下面为大家整理一篇优秀的essay代写范文- French romantic art and English romantic art,供大家参考学习,这篇论文讨论了法国浪漫主义美术与英国浪漫主义美术。起源于法国的浪漫主义运动是对18世纪法国启蒙运动理性主义的反驳,19世纪的法国浪漫主义美术将浪漫追求与时代精神、社会斗争相结合,画面充满激情昂扬的热血气氛,在艺术创作和艺术表达上具有进步意义,是一种积极的美术创作态度。而英国浪漫主义绘画创作主要表现在历史画领域,以古代神话、圣经故事、文学历史题材作为大型情节性绘画创作,画面创作题材、形式上都与现实生活缺少直接联系,以抒发个人浪漫情怀或者怀旧情绪为主;艺术家在注重情感表现的同时,发现了绘画新的审美范畴,表现了一种消极的绘画态度。
The romanticism movement originated in France is a refutation of the rationalism of the enlightenment in France in the 18th century. Romanticism art painting creation pays attention to the expression of emotional imagination, freedom of thought, human ideal, digging into the deep inner world of people. In terms of artistic expression, romanticism often expresses the conflicts of human nature and social contradictions by creating very strong dramatic effects full of infectious emotions. The picture is good at using symbolism, allegorical meaning, exaggeration and contrast to express the idea of the picture; In terms of tone and brushwork, the expressive force of tone and smooth and unrestrained brushwork add freedom, lightness and romanticism to the picture. In terms of creation subject matter, romanticism mainly chooses tragedy subject matter, literary genre, or exotic subject matter for creation. Through the imagination of tragic and shocking literary stories, romanticism conveys people's emotion, hope and strength in tragedy. French romanticism painting in the 19th century brought this personality to the extreme and broke through the bondage of classical art in the same period. French romantic art combines the romantic pursuit with the spirit of The Times and social struggle. The picture is full of passionate and passionate blood atmosphere, which is of progressive significance in artistic creation and expression. It is a positive attitude towards artistic creation.
At the same time, Britain was in the period of industrial revolution in the 18th century. On the one hand, the social environment re-established the value of human beings; on the other hand, it profoundly changed the class relationship of British society and the relationship between human beings and nature. Therefore, romanticism in the sense of English literature was the product of industrial revolution. The creation of British romanticism painting is mainly manifested in the field of historical painting. Ancient myths, bible stories and literary and historical themes are used as large-scale plot painting creations. The painting themes and forms are not directly related to real life and are mainly used to express personal romantic feelings or nostalgia. While paying attention to the expression of emotion, artists have discovered a new aesthetic category of painting, that is, the painting shows a negative painting attitude by presenting the illusion, horror, and even ugliness as the aesthetic view of artistic creation.
French romanticism represents the painting families of gerico and delacroix. Gerriko's life was short, and his painting creation always had a strong affinity with horses. He worshiped actors who trained horses since childhood, and he created thousands of paintings and paintings of horses. However, he ended his young life because he fell off a horse and was injured. The picture depicts the desperate people in the night in the endless sea to see the horizon of the ship shadow for a moment. Representative works include frightened horse, epson racing horse, cavalry officer in charge, etc., and outstanding representative the raft of medusa, which is composed of a pyramid with a black man at the top waving his red shirt as much as possible to attract the attention of ships in the distance. The depiction of the black people who are held high also shows that the prejudice against the black tradition is broken and the author's blood and imagination are highlighted. The people below crowded around each other and held each other, the hungry, the death-stricken people making their last desperate struggle. The crowd was generally confused and nervous. There were people who were holding up the black people who were Shouting for help, there were people who were talking about better ways. In sharp contrast to the noise and panic, there was a dead body lying quietly on the edge of the wood. There was also an old man sitting silently on the edge of the wood night. He was holding his dead son in his arms, looking desperate and seemingly indifferent to survival. At the left end of the picture, there is a tilted sail, which is full of wind and swaying in the sea wind, forming a visual correspondence with the human tower in front. The picture vividly expresses the suffering of the turbulent waves. The impact of the waves, the survival, strength and hope of the characters in the picture all touch the emotions of the viewers.
Delacroix's "the slaughter of the isle of hias" also marks the arrival of the heyday of French romanticism. The painter draws on world-renowned events to show the humiliation suffered by the Greek nation. His compassionate art arouses people's infinite sympathy for the oppressed. "Free to lead the people" is the artist's creative imagination to the peak of the work. In the picture, the goddess of the upper world appears half-naked on the barricade, holding a bayonet rifle and leading the insurgents to advance. The viewer will not have any sense of incongruity, as his eyes are drawn to the scene of gunfire. In the picture, the battle scenes of thousands of troops and horses are fully displayed by five or six people. How can this ability of generalization and exaggeration not be surrendered?
Black, an important figure in the English romantic school of painting, is also a famous poet in the history of English literature. Black was born in a small merchant family in London, England. At the age of 14, he was apprenticed to a famous engraving painter, but he did not receive professional art training. His art activities were mainly to make book binding at the request of booksellers. He drew many illustrations of literary works to reproduce the images of myths, religions and literary allusions, but these images were often mixed with his critical attitude towards British society, as well as his humanitarian thoughts and religious views. His Jesus is a humanized god, the embodiment of human virtue. As long as the expression of love for god in art, it reflects his aesthetic view of harmony between human and nature. Most of the paintings are in tempera, watercolor, bronze plate, and a small number of wood carvings. Black's life was full of ups and downs and loneliness. He always expressed his political views and strong religious emotions in the form of illustrations, and his works were shrouded in a mysterious color of doctrine. It represents the creation of Adam by Jehovah, one of his best tempera paintings. The image of yahweh, with its wings outstretched and its body straightened, hurries through space like a rocket. Adam is under its body, with a snake wrapped around his lower body, floating in the illusory and mysterious sky under the cover of god. Here is the use of strong color lines, the image of the dynamic force, with printmaking fun, but the picture is all painted in watercolor, the blind god of old age has a long beard flying, sitting in the fire car, is rebuke Adam, naked Adam humble, bound hands to punish, very imaginative, is a typical representative of the British romantic painting creation. Other representative works are death star, compassion, river of life and so on.
Romantic painting broke the shackles of classical creation, and showed the artist's creative personality, emotion and imagination through dramatic imagination and description of social events and tragic stories. However, in different regions and different cultural backgrounds, the artistic expression in the same period and the same art school is different. French romantic art combines romantic pursuit with the spirit of The Times and social struggle. The picture is full of passionate blood and hope, showing a positive romantic art. The dreamy, horrible and exotic atmosphere expressed by the British romantic painters conveys a kind of negative romantic art. In a word, the prosperity and development of romantic painting school has a very high influence and value on the creation and development of western art.
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