Paper代写：Martin Blest's film art－r51due

下面为大家整理一篇优秀的paper代写范文- Martin Blest's film art，供大家参考学习，这篇论文讨论了马丁·布莱斯特的电影艺术。 马丁・布莱斯特是一个游离在好莱坞外的导演，他的《午夜狂奔》堪称“史上最有趣的公路片”，影片的情节内容、叙事走向、视觉风格都可谓一流。公路电影是美国文化的特有产物，它作为一种类型电影已经有40余年的历史。《午夜狂奔》作为典型的公路片，整体基调张弛有度，紧张的气氛配上轻松幽默的对白，时而出现的喜剧元素使其不同于传统意义上的“类型电影”。

Martin Blest is a free outside Hollywood director, a handful of film and television works, in addition to the well-known "smell of women" outside, "Midnight Run" is also a masterpiece. The film is "the most interesting road in history", the director of the plot content, narrative direction, visual style of control is a first-class. This paper probes into the artistic style of the director from the perspective of the genre of the film, and explores the author's style through the interpretation of multiple elements.

Genre film is the result of commercialization, in the pursuit of commercial profits, the type of film constantly meet people's aesthetic needs for a certain type of classical works, and the film market operation has a positive significance, thus becoming a trend of film development. With the increase of film type and the development of genre film, as one of the important parts, the highway film is becoming more and more attractive. "Midnight Rush" as an interesting road film, about two men between a thrilling journey, identity special bounty hunter Jack and a embezzlement but good-natured accounting Jonathan, Jack thought this journey simple and easy, the bounty is like Shing, it turned into a fugitive in the pursuit of gangsters and police officers.

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The road film is a unique product of American culture, it has been a genre of film for more than more than 40 years of history. The road movie takes the modern industry of the Fifties or sixties of the 20th century as the background of the Times, takes the journey and the road as the narrative carrier, and promotes the plot development by the protagonist's encounter on the road and the inner change of the character, and shows the type of film that people are alienated, lonely, searching, communicating and rebelling. "Midnight Rush" as a typical road film, the overall tone of relaxation, the tension of the atmosphere with a relaxed humorous dialogue, and sometimes the comedy elements to make it different from the traditional sense of "type of film." Different directors use road film as a carrier, express their own thinking, from the details of their own ingenuity, "Midnight Run" is not to show the audience of Martin sincere feelings and unique style, as well as the director itself for the pursuit of film.

Comic elements are popular with audiences, and the trick of Hollywood to produce comedy is to find the audience's appetite, and Martin Blest must be a director who is particularly well aware of the audience's taste, and the comedy element in Midnight Rush is the best proof. The film is a typical multi-party interest group of the big scuffle, set bounty hunters, police, gangsters and peer competitors in one, sometimes to forge alliances, and sometimes each other, in only one goal of the chase, these no one does not constitute the comedy elements of the film.

Some of the big hot scenes in the film, such as gun battles, car chases, fighting, and even the plot of a plane, are just some of the elements that the director uses. Martin Blest is different from the general director only in the film to build the conflict between the gangster and the government, the police relationship between the classic type, nor the police as the center of the organization of the narrative, but through Jack this character to join the multiple elements of the deduction. In character role setting, Jack "bounty hunter" This identity set more appear in the traditional western film, the director will be grafted to the modern gang crime theme, and again applied to the road piece, have to admire Martin Blest's genius creation.

Martin directed the use of landscape elements, the road reflects the character of life changes, but did not focus on the end of the road, instead of focusing on the road to the story. Jack and Jonathan after the plane, train and choose to continue to go to Los Angeles on the way, looking out of the window landscape changes, Jonathan constantly use words and Jack Communication, two people's mind course also changed, after experiencing adversity became friends. What's even more impressive is the scene where Jack and Jonathan competed with the plane on the highway, the scenery of the mountain road has been breathtaking, Jack every time the steering wheel is gripping, and the excitement of the aircraft is also giving viewers different visual experience, the director through the landscape elements to promote the plot development.

"The actor chooses right, the film succeeds half", for "Midnight Run" such film, chooses Robert Denirolay plays Jack is undoubtedly. What is not known is that the director's choice and insistence on Jonathan's actor Charles Grodin at first, the company hoped that the snow son to play, but Martin refused, and later Paramount also recommended the Williams and Bruce, even the one by one rejected by Martin Director, because it violates Paramount's will, this makes the The midnight Rush was eventually taken over by the universal company. In order to choose an actor to change the production company, such as the director of the film Art in addition to Martin is a handful. In fact, Grodin in the role before the play, but in the director's insistence let the audience see a different grodin, see how he became a role, and beyond the role of the actor in front of Grodin is no less inferior, successfully shaped the image of the strong Nathan.

An actor is a mirror of a director, a good director is a performer who can play and maintain the character of an actor while making an actor a director's intention. Any director from the beginning of the film is expected to have a design for the performance of the film, the performance of the actor to anticipate, from the release of the film to the door of the two eavesdropping on the expression, Jack's ex-wife's youngest son's various performances, as well as the cheated supermarket campers and so on, By virtue of the excellent performance of the supporting actors can be inferred that the director itself is very acting talent, he knows how to play in the plot, rhythm, character psychology, character of the need to mobilize the organic nature of the actor, to tap the potential of the actor.

A good film in addition to the good script, the director is how to convert it into the audio-visual language, and how the actor is acting through the role of the life process, which is the creation of the director and actor. Jack is a man who has divorced his wife for 9 years, is a scruffy, often mouthful of "fuck", using violence to solve problems. In the script about the set of lines, there is no "fuck", but Jack in the film said 100 times fuck, rather than as an actor to the role of the creation, as the director in the name of the actor performance. In contrast to the strong Nathan, clearly is a criminal is dapper, the image of unrestrained, completely overturned the former positive and negative role of the image design. The emotional change between Jonathan and Jack in the film is also in depth with the shifting of the means of transportation, and the advice on how to use the Bounty in Jack's future: "If I were your accountant", the original line was "as an accountant". This seemingly simple change, virtually promote the emotional development between the characters, but also more embodies the director and the actor's successful creation, which gives the role of a more powerful vitality.

Martin Blest directed the successful use of comedy, landscape, police bandits and other elements in the "Midnight Rush" in the film, Jack and Jonathan because of different personalities, facing the specific events of the various attitudes and then constantly produce contradictions, conflicts, understanding, influence, from the beginning of the escape of Jonathan, to the last step into Jack's heart, Open up Jack's inner invisible barrier to the family. Director in the film character molding, adhere to their own style, with exquisite artistic language expression character emotion, to the audience is not the same attitude, in thrilling and funny also have moved, this is the film between the director and the spirit of the agreement.

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