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本篇paper代写- The characteristics of modernist painting讨论了现代主义绘画的特点。现代主义绘画在自我批判中不断地创造属于自己的“纯粹”表达方式，不同艺术家的自我批评构成了艺术的批评，艺术的发展，现代主义绘画的出现。现代主义美术，即20世纪以来具有前卫特色、与传统文艺分道扬镳的各种美术流派和思潮，又称现代派美术。19世纪80年代，法国的后印象主义、新印象主义和象征主义画家们提出的“艺术语言自身的独立价值”、“为艺术而艺术”等观念，是现代主义美术体系的理论基础。他们将原本遵循对“形体”的传统写实转向了对“光”的表现形式的写实，这种创作倾向对现代主义绘画产生了重要的影响。本篇论文代写范文由51due代写平台整理，供大家参考阅读。

In the process of self-criticism, modernist painting keeps creating its own "pure" expression, and the self-criticism of different artists constitutes the criticism of art, the development of art and the emergence of modernist painting.

Modernist art, also known as modernist art, refers to various art schools and trends of thought with avant-garde characteristics since the 20th century that diverge from traditional literature and art. In the 1880s, French postimpressionist, neo-impressionist and symbolist painters put forward such concepts as "the independent value of artistic language itself" and "art for art's sake", which are the theoretical basis of the modernist art system. They changed the traditional realism of "body" to the realism of "light", which had an important influence on modernist painting.

"The essence of modernism," says greenberg, "is to criticize the discipline itself in its own way, not to subvert it, but to better establish its sphere of competence." Therefore, modernism has become a progressive process of continuous innovation within itself, which requires a process, a change rather than a reform. Similar to the process of "take the essence and discard the dregs". Kant's self-criticism was the beginning of modernism, and then a series of more serious self-criticism in various fields formed the concept of modernism. According to greenberg, modernism is to criticize the definition itself on the basis of history, not to overthrow itself, but to establish itself more firmly in its field.

Uniqueness is also an important reason why the styles of modernist painting are so diverse, because this uniqueness is acquired through the artists' own experiences, emotions and values that cannot be derived from any other field of activity. In art learning, we must abandon the art of unified style and find a kind of purity, which means self-demarcation.

The uniqueness of modernist art media lies in its limitations -- flat surface, shape of base, properties of pigment. That is to say, modernism tends to use media more, which is the embodiment of formalism, unlike realism and naturalism, which only pursue the final picture and conceal the medium of art.

Planarity is the most basic way to define and criticize the art of modernist painting. Because the characteristic of painting art is planeness, color can be Shared in painting and drama, but planeness is not Shared with any other art. So modernist painting is moving towards planarity rather than any other direction.

Earlier, painting learned from sculpture how to use light and shade and three-dimensional modeling to create the illusion of space. In order to get rid of the three-dimensional space of sculpture, the painting focuses on the two-dimensional space, namely the planeness, which makes the painting abstract. First, it was represented by manet and impressionism and carried out anti-sculpture in the name of color. Then people found that this kind of anti-sculpture is only the problem of color against sketch, just pure visual experience.

Modernism is no longer in order to reproduce the images and paintings, to express more of a perception of things, exquisite skill has been not enough to express head thinking constantly explore new form of expression, so like Cezanne, monet, van gogh, a group of artists began to use new art gimmick to performance and the image, both from the composition, color and strokes.

How to explain the drastic simplification and equally drastic complication of recent abstract paintings in the specification of closed shapes or frames of paintings. For example, the only intersecting black lines and color blocks in mondrian's picture do not seem to be a painting, but their architectural shapes echo the image to form a new kind of constructiveness and completeness. Mondrian defined the three colors of line and red, yellow and blue, depicted a set of theories in his understanding, and continued a set of works to form a norm. However, this abstraction of the border's compliance, the use of color is too formal, too conservative.

Self-criticism of modernist art has always been spontaneous and reflexive. Although modernist painting puts forward "plan", its plan is no stronger than that of the academic school, including the artistic concept, is not clear. The modernist goal is first and foremost a personal goal. They pursue their own continuous progress, can not let themselves stay on a painting technique of expression, they have to accumulate a certain amount of knowledge, experience accumulation, when their accumulation reached a certain level, will appear the tendency of self-criticism. Criticism exists in the process of painting accumulation, in the process of continuous innovation. All kinds of strong personal color, and the form of expression together, have the modernism this cultural trend of thought.

The works of the classical masters have not been devalued by the emergence of modernism, but it is only fair for people in the past period to appreciate the works of the masters, because art is divided into stages, and each stage of the modernist art must be called for an epoch-making new beginning in art.

Art is constantly developing, and the painting style of no era is invariable. When we understand and accept a new art style, the painting style of this era has become the past tense. That's why the art that comes out of the blue is even more moving.

Impressionism after the emergence of modern art has reached a "pure", these artists draw inspiration from their painting media, excitement of their works mainly ruled out to create and organize space, performance, shape, color, etc all irrelevant things, appreciate the autonomy of painting. The development of modernism is reflected in the gradual differentiation, the return to planeness, the return to the medium of painting, and the return to art itself, and the gradual exploration and development towards the "pure" history.

Critical art is an embodiment of the development of modern painting art history. Different times lead us to see and appreciate art differently. It is criticism that inspires us to set up a new artistic aesthetic concept when appreciating modern art, instead of simply taking the authenticity of paintings as the standard of appreciation. Therefore, only by constantly improving their appreciation of the level, in order to more deeply understand the touching modernist painting.

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