commissioners, and then appoint the commissioners to carry out his orders to receive artists, to the selection, purchase of works of art, who belong to the court, in accordance with established procedures to deal with affairs. In addition, Francois I in the folk there are some artistic institutions dedicated to him to find the best of art around, and even diplomats can also act as sponsors. With the development of art sponsorship, the influence of the palace gradually deepened, and the improvement of the esthetic taste of the royal court led to the rise of the artistic status of the court. The art market is extremely active, French art reached a new heyday, colorful.

"Sponsorship" in the history of French art has a special status, it is not just a simple sense of the art vocabulary, in the Renaissance specific historical environment, it also has a strong political color. Renaissance, the most profitable is neither art itself nor the artist, but the court nobles, especially Francois I introduced a series of art patronage policy greatly enriched the French royal collection of works of art. They show off their generosity, generosity, power, and glory by sponsoring art, demonstrating their superior artistic appreciation and tolerance for art. Unique and outstanding works of art to meet the political needs of the rulers, is its prominent position and external evidence of the sacred duty. "Correspondence with the social hierarchy is the power of the configuration and subsequent beliefs," novelty aroused their curiosity and desire to conquer, the unique works of art is no longer just a pure expression of personal desires, but also means that Power, wealth and taste, but also an important way to maintain social hierarchy. At the same time, the influence of the Renaissance, the competition between countries is no longer confined to economic strength, war, force, political means of competition, but also reflected in the cultural splendor and the selection of outstanding talent. This non - military competition has become an important means of communication between countries, the gift of art, circulation has gradually become a new type of diplomatic means.

Although the French Renaissance rulers of the art of love is not purely because of aesthetic needs, and later developed into a means to achieve political goals, is the king and nobles embodied identity, consolidate power, strengthen the ability of social interaction is an important way, But also an ordinary individual to please the king, to obtain personal honor and maintain social dignity of the effective way. But on the other hand, art patronage undoubtedly protected precious works of art, raised the position of artists in society and promoted the development of French art. It is precisely because the country's attention to the art market, the artists of the support and support of the art of sponsoring the cause of the norms and encouragement, the country's arts and cultural undertakings can be prosperous.

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